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Henrik Ibsen
- Nine Full-Cast BBC Radio Dramatisations
- Narrated by: David Threlfall, Full Cast, Harriet Walters, Helen Baxendale, Indira Varma, Lesley Manville, Nicholas Farrell, Samuel West
- Length: 16 hrs and 15 mins
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Publisher's summary
Often described as 'the father of realism', Henrik Ibsen was a pioneer of modernist drama. He influenced playwrights as diverse as George Bernard Shaw and Oscar Wilde, and is the most frequently performed dramatist in the world after Shakespeare.
Included in this collection are adaptations of his tragicomic masterpiece The Wild Duck, his complex and compelling play Rosmersholm, the epic drama Brand and the tragedy John Gabriel Borkman. Ibsen's A Doll's House is relocated to 1879 India in Tanika Gupta's Audio Drama Award-winning dramatisation, while the provocative and scandalous Ghosts is adapted by Richard Eyre, with the cast of his Olivier Award-winning Almeida Theatre production.
Also featured are vibrant dramatisations of Hedda Gabler, whose desperate heroine is trapped in a suffocating marriage; The Lady from the Sea, about a woman torn between security and passion; and An Enemy of the People, in which a whistleblower reveals an inconvenient truth and is vilified for it.
The casts of these stunning dramas include David Threlfall, Nicholas Farrell, Helen Baxendale, Indira Varma, Lesley Manville and Harriet Walter.
Track listing:
The Wild Duck
Rosmersholm
Brand
John Gabriel Borkman
A Doll's House
Ghosts
Hedda Gabler
The Lady from the Sea
An Enemy of the People
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Audible Originals takes to the high seas to bring to life this timeless tale of pirates, lost treasure maps and mutiny. When weathered old sailor Billy Bones arrives at the inn of young Jim Hawkins' parents, it is the start of an adventure beyond anything he could have imagined. When Bones dies mysteriously, Jim stumbles across a map of a mysterious island in his sea chest, where X marks the spot of a stash of buried pirate gold.
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A reflective adventure
- By Tad Davis on 09-12-17
By: Robert Louis Stevenson, and others
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All the Ugly and Wonderful Things
- A Novel
- By: Bryn Greenwood
- Narrated by: Jorjeana Marie
- Length: 11 hrs and 8 mins
- Unabridged
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As the daughter of a drug dealer, Wavy knows not to trust people, not even her own parents. It's safer to keep her mouth shut and stay out of sight. Struggling to raise her little brother, Donal, eight-year-old Wavy is the only responsible adult around. Obsessed with the constellations, she finds peace in the starry night sky above the fields behind her house until one night her stargazing causes an accident. After witnessing his motorcycle wreck, she forms an unusual friendship with one of her father's thugs, Kellen, a tattooed ex-con with a heart of gold.
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So many 'hard to listen to' moments
- By jksullycats on 12-27-16
By: Bryn Greenwood
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The Jane Austen Collection
- An Audible Original Drama
- By: Jane Austen
- Narrated by: Claire Foy, Gugu Mbatha-Raw, Billie Piper, and others
- Length: 45 hrs
- Unabridged
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Renowned as much for her wit and satirical social commentary as for her stories of love and romance, Jane Austen remains unfailingly relevant and one of Britain’s best loved authors. In this Audible Original collection, an all-star list of narrators (Billie Piper, Claire Foy, Emma Thompson, Florence Pugh and Gugu Mbatha-Raw) capture Austen’s pin-sharp humour and tone in these dramatisations of her six beloved novels accompanied by a full cast.
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Not a faithful rendition
- By Anne McClain on 12-13-20
By: Jane Austen
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Dracula [Audible Edition]
- By: Bram Stoker
- Narrated by: Alan Cumming, Tim Curry, Simon Vance, and others
- Length: 15 hrs and 27 mins
- Unabridged
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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Only Daughter: A gripping and emotional psychological thriller with a jaw-dropping twist
- By: Sarah A. Denzil
- Narrated by: Tamsin Kennard
- Length: 11 hrs and 11 mins
- Unabridged
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"Your daughter is dead." When Kat Cavanaugh hears the words every mother dreads, her perfect world shatters. She takes in the beautiful long blonde hair, torn yellow dress, and chipped blue nail-varnish. It can’t be real. And then the police add the word "suicide". But Kat refuses to believe them. Even when they show her the familiar looping handwriting and smudged ink on the note her little girl left behind. She knows her bubbly, vivacious daughter would never take her own life.
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Amazing! Do not miss!
- By holly poe on 04-16-19
By: Sarah A. Denzil
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A Doll House
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Nora Helmer has everything a young housewife could want: Beautiful children, an adoring husband, and a bright future. But when a carelessly buried secret rises from the past, Nora’s well-calibrated domestic ideal starts to crumble. Ibsen’s play is as fresh today as it was when it first stormed the stages of 19th-century Europe.
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A classic, but new to me
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Marlowe wrote the plays - all of them
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One of the greatest novelists of all time, Leo Tolstoy is famed worldwide for his masterpieces of realist fiction, War and Peace and Anna Karenina. This comprehensive collection contains both those iconic works, as well as his final novel, Resurrection, his autobiographical essay 'A Confession', Stephen Wakelam's dramatic account of his tempestuous marriage, Mrs Tolstoy, and In Our Time: Tolstoy.
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Excellent adaptation..No chapter titles
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Peer Gynt
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Peer Gynt, the five-act romantic play in verse by the Norwegian dramatist Henrik Ibsen, is one of the most widely performed Norwegian plays. Based on a Norwegian folk hero, the title character is a rogue who will be destroyed unless the love of a woman saves him. At a wedding he meets Solveig, who falls in love with him, but Peer ruins the wedding by abducting, then abandoning the bride. Then Peer goes global, misbehaving in a trail of adventures around the world. When he finally returns to Norway, old and embittered, Solveig welcomes him home, and he's redeemed by her love.
By: Henrik Ibsen
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Long Day's Journey into Night
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Inarguably one of the greatest dramas in the history of the American theater” (Chicago Tribune), Eugene O'Neill’s LONG DAY’S JOURNEY INTO NIGHT receives a vibrant and timely update….
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A Terrific Reimagining of a Masterpiece
- By Trevor M. on 06-02-22
By: Eugene O'Neill
What listeners say about Henrik Ibsen
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- MM@CC
- 01-20-23
A Doll’s House
As everyone has said, the version of A Doll’s House is worth the credit or payment by itself. The production values and overall direction by Nadia Molinari is superb. Indira Varma is amazing - a remarkable performance. Toby Stephens is also very good. It enlivens and revivifies the entire play, which is a well-worn classic.
The production of The Wild Duck is also very good. While it doesn’t revolutionize the play the way the version of A Doll’s House does, it’s a very good production.
As well as for entertainment, these recordings are a good way to study and review the plays, especially if you have a test coming.
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- Jeffrey Epstein
- 12-15-21
A Doll’s House Alone is Worth the Credit
Most radio productions are terrible. Hedda Gabler is flat and the rest are poor. But the Indian adaptation of A Doll’s Hose is first rate in every way!
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- Adeliese Baumann
- 05-23-24
Ibsen destroyed!
Ibsen deserves ten stars any day, but the adaptations are travesties.
If I wanted to listen to something set in India, I would have chosen one of the many beautiful plays or novels from India that are available here.
I wanted Ibsen and Ibsen is Norwegian. Whether anyone likes it or not, language forms culture. I am not a fan of transpositions. Often they are insulting to the culture into which they are set, as here with India.
In other plays, many actors are miscast. The brilliant Harriet Walters, whom I love, is unconvincing in Hedda Gabler and Michael Maloney overacts to an annoying degree unusual even for him, to name but two examples.
This is an appalling excuse of a title I wish I’d avoided.
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