Showing results by author "Lawrence Block" in All Categories

Struggling folksinger Ellen Cameron can't believe her luck. Not only is the State Department sponsoring her trip to West Berlin, but her agent has arranged for her to tour Ireland. It's just the break she needs. And better yet, she's meeting the friendliest and most interesting people on her trip, from a kind priest on the plane to a handsome American studying abroad.

Lawrence Block remembers: I stopped writing for Nightstand Books when I stopped being a Scott Meredith client in early 1964. Bill Hamling’s publishing operation was a closed market, exclusive to the Meredith agency, so it was time for me to give up being Andrew Shaw. I had a wife, I had a mortgaged house in a Buffalo suburb, I had two young daughters—and I had no visible means of support. Well, one finds a way. I established two new writing selves, Jill Emerson and John Warren Wells. And I wrote a final Andrew Shaw type novel, though not as Andrew Shaw, as I recount in my memoir of my ...

Lawrence Block reports: “THE SIN-DAMNED was one of the early Andrew Shaw titles, published by Nightstand Books in sometime in 1960. The cover, like that of many of its contemporaries, is the work of Harold W. McCauley. “While I can recognize the text as my work, I can’t claim to recall writing it. Every day the great hoard of things I don’t remember grows incrementally larger, and writing this novel has long since been a part of it. I do know, though, that someone else supplied the title, probably some editor in publisher Bill Hamling’s employ. It could have been Harlan Elison, or...

LAWRENCE BLOCK observes: “SIN BUM was published sometime in 1963 as Midnight Reader #472. (Midnight Reader was a sister imprint of Nightstand Books.) “It may have been the final book I wrote as Andrew Shaw, the last title of mine brought out by publisher William Hamling. Or not—it’s impossible to tell. There were other titles by other hands than mine that would be published under my Andrew Shaw pen name, and there would be a stream of retitled books reissued in the 1970s with their prose slightly tweaked to reflect relaxed taboos, but it was sometime in 1963 that I stopped writing ...

Is he an out-and-out mincing homosexual? Or a closet queen? A transvestite masquerading in full make-up and dress as a woman? A muscle-bound stud? Or is he just your normal American boy who happens to be in the business for himself, selling desirable merchandise--his body--at prices the market will bear? In THE MALE HUSTLER John Warren Wells talks frankly and at length to seven male prostitutes. They tell exactly what they do for a living; how they find their clients, what they think about their clients--and themselves; they talk about money, about men, about women. This book is a ...

You might be surprised to learn that back in 1961 Nightstand Books published an inquiry into the heartbreak of scoliosis, but—oh, hang on a minute. You say the title refers to characters who are not spinally but psychosexually bent?Oh.Well, never mind.Dave and Nancy Grantland look for all the world like happy couple leading a comfortable suburban lifestyle. And Lucy King, the regular babysitter for the Gavilans next door, looks for all the world like a normal teenager.But Dave’s lost interest in sex with his wife, as he increasingly becomes obsessed with the desire for a much younger ...

When Joyce Kendall arrives in New York, fresh out of Clifton College in Iowa, she has a job and an apartment waiting for her. The job's as a first reader for Armageddon Publications. The apartment's at 21 Gay Street, and the small Federal-period house is already home to a lesbian couple, Jean Fitzgerald and Terri Leigh, and an out-of-work newspaperman, Pete Galton. The relationships of these four people under one roof add up to a fast-paced story that is not only satisfying fiction but a rare window on Bohemian life in the late 1950s.

After spending her girlhood writing gentle and thoughtful novels of the lesbian experience (Shadows, Warm and Willing, Enough of Sorrow), Jill Emerson reinvented herself in the early 1970s, just when contemporary literature was experiencing an enormous flowering of sexuality.

TRAMP was first published in 1961 by Nightstand Books, under the pen name of Andrew Shaw. Here's a taste of the text: "IT WAS PRECISELY ten o’clock when the alarm went off. The clock, purchased years ago at a drugstore for not much money, made up in volume what it lacked in melody. It did not ring, exactly; it jangled. Schoenberg would have been delighted with the twelve-tone discordance of the clock. "For perhaps ten seconds the clock rang without eliciting any response whatsoever. Then, dreamily, a hand worked its way out from under the bedcovers. The hand pawed its way through warm and...

Lawrence Block remembers: "Well, in point of fact, I don't remember much. SINTIME was an Andrew Shaw title for Nightstand Books. The book opens at a resort in or around Vergennes VT, a setting that was certainly inspired by a visit my then-wife and I made to friends of ours who were summering in or around Vergennes. It was a pleasant few days, as I recall, and the friends we were visiting were Hal and Marcia Dresner. Hal was a writer, writing the same sort of books as I, and for the same publishers; he moved on sooner than I did, went out to Los Angeles, had a fine career as a screenwriter,...

Lawrence Block remembers: “Sexpot! was my sixth book for Nightstand, my sixth as Andrew Shaw. Aside from admiring Harold W. McCauley’s cover—and isn't it a perfect example of what it is?—I can’t say I ever really looked at the book after I’d gathered the pages of typescript together, hailed a taxi, and hand-delivered them to my agent at 580 Fifth Avenue. “Or did I put them in the mail? It depends whether I wrote Sexpot! before the spring of 1960, while I was living on Starin Avenue in Buffalo, or later, after I’d married and moved to 110 West 69th Street in New York. ...

Sound interesting? The author thinks so too! Listen to Born to Be Bad and experience the compelling world of erotica.

A missing person case brings private eye Roy Markham to the remote winter-bound college town of Cliff's End, New Hampshire. But what began as a routine investigation quickly becomes dark and dangerous. Six pornographic photos and a tidy little blackmail scheme result in a brutal and baffling murder, and no one is safe - especially Markham himself.

Twelve-year-old Ariel is a strange, solitary girl. Recently, Ariel and her mother have seen a ghostly figure in their house. As a result, they are both having dreams that are becoming stranger, yet more and more real. What is the link between this frightening manifestation and the house? Lawrence Block carefully blurs the boundaries between fear and obsession as he steadily increases the suspense. As Ariel's family moves toward tragedy, so does the reader's certainty that a terrible force is at work.

Lawrence Block writes: “As a prelude to the process of republishing The Wife-Swappers, I Googled my way to a textual analysis of Andrew Shaw titles by Lynn Munroe, perhaps the leading scholar of Midcentury Erotica. He says of this particular novel, ‘Perhaps the worst-written of the early Shaws (which is saying it's almost unreadable)…’ “I’m not sure it’s terribly wise of me to quote this observation as a way of introducing a book I’d presumably like you to buy. I have a feeling Lynn’s judgment may have been a little harsh, but maybe not. “Regardless, the literary merit ...

Rhoda’s divorce has her thinking that romance is not for her. But maybe she just needs to look in a new direction. Megan is an attractive blonde who instantly sees what Rhoda’s love life has been missing: a woman’s touch. As Megan guides Rhoda into the sensuous - but hidden - world of women who love women, the two unlock a passion that may be too hot to contain. There are a lot of beautiful women in the Village, and Rhoda’s just begun her adventure as a freewheeling lesbian.

Turning 29 years old, Janet Giddings Kurland starts a journal and records her comfortably routine suburban lifestyle. But when she rolls the dice with her friend's husband, she starts down a path that will lead her to the hip streets of Greenwich Village. Amidst the sexually free, Janet blossoms and her housewife's journal turns into a sex diary filled with unexpected encounters, dangerous partners, and drug-fueled sexual escapades.

Keller ist ein Killer. Durch und durch Profi, cool, selbstsicher, kompetent, zuverlässig. Aber er ist auch eine vielschichtige Persönlichkeit: in sich gekehrt und zurückgezogen, eiskalt und gnadenlos effizient, aber zugleich anfällig für Selbstzweifel und Einsamkeit, Albträume und Zukunftssorgen. Seinem Therapeuten gegenüber gibt er sich als "Troubleshooter" eines großen Unternehmens aus, aber sein eigentliches Metier ist Mord.

The sexual upheaval of the 1970s was a remarkable turning point in the evolution of contemporary sexual behavior. As much as anyone, John Warren Wells stalked the barricades of this social revolution. He met the players, and let them pour their stories into his sympathetic ear. From the original publisher's edition:" The Taboo Breakers is a penetrating, unbiased study of these modern "swingers." Just what do they do, and with whom, and why? Are they fools and sinners, the shock troops of a new sexual revolution, hell-bent hedonists piling one thrill upon another? Or are they merely ...

Lawrence Block remembers: “I wrote Campus Tramp in July of 1959. By then I had written four or five erotic novels for Midwood Tower Books, Harry Shorten’s new paperback publishing venture, all of them published under the pen name of Sheldon Lord. Campus Tramp was written for another publisher, William Hamling’s Nightstand Books, and I chose a new pen name for it—Andrew Shaw. “Before long young mister Shaw was writing a book a month for Nightstand. At one point I brought in a ghostwriter, a friend of my friend Don Westlake, taught him how to write erotic novels, and took a sliver ...