Showing results by narrator "Indira Varma" in All Categories

Everybody knows there's no such thing as a female wizard. So when the wizard Drum Billet accidentally passes on his staff of power to an eighth daughter of an eighth son, a girl called Eskarina (Esk, for short), the misogynistic world of wizardry wants nothing to do with her.

When Elizabeth Bennet first meets eligible bachelor Fitzwilliam Darcy, she thinks him arrogant and conceited; he is indifferent to her good looks and lively mind. When she later discovers that Darcy has involved himself in the troubled relationship between his friend Bingley and her beloved sister Jane, she is determined to dislike him more than ever. In the sparkling comedy of manners that follows, Jane Austen shows the folly of judging by first impressions and superbly evokes the friendships, gossip and snobberies of provincial middle-class life.

Three witches gathered on a lonely heath. A king cruelly murdered, his throne usurped by his ambitious cousin. A child heir and the royal crown, both missing.

The witches Granny Weatherwax, Nanny Ogg and Magrat Garlick are travelling to far-distant Genua to stop a wedding and save a kingdom. But how do you fight a happy-ever-after, especially when it comes with glass slippers and a power-hungry Fairy Godmother who has made Destiny an offer it can't refuse? It's hard to resist a good story, even when the fate of the kingdom depends on it....

A delightfully funny, fantastically inventive collection of twenty unearthed short stories by Sir Terry Pratchett, the award-winning and bestselling author and creator of the phenomenally successful Discworld fantasy series. These rediscovered tales were written by Terry Pratchett under a pseudonym for British newspapers during the 1970s and 1980s. The stories have never been attributed to him until now, and might never have been found—were it not for the efforts of a few dedicated fans.

Vampires have come to Lancre, but they're not what you'd expect. Sure, they drink blood and view humans as dinner, but they're modern and sophisticated. They've got style and fancy waistcoats. And they're not a bit afraid of garlic. The Magpyr family are out of the casket and want a bite of the future. But they haven't met the neighbours yet. Between them and Lancre stand a coven of four - Granny Weatherwax, Nanny Ogg, Magrat and young Agnes - and they don't take kindly to murderous intruders....

The second in beloved and bestselling fantasy grandmaster Sir Terry Pratchett's beloved Discworld novels starring the young witch Tiffany Aching. Tiffany Aching is ready to begin her apprenticeship in magic. She expects spells and magic—not chores and ill-tempered nanny goats! Surely there must be more to witchcraft than this. What Tiffany doesn't know is that an insidious, disembodied creature is pursuing her.

On Midsummer Night, dreams are especially powerful. So powerful, in fact, that they can cause the walls between realities to come crashing down. And some things you really don't want to break through.

When the Spirit of Winter takes a fancy to Tiffany Aching, he wants her to stay in his gleaming, frozen world. Forever. It will take all the young witch's skill and cunning, as well as help from the legendary Granny Weatherwax and the irrepressible Wee Free Men, to survive until Spring. Because if Tiffany doesn't make it to Spring, Spring won't come for anyone.

A nightmarish danger threatens from the other side of reality. . . . Armed with only a frying pan and her common sense, young witch-to-be Tiffany Aching must defend her home against the monsters of Fairyland. Luckily she has some very unusual help: the local Nac Mac Feegle—aka the Wee Free Men—a clan of fierce, sheep-stealing, sword-wielding, six-inch-high blue men.

After losing her parents, young Mary Lennox is sent from India to live in her uncle's gloomy mansion on the wild English moors. She is lonely and has no-one to play with, but one day she learns of a secret garden somewhere in the grounds that no one is allowed to enter. Then Mary uncovers an old key in a flowerbed - and a gust of magic leads her to the hidden door. Slowly she turns the key and enters a world she could never have imagined.

The Opera House in Ankh-Morpork is home to music, theatrics and a harmless masked Ghost who lurks behind the scenes. But now a set of mysterious backstage murders may just stop the show. Agnes Nitt has left her rural home of Lancre in the hopes of launching a successful singing career in the big city. The only problem is, she doesn't quite look the part. And there are two witches who would much rather she return home to join their coven.

Deep in the Chalk, something is stirring. The owls and the foxes can sense it, and Tiffany Aching feels it in her boots. An old enemy is gathering strength. This is a time of endings and beginnings, old friends and new, a blurring of edges and a shifting of power. Now Tiffany stands between the light and the dark, the good and the bad. As the fairy horde prepares for invasion, Tiffany must summon all the witches to stand with her. To protect the land. Her land.

England's 'Glorious Revolution' of 1688 and the reign of new monarchs William and Mary signified a turning point for Restoration comedy with laws being passed to restrict playwrights' freedoms. The latter years are marked by a shift towards more moral storylines, mixing humour with social and political issues, alongside the lighthearted 'comedy of manners'. The works in this collection bring together these complementary styles, full of humour while also focusing on hard hitting themes.

We follow the fortunes of Mickey Bliss and his fellow signallers from the Lahore Division of the British Indian Army as they experience life - and death - on the front line. Meanwhile, Dr Celestine de Tullio battles to save soldiers suffering from gas gangrene and trench fever - and experiences the fighting firsthand when she enlists in the Serbian Army and commands a dangerous offensive. They are all cogs in an immense machine, one which connects situations across the whole theatre of the war, over four long years.

As the witch of the Chalk, Tiffany Aching performs the distinctly unglamorous work of caring for the needy. But someone—or something—is inciting fear, generating dark thoughts and angry murmurs against witches. Tiffany must find the source of unrest and defeat the evil at its root. Aided by the tiny-but-tough Wee Free Men, Tiffany faces a dire challenge, for if she falls, the whole Chalk falls with her. . . .

Tiffany Aching leaps into a dance - and suddenly the spirit of winter is in love with her. He's showering her with snowflakes and offering her a crown of ice. Which is creepy, but also just a little bit...cool. Now she's dancing to his tune. She can't change the steps. But unless Tiffany can work out how to deal with the Wintersmith, there will never be another springtime.

Tiffany Aching is ready to begin her apprenticeship in magic, but life isn't exactly what she thought it would be. She expects spells and magic - not chores and ill-tempered goats! Surely there must be more to witchcraft than this? And Tiffany will find that she needs her magic more than ever, to fight off the insidious, disembodied creature that is pursuing her. This time, neither Mistress Weatherwax (the greatest witch in the world) nor the fierce, six-inch-high Wee Free Men can protect her. In the end, it will take all of Tiffany's inner strength to save herself.

Living on the island of Cyprus, Nisha is far from her native Sri Lanka. Though she longs to return home, she knows that working as a nanny and maid for a wealthy widow is the only way to earn enough to support her daughter, left behind to be raised by relatives. Yiannis is a poacher, trapping the tiny protected songbirds that stop in Cyprus as they migrate each year from Africa to Europe and selling them on the illegal market. He dreams of finding a new way of life, and of marrying Nisha.

Often described as ‘the father of realism’, Henrik Ibsen was a pioneer of modernist drama. He influenced playwrights as diverse as George Bernard Shaw and Oscar Wilde, and is the most frequently performed dramatist in the world after Shakespeare. Included in this collection are adaptations of his tragicomic masterpiece The Wild Duck, his complex and compelling play Rosmersholm, the epic drama Brand and the tragedy John Gabriel Borkman.