Showing titles in Magical Realism

In an abandoned mansion at the heart of Barcelona, a young man, David Martín, makes his living by writing sensationalist novels under a pseudonym. The survivor of a troubled childhood, he has taken refuge in the world of books, and spends his nights spinning baroque tales about the city's underworld. But perhaps his dark imaginings are not as strange as they seem, for in a locked room deep within the house lie photographs and letters hinting at the mysterious death of the previous owner.

Joseph, a literature student at Berkeley, is the son of a Jewish mother and a Muslim father. One day, a mysterious package arrives on his doorstep, pulling him into a mesmerizing adventure to uncover the tangled history that binds the two sides of his family. For generations, the men of the al-Raqb family have served as watchmen of the storied Ibn Ezra Synagogue in Old Cairo, built at the site where the infant Moses was taken from the Nile. Joseph learns of his ancestor Ali, a Muslim orphan who became enchanted by the legendary - perhaps magical - Ezra Scroll.

Wayétu Moore’s powerful debut novel, She Would Be King, reimagines the dramatic story of Liberia’s early years through three unforgettable characters who share an uncommon bond. Gbessa, exiled from the West African village of Lai, is starved, bitten by a viper, and left for dead, but still she survives. June Dey, raised on a plantation in Virginia, hides his unusual strength until a confrontation with the overseer forces him to flee. Norman Aragon, the child of a white British colonizer and a Maroon slave from Jamaica, can fade from sight when the earth calls him.

Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are lovesick doctors, students, ex-boyfriends, actors, bartenders, and even Kafka’s Gregor Samsa, brought together to tell stories that speak to us all. In Men Without Women, Murakami has crafted another contemporary classic, marked by the same wry humor and pathos that have defined his entire body of work.

Jeanie Masterson has a gift: She can hear the recently dead and give voice to their final wishes and revelations. Inherited from her father, this gift has enabled the family undertakers to flourish in their small Irish town. Yet she has always been uneasy about censoring some of the dead's last messages to the living. Unsure, too, about the choice she made when she left school seventeen years ago: to stay or leave for a new life in London with her charismatic teenage sweetheart.

In the wake of an unimportant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing the death of her mother, the grief-stricken Pampa Kampana becomes a vessel for a goddess, who begins to speak out of the girl’s mouth. Granting her powers beyond Pampa Kampana’s comprehension, the goddess tells her that she will be instrumental in the rise of a great city called Bisnaga—“victory city”—the wonder of the world.

The tale begins with Agnes. After losing her baby, Agnes is called to the great manor house to nurse the local lord’s baby boy. But something is wrong with the child: his nails grow too fast, his skin smells of soil, and his eyes remind her of the dark forest. As he grows into a boy, then into man, a plague seems to follow him everywhere. Trees wither at the roots, fruits rot on their branches, and the town turns against him

After a devastating loss, Brynn Wilder escapes to Wharton, a tourist town on Lake Superior, to reset, and checks into a quaint boardinghouse. In her fellow lodgers, she finds a friendly company of strangers: the frail Alice, cared for by a married couple with a heartbreaking story of their own; LuAnn, the eccentric and lovable owner of the inn; and Dominic, an unsettlingly handsome man inked from head to toe in mesmerizing tattoos. But in this inviting refuge, a mystery begins to swirl. Alice knows things about Brynn, about all of them, that she shouldn’t.

Karen Russell’s comedic genius and mesmerizing talent for creating outlandish predicaments that uncannily mirror our inner in lives is on full display in these eight exuberant, arrestingly vivid, unforgettable stories. In “Bog Girl”, a revelatory story about first love, a young man falls in love with a 2,000-year-old girl that he’s extracted from a mass of peat in a Northern European bog. In “The Prospectors”, two opportunistic young women fleeing the depression strike out for new territory, and find themselves fighting for their lives. Plus much more.

Queen Isadora reigns with secrets and lies and will do whatever it takes to keep her throne, including killing the rightful heir. Hunted by the queen, Kenna is thrust into the center of a rebellion that seeks to end her tyranny. Now, she must learn what it means to rise up and rule, but does she have what it takes? Or will the cost of the rebellion be more than she can give? As the stirrings of war threaten to tear the country apart, Kenna must fight to hold her Chosen together before they too become another causality.

Information is everything in "Hard-Boiled Wonderland". A specialist encrypter is attacked by thugs with orders from an unknown source, is chased by invisible predators, and dates an insatiably hungry librarian who never puts on weight. In "The End of the World" a new arrival is learning his role as dream-reader. But there is something eerily disquieting about the changeless nature of the town and its fable-like inhabitants. Told in alternate chapters, the two stories converge and combine.

At the center: a young woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life, but which caused her light-skinned mother to deny her even the simplest forms of love. There is Booker, the man Bride loves, and loses to anger.

Irene Beltrán is a force to be reckoned with. As a magazine journalist, an unusual profession for a woman with her privileged upbringing, she is constantly challenging the oppressive regime. Her investigative partner is photographer Francisco Leal, the son of impoverished Spanish Marxist émigrés. Together, they are an inseparable team and - despite Irene’s engagement to an army captain - form a passionate connection.

Joe-Nathan likes the two parts of his name separate, just like dinner and dessert. Mean Charlie at work sometimes calls him Joe-Nuthin. But Joe is far from nothing. Joe is a good friend, good at his job, good at making things and at following rules, and he is learning how to do lots of things by himself. Joe’s mother knows there are a million things he isn’t yet prepared for. While she helps to guide him every day, she is also writing notebooks of advice for Joe, of all the things she hasn’t yet told him about life and things he might forget.

Sadie Way Scott has been avoiding her family and hometown of Sugarberry Cove, Alabama, since she nearly drowned in the lake just outside her mother’s B&B. Eight years later, Sadie is the host of a much-loved show about Southern cooking and family, but despite her success, she wonders why she was saved. What is she supposed to do? Sadie’s sister, Leala Clare, is still haunted by the guilt she feels over the night her sister almost died. Now, at a crossroads in her marriage, Leala has everything she ever thought she wanted - so why is she so unhappy?

Once a decade a story collection rips a hole in the sky and we remember how it feels to have a spell cast upon us. From Jamaica Kincaid’s At the Bottom of the River to Denis Johnson’s Jesus’s Son to the earthquake stories of Haruki Murakami, these books are often short, but unforgettable. Samanta Schweblin’s Good and Evil is such a book. Sculpted and lucid, strange and uncanny, here is a masterpiece of suggestiveness. Step by step these six stories lure us into the shadows to confront the monsters of everyday life—ourselves.

After the mysterious disappearance of her fiancé, Alma Hughes moves to a remote island in the North Atlantic, where she hopes to weather her grief and nurture her ailing dog. But the strange town of Violette has mysteries as well. Townsfolk say that the radio tower overlooking their town broadcasts messages through their home appliances, their dreams, even the sea itself. When lightning strikes the tower, illuminating the sky in a brilliant flash, Alma finds herself caught in the unexplainable aftermath of one of Violette’s deadliest storms.

It’s 1923 and in a decade that promises excitement and liberation, Pearl Glenham and her father are invited to a mysterious country house party on the Dorset coast, by a total stranger. Her father claims not to have any prior association with Highcliffe House, but upon arrival, it is apparent that he has a shared history with several of the guests, although he won’t admit it. Belatedly discovering that her father was blackmailed into attending, Pearl’s worries are compounded when their host fails to arrive…

Una maravillosa muestra del talento narrativo de Murakami que nos abre las puertas a otras realidades y nos lleva de la mano a mundos fantásticos. Un hombre que se obsesiona con la insólita y misteriosa desaparición del elefante de un zoo, un abogado en paro que recibe el encargo de su mujer de encontrar a su gato, una pareja de recién casados que deciden atracar un MacDonald's en plena noche, una curiosa digresión sobre los canguros, un enano diabólico que baila, un joven empeñado en burlarse de su futuro cuñado, un pirómano confeso.

Nicole has wanted to own a haunted car her entire teenaged life, and when she finally finds one - a junker of a Chrysler Neon with its own tragic backstory - her best friend, Johnny, has some serious doubts. Would a demon even want to possess a Chrysler Neon? But when the two of them take it for a test drive, Johnny’s doubts begin to fade: The steering wheel burns hot, the car traps Johnny in the back seat, and is Nicole even driving? Or is the car driving itself? They soon find themselves forced to face the potential evil controlling the car, and possibly even themselves.