Mostrando resultados por narrador "Janet Song" en Todas las categorías

Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law, and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her.

Lily is haunted by memories of who she once was, and of a person, long gone, who defined her existence. She has nothing but time now, as she recounts the tale of Snow Flower and asks the gods for forgiveness.

Eleven-year-old Japanese American Owen has been in Japan for his sixth-grade year. By March he finally feels like he's getting the hang of the new culture, making friends at school, and feeling at home with the "weird" food. But early one morning, everything changes - and Owen suddenly finds himself just trying to survive one of history's most devastating disasters.

In 1948, Najin and Calvin Cho, with their young daughter Miran, travel from South Korea to the United States in search of new opportunities. Wary of the challenges they know will face them, Najin and Calvin make the difficult decision to leave their other daughter, Inja, behind with their extended family; soon, they hope, they will return to her. But then war breaks out in Korea, and there is no end in sight to the separation. Miran grows up in prosperous American suburbia as Inja grapples in her war-torn land with ties to a family she doesn't remember.

While David Stark is asked to open a law office in Beijing, his lover, detective Liu Hulan, receives an urgent message from an old friend imploring her to investigate the suspicious death of her daughter, who worked for a toy company about to be sold to David’s new client, Tartan Enterprises.

Thanks to the financial security and material comforts provided by their father’s prosperous rickshaw business, 21-year-old Pearl Chin and her younger sister, May, are having the time of their lives. Though both sisters wave off authority and tradition, they couldn’t be more different, but both are beautiful, modern, and carefree...until the day their father tells them he has gambled away their wealth and that in order to repay his debts, he must sell the girls as wives to suitors who have traveled from California to find Chinese brides.

As tensions rise on the Korean peninsula, US diplomat Nate Simon is sent to Seoul to gauge the political situation and advise the president. He also needs to find out why someone sent the president an ancient, intricately carved comb with an ivory inlay of a two-headed dragon. Though familiar with Korea’s language and culture, Nate knows little of its troubled history. Beautiful and mysterious embassy aide Anna Carlson believes it’s time he learns, starting with the extraordinary story of Korea’s last queen.

For young Peony, betrothed to a suitor she has never met, lyrics from The Peony Pavilion mirror her own longings. In the garden of the Chen Family Villa, amid the scent of ginger, green tea, and jasmine, a small theatrical troupe is performing scenes from this epic opera, a live spectacle few females have ever seen. Like the heroine in the drama, Peony is the cloistered daughter of a wealthy family, trapped like a good-luck cricket in a bamboo-and-lacquer cage.

When Communist Party leaders adopted the one-child policy in 1980, they hoped curbing birthrates would help lift China's poorest and increase the country's global stature. But at what cost? Now, as China closes the book on the policy after more than three decades, it faces a population grown too old and too male, with a vastly diminished supply of young workers. Mei Fong has spent years documenting the policy's repercussions on every sector of Chinese society.

On a clear spring day in 1995, five members of a religious cult unleashed poison gas on the Tokyo subway system. In attempt to discover why, Haruki Murakmi talks to the people who lived through the catastrophe, and in so doing lays bare the Japanese psyche. As he discerns the fundamental issues that led to the attack, Murakami paints a clear vision of an event that could occur anytime, anywhere.

At the urging of a Los Angeles detective, international rights lawyer Anna Carlson assists in a murder investigation. It’s a personal request from Suk-bo Yi, a ninety-nine-year-old woman questioned in a mysterious death at a Koreatown nursing home. A stranger to Anna, Suk-bo has a tale to tell. For reasons of her own, she’s chosen Anna - only Anna - to hear it...

When the body of an American archaeologist is found floating in the Yangzi River, Ministry of Public Security agent Liu Hulan and her husband, American attorney David Stark, are dispatched to Site 518 to investigate. As Hulan scrutinizes this death—or is it a murder?—David, on behalf of the National Relics Bureau, tries to discover who has stolen from the site an artifact that may prove to the world China’s claim that it is the oldest uninterrupted civilization on earth.

Yeong-hye and her husband are ordinary people. He is an office worker with moderate ambitions and mild manners; she is an uninspired but dutiful wife. The acceptable flatline of their marriage is interrupted when Yeong-hye, seeking a more 'plantlike' existence, decides to become a vegetarian, prompted by grotesque recurring nightmares. In South Korea, where vegetarianism is almost unheard of and societal mores are strictly obeyed, Yeong-hye's decision is a shocking act of subversion.

Born in 1970s North Korea, Lucia Jang grew up in a typical household - her parents worked in the factories, and the family scraped by on rations. Nightly she bowed to her photo of Kim Il-Sung. It was the beginning of a chaotic period with a decade-long famine. Jang married an abusive man who sold their baby. She left him and went home to help her family by illegally crossing the river to China to trade goods. She was caught and imprisoned twice.

Adopted when she was only days old, Ivy Hon knows little about her lineage. But when she’s stricken with a mystery illness, the results of a genetic test to identify the cause attract the FBI. According to Ivy’s DNA, she’s related to the Full Moon Killer, who has terrorized the Pacific Northwest for decades. Ivy is the FBI’s hope to stop the enigmatic predator from killing again.

Every day, three times a day, the students march in two straight lines, singing praises to Kim Jong-il and North Korea: Without you, there is no motherland. Without you, there is no us. It is a chilling scene, but gradually Suki Kim, too, learns the tune and, without noticing, begins to hum it. It is 2011, and all universities in North Korea have been shut down for an entire year, the students sent to construction fields - except for the 270 students at the all-male Pyongyang University of Science and Technology (PUST).

Here is a short, sleek novel of encounters, set in Tokyo during the witching hours between midnight and dawn, and every bit as gripping as Haruki Murakami's masterworks The Wind-Up Bird Chronicle and Kafka on the Shore. At its center are two sisters: Eri, a fashion model slumbering her way into oblivion, and Mari, a young student soon led from solitary reading at an anonymous Denny's toward people whose lives are radically different from her own.

A million-plus-copy best seller in Korea - a magnificent English-language debut poised to become an international sensation - this is the stunning, deeply moving story of a family’s search for their mother, who goes missing one afternoon amid the crowds of the Seoul Station subway. Told through the piercing voices and urgent perspectives of a daughter, son, husband, and mother, Please Look After Mom is at once an authentic picture of contemporary life in Korea and a universal story of family love.

Nicole Chung was born premature, placed for adoption by her Korean parents, and raised by a white family in a sheltered Oregon town. From childhood, she heard the story of her adoption as a comforting, prepackaged myth. She believed that her biological parents had made the ultimate sacrifice in the hope of giving her a better life, that forever feeling slightly out of place was her fate as a transracial adoptee. But as Nicole grew up, she wondered if the story she'd been told was the whole truth.

Lisa See has brilliantly illuminated the potent bonds of mother love, romantic love, and love of country. Now, in her most powerful novel yet, she returns to these timeless themes, continuing the story of sisters Pearl and May from Shanghai Girls, and Pearl’s strong-willed nineteen-year-old daughter, Joy.