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When folk musician Janey Little finds a mysterious manuscript in an old trunk in her grandfather’s cottage, she is swept into a dangerous realm both strange and familiar. But true magic lurks within the pages of The Little Country, drawing genuine danger from across the oceans into Janey’s life, impelling her - armed only with her music - toward a terrifying confrontation.

Isla knows her family kept things from her. When she inherits the cliffside cottage where she spent her childhood, she must face dark shadows of her past—the mother who rejected her in favour of her art, the aunt whose death haunted them both, and the silence that permeated every room. Digging through the belongings of someone she realises she never really knew, Isla finally has the chance to find answers to the secrets her mother spent a lifetime hiding.

Natania Barron presents Book 2 in the Love in Netherford series.

I know I’m lucky. I have a stunning Cheltenham apartment and a charming weekend cottage in Devon. Chris, my partner, is kind and supportive. He loves me in spite of my scars—the result of a childhood incident I don’t talk about. Most of all, I love my job, helping young women with eating disorders. But I can’t help everyone, as I tell Kyle Stannard. Kyle was once a top male model—before he was left horrifically scarred in a random attack. Kyle thinks we’re the same, but I can’t help him with his problems. It’s not my field. Then creepy things start to happen.

As the youngest Holley sister, Miriam has always been a bit of a rebel. After spending several years backpacking through Europe and Australia, she’s now back home...unemployed and pregnant, with no boyfriend or husband in sight. At first, Miriam only wants to hide away from the shocked and prying eyes of her father’s parishioners, but her sisters won’t let her. Determined to help her find her way, they urge Miriam to accept a job working as an assistant to Simon, the new vicar...and to think about what will happen when the baby comes.

When Thalia, Kalliope, and Charis set off to Regency London for their first Season, they each have clear goals―few of which include matrimony. Thalia means to make her mark among the intelligentsia and publish her poetry, Charis hopes to earn her place among the scientific elite, and Kalliope aims to take the fashionable ton by storm. But this Season, it doesn’t take long for things to fall apart. Can this roller-coaster Season find its happily ever after?

London, 1943: War and dwindling resources have taken their toll on the book publishing industry, but Alice Cotton, a young editor at Partridge Press, has seen her star begin to rise. She has a knack for creating new books to distract readers from the grim realities of the war. And the demand for books is greater than ever, both on the battlefield and on the home front. But just as her hard work seems poised to pay off, Alice unexpectedly falls pregnant. Facing the stigma of being an unwed mother, Alice flees to a small town to give birth to her child.

A few years ago, Laura lost her daughter in tragic circumstances. Now, she is running from her past, but a chance encounter with a frightened teenager, Miriana, drags her back into a web of secrets and danger. As Miriana’s cryptic story unravels, Laura realises the threat is closer than she ever imagined. Someone is hunting Laura, determined to bury the truth about what really happened to her daughter. A predator is watching. Waiting. Ready to strike again. Trapped between fear and fury, Laura must confront her darkest suspicions and uncover the terrifying truth before the hunter closes in.

Beauty, make-up, art, power: How to Be a Renaissance Woman presents an alternative history of this period as told by the women behind the paintings, providing a window into their often overlooked or silenced lives. Can the pressures women feel to look good be traced back to the sixteenth century?

It’s 1830s England, and Culinarians—doyens who consult with society’s elite to create gorgeous food and confections—are the crème de la crème of high society. Helena Higgins, top of her class at the Royal Academy, has a sharp demeanor and an even sharper palate—and knows stardom awaits her if she can produce greatness in her final year. Penelope Pickering is going to prove the value of non-European cuisine to all of England. Her contemporaries may scorn her Filipina heritage and her dishes, but with her flawless social graces and culinary talents, Penelope is set to prove them wrong.

Commissioned by the Amsterdam Surgeons’ Guild, The Anatomy Lesson of Dr. Nicolaes Tulp was the first major Rembrandt work to catapult the young painter to international fame. Taking this painting as its inspiration, Nina Siegal’s novel The Anatomy Lesson opens on the morning of the medical dissection and follows several characters as they prepare for the evening’s big event:

Kate Fordham, escaping terrible personal trauma, has fled to the beautiful sunlit city of Granada, the ancient capital of the Moors in Spain. There she is scraping by with an unfulfilling job in a busy bar. One day, in the glorious gardens of the Alhambra—once home to Sultan Abu Abdullah Mohammed—Kate finds a scrap of paper hidden in one of the ancient walls. Upon it, in strange symbols, has been inscribed a message from another era.

Anna was living a normal life. She was ambitious and worked hard; she had just bought an apartment; she was falling in love. But then she started to develop worrying symptoms: her face felt like it was burning whenever she was in front of the computer. Soon this progressed to an intolerance of fluorescent light, then of sunlight itself. The reaction soon spread to her entire body.

In her second collection from Trepidatio Publishing, award-winning author Gemma Files takes her listeners on journeys out beyond safe borders—from the trackless depths of the sea, to the empty desert frontiers of the Weird West, even to the edges of cracks between worlds. Here, in these narrow spaces between the known and the unknown, behind the paper-thin curtains of reality, lurk monsters both human and ancient: selkies and avenging revenants, voodoo priestesses and pirate sorcerers, ghosts and vampires, and the most famous murderer of all time.

When Indian Princess Alexandrina is left penniless by the sudden death of her father, the Maharaja of Brindor, Queen Victoria grants her a grace-and-favor home in Hampton Court Palace. Though rumored to be haunted, Alexandrina and her lady's maid, Pooki, have no choice but to take the Queen up on her offer. Aside from the ghost sightings, Hampton Court doesn't seem so bad. The princess is soon befriended by three eccentric widows who invite her to a picnic with all the palace's inhabitants, for which Pooki bakes a pigeon pie. But General-Major Bagshot dies after eating said pie....

Ida is a self-confessed serial killer of predatory men. She feels no remorse for her victims but has decided she needs psychiatric help...if only to lay the groundwork for an insanity plea if she gets caught. Clarissa is a celebrity psychotherapist, the best in her field, a familiar face on television and in glossy magazines. For her, every patient is special—someone only she can save. When Ida walks into Clarissa's consulting room one day, the therapist doesn't know that they share a dark secret, buried in both their pasts.

The two oldest Dashwood sisters approach romance differently. One impulsively jumps into love while the other is far more prudent. When tragedy strikes they find themselves searching for suitable husbands. Elinor feels ill-equipped to compete with the self-centred, fortune-driven society she finds herself in, whilst Marianne's unshakeable belief in her own feelings makes her susceptible to the designs of unscrupulous men. Can they find true love?

Madly in love, Diana Foyle and Brent Somerville married in London as the bombs of World War II dropped on their beloved city. Without time for a honeymoon, the couple spent the next four years apart. Diana, an architectural historian, took a top-secret intelligence post at Bletchley Park. Brent, a professor of theology at King's College, believed his wife was working for the Foreign Office as a translator when he was injured in an attack on the European front.

The Clarke family—Penny, Rod and their two young boys—are delighted when they are offered a holiday in a high-end guest house on a remote and beautiful island. Their hostess Anna seems like a lovely woman. But what the Clarkes don’t realise is that this is no random invitation, that Anna has carefully selected the family to satisfy her own sinister agenda. Penny soon begins to sense there’s something off about Anna. She often speaks about her husband and son, but is it odd that they are both away? And that Anna seems perfectly content to be alone in this isolated place?

Kim Slade is at work when there's a knock at her office door. Someone is waiting for her in reception. A woman claiming to be her mother. The mother who abandoned her thirty years ago. Monica Slade has been working as a live-in housekeeper for a judge and his wife, she says. But now Judge Hawkes is dead. The last thing Monica says before the police take her in for questioning is: "There are things you should know. About the past."