Mostrando resultados por autor "Mary Braddon" en Todas las categorías

From the author of The Christmas Hirelings comes this Audible Exclusive production of Mary Elizabeth Braddon’s classic sensation novel Lady Audley’s Secret. English actress Olivia Poulet gives an assured and captivating narration; a cornerstone of the genre and a scandal at the time of its publication, Lady Audley’s Secret is an entertaining and shocking tale of high drama and shifting perceptions.

Sir John Penlyon is planning to spend Christmas at his estate with his niece and his friend Danby, the closest thing he has to family since disowning his daughter years ago. (She eloped with the parson, who was, of course, penniless.) Danby suggests that at Christmastime the estate needs the presence of small children, and offers to find some - the “hirelings” - despite Sir John’s skepticism. Three children duly arrive, and the youngest, precocious four year-old Moppet, quickly endears herself to Sir John.

A selection of 17 classic stories of horror and the supernatural by some of the greatest writers in the genre. This compilation includes a mix of well-known classics by authors such as Charles Dickens and M. R. James, alongside several unjustly overlooked gems by less familiar names who were hugely popular and prolific in their day.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

This is a reproduction of a classic text. We have endeavoured to create this version as close to the original artefact as possible. Although occasionally there may be certain imperfections with these old texts, we believe they deserve to be made available for future generations to enjoy.

A fast-paced Victorian thriller that will delight audiences today as it did 100 years ago, Lady Audley's Secret has subterfuge, kidnapping, jealousy, and fraud, all thrown into the mix and shaken up for good measure.

A mystery which keeps a listener guessing until the last moments, this production is a must-listen for anyone who enjoys playing detective.

A haunting collection of strange and macabre short stories, ideal for listening to around the fire on a cold winter evening.... 'The Last Leaf' by O. Henry, 'On the Northern Ice' by Elia W. Peattie, 'The Fire' by Charles John Cutcliffe Hyne, 'The Tiger' by Hugh Walpole, 'Cool Air' by H. P. Lovecraft, 'The Missing Model' by Lettice Galbraith, 'The Cold Embrace' by Mary E. Braddon, 'The Snow' by Hugh Walpole, 'Over an Absinthe Bottle' by W. C. Morrow, 'The Coffin Merchant' by Richard Middleton.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

In this breathtaking collection of gothic horror and eerie tales, draw the curtains and pull the blankets close for two classic Victorian horror tales in new adaptations, Dracula and Frankenstein, a thrilling drama about the scandalous Mary Shelley and Lord Byron in Bloody Poetry, the sensational psycho-sexual thriller The Mysteries of Udolpho, four spine-chilling dramatised tales and two of Mary Shelley's finest short stories.

Weathering critical scorn, Lady Audley's Secret quickly established Mary Elizabeth Braddon as the leading light of Victorian 'sensation' fiction, sharing the honour only with Wilkie Collins. Addictive, cunningly plotted and certainly sensational, Lady Audley's Secret draws on contemporary theories of insanity to probe mid-Victorian anxieties about the rapid rise of consumer culture. What is the mystery surrounding the charming heroine?

Lady Audley is universally adored: Beautiful, kind and charming, she enamors all whom she meets. It is not until the strange disappearance of widower George Talboys that her behavior takes an odd turn. George's friend, Robert Audley, Lady Audley's nephew-in-law, is on the case; an upper-class layabout turned detective, he is determined to get to the bottom of things.

A terrifying collection of classic Victorian short stories about ghosts, werewolves and vampires. The Wolf Book by Henry Chapman Mercer. Number Ninety by B. M. Croker. Ken's Mystery by Julian Hawthorne. The Piano Next Door by Elia W. Peattie. The White Wolf of the Hartz Mountains by Frederick Marryat. The Horla by Guy de Maupassant. Absolute Evil by Julian Hawthorne. Mrs. Amworth by E. F. Benson.

Darkness falls. The undead rise to feast on the succulent blood of the living. For years vampires have fascinated great writers of the occult such as De Maupassant, Count Stenbock, E Nesbit and EF Benson. This is The Story Circle's collection of some of their spine-chilling tales told by award-winning actors.

This Victorian best seller, along with Braddon's other famous novel, Aurora Floyd, established her as the main rival of the master of the sensational novel, Wilkie Collins. A protest against the passive, insipid 19th-century heroine, Lady Audley was described by one critic of the time as "high-strung, full of passion, purpose, and movement." Her crime (the secret of the title) is shown to threaten the apparently respectable middle-class world of Victorian England.

When The Doctor's Wife was first published in 1864, Mary Elizabeth Braddon was well known for her scandalous bestseller, Lady Audley's Secret. Adultery, death, and the spectacle of female recrimination and suffering are the elements that combine to make The Doctor's Wife a classic women's 'sensation' novel. Yet it is also Braddon's most self-consciously literary work and her rewriting of Madame Bovary. Like Emma Bovary, Braddon's heroine, Isabel Gilbert, is trapped in a marriage to a man incapable of understanding her imaginative life.

Cunning. Corrupt. Charismatic. The degenerate characters in this collection shun conventional morality, and will stop at nothing to get what they want... These five sensational dramas, set in locations ranging from 16th century Venice to Victorian England, revolve around their unscrupulous actions – and the devastating consequences of the choices they make.

When beautiful young Lucy Graham accepts the hand of Sir Michael Audley, her fortune and her future look secure. But Lady Audley's past is shrouded in mystery, and Sir Michael's nephew, Robert, has vague forebodings. When Robert's good friend, George Talboys, suddenly disappears, he is determined to find him and to unearth the truth. His quest reveals a tangled story of lies and deception, crime and intrigue, whose sensational twists turn the conventional picture of Victorian womanhood on its head. Can Robert's darkest suspicions really be true?

Though they may all be siblings beneath the skin (and graveyard as well!), these vampiric sisters are as different as any eight women could be. One, "The Good Lady Ducayne", prefers to acquire her nourishment through more scientific means. Another doesn't even drink blood at all; her approach to draining the life from her victims is somewhat more direct (but we think you'll agree that "Luella Miller" deserves the appellation "vampire" every bit as much as any of the rest).

Mary Elizabeth Braddon (1835-1915), little known now, but a renowned writer in her time, gives us five tales of the "weird" as she might herself have said. Here we have five of her better known stories, peopled with jilted lovers, blood thirsty old ladies, and grand, old houses whose restless ancestors refuse to abandon them! The five tales: "The Cold Embrace", "The Shadow in the Corner", "At Chrighton Abbey", "Good Lady Ducayne", and "Eveline's Visitant".

In the golden age of steam, the London train wends its way across the Tamar into the strange and mystic land that is Cornwall, having left most of its length at Plymouth. A weary doctor is gazing at the countryside when the train grinds to a halt and his professional attention is demanded. A young woman. An apparent suicide. Who was she? What brought her to Cornwall? What drove her to kill herself? Or did she?