Showing results by author "Mary Taylor" in All Categories

Daisy McCrae’s life got off to a rocky start. Abandoned by a mother she never really knew, she was adopted into a family she’s never truly felt a part of. Thirty years later, her life is just as rocky. Between losing her job and her boyfriend, she’s lost all sense of self. Now Daisy is back where it all began: the Union Street Bakery. She’s resigned to living in the bakery’s attic, learning the family business, and saving it if she can. But patching up the holes in her relationship with her sisters is another story.

Daisy McCrae is picking up the pieces of her life in the hope of making something better. Running the family bakery, finally connecting with her sisters, rebuilding her relationship with her ex-boyfriend…It’s messy work, and yet she’s happy to manage it. But Daisy knows too well how much life can turn on a dime—and she’s about to learn that lesson all over again.

At twenty-five, Ruby Nevins has already endured more than most. But after two years of battling cancer, she’s warily determined to move forward. Researching a new project about a French actress, she soon uncovers an old diary that will change her life forever… Cécile, the “it” girl of early 1940s French cinema, vanished from Nazi-occupied Paris in 1942. Sylvia Rousseau, Cécile’s dressmaker and confidante, left that same year. Working to piece together the truth behind Cécile’s disappearance and Sylvia’s extraordinary life, Ruby recognizes the women as kindred spirits.

Still grieving the loss of her wandering, free-spirited mother, Lucy Kincaid leaves Nashville for the faded town of Cape Hudson, Virginia. She goes to see the house she’s inherited—one she never knew existed, bequeathed to her by a woman she’s never even met. At the heart of this mystery is the hope that maybe—just maybe—this “Winter Cottage” will answer the endless questions about her mother’s past...including the identity of her birth father.

As a hospice nurse, Zara Mitchell has already seen more death than most people will experience in a lifetime. So when her older sister asks her to help care for their ailing grandmother, Zara agrees - despite strained family relationships. Though pale and tired, Nonna has lost none of her sharp mind. She’s fixated on finding something long forgotten, and she immediately puts Zara to work cleaning out the attic. Amid the tedium of sifting through knickknacks and heirlooms, Zara also reconnects with a man she’s attracted to but whose complicated past makes romance seem impossible.

When artist Dani Manchester learns she’s slowly losing her vision, she becomes unmoored. Her ex-husband died only months before, leaving Dani and her preteen daughter grief stricken. Suddenly, the life Dani built for her family on the Outer Banks feels like a painful reminder of all they’ve lost. On a whim, Dani sells her waterfront home and buys an old farm inland near the Virginia state line. But Dani’s daughter recoils at the sudden, drastic change. The Outer Banks’ sun-swept beaches, pink dawns, and savage storms are all she’s ever known.

Adrift in the wake of her father's death, a failed marriage, and multiple miscarriages, Libby McKenzie feels truly alone. Though her new life as a wedding photographer provides a semblance of purpose, it's also a distraction from her profound pain. When asked to photograph a wedding at the historic Woodmont estate, Libby meets the owner, Elaine Grant. Hoping to open Woodmont to the public, Elaine has employed young widower Colton Reese to help restore the grounds and asks Libby to photograph the process.

Pregnant and still grieving the death of her fiancé, historian Megan Buchanan is forging ahead on a dream project: to restore to its original glory the landmark hunting lodge her own great-great-grandfather built on Virginia’s Eastern Shore. With the help of her fiancé’s caring best friend, it’s sure to draw much-needed tourist revenue to Cape Hudson, a town rich in southern history. However, it’s Spring House, the caretaker’s cottage on the grounds, that holds the most intriguing history for Megan.

When Olympia leaves her small Virginia town, she doesn’t expect to look back, much less ever come home. But after a year on the road, her sister’s engagement pulls Olympia into everything she left behind: her family, her husband, and the grief she’s been trying to forget. She’s determined to stay a few days, maybe a week—just enough time to visit gravestones and sign off on the divorce her husband, Spencer, asked for. But he’s reeling from their shared loss, as well as complications with his aging parents, leaving his heart just as fragile as Olympia’s.

It’s been fifteen years since her sister died, and Rae McDonald still hasn’t recovered from the accident—or the ways she tried to cope with it. Not even a PhD in psychology has helped her deal with her feelings. It’s safer to shut them out. But that makes it difficult to connect with the son she gave up for adoption as a teenager. Lisa Smyth hasn’t fared any better. She was in the car with Rae’s sister that tragic night and keeps the truth of what really happened buried in her own grief. Still struggling, she drowns her guilt with glass after glass.

When a shipwreck surfaces, old secrets are sure to follow. Or so goes the lore in Ivy Neale’s hometown of Nags Head, North Carolina. When Ivy inherits her family’s beachfront cottage upon her grandmother’s death, she knows returning to Nags Head means facing the best friend and the boyfriend who betrayed her years ago. But then a winter gale uncovers the shipwreck of local legend—and Ivy soon begins to stumble across more skeletons in the closet than just her own.

The Art of Vinyasa takes a unique look at Ashtanga yoga as meditation in motion that produces profound inner change. Two of the most well-respected teachers of the Ashtanga style of yoga, Richard Freeman and Mary Taylor, explore this rigorous practice not as a gymnastic feat but as a meditative form.

After a tumultuous childhood she couldn’t control, Addie Morgan is finally living her own life. She’s left her old pressures behind for a job in a country vineyard, and she finds more than just work with the vineyard’s owner, Scott. But as things are looking up, her family comes crashing down. When Addie’s sister gives birth to a baby she can’t raise, she leans on Addie for help. Unable to refuse in a time of crisis, Addie returns home to Alexandria to take care of everything she tried so hard to forget.

From the mind of Edward Lee comes a brand new neighborhood anthology. Horror for Housewives is a cul-de-sac of some of the best female horror writers within the sadistic suburbs.

What is the fully embodied experience of happiness, and is there any way for it to last? Feeling Happy explores what happiness is and offers practical steps toward cultivating happiness as a deep, embodied expression of life and connection to others. The book is filled with examples from everyday life alongside exercises and meditations that unravel the complexity of getting stuck in patterns of thought and behavior that cause suffering.

From the mind of Edward Lee comes a brand new neighborhood anthology. EROTIC HORROR FOR HORNY HOUSEWIVES is a cul-de-sac of some of the best female horror writers within the sadistic suburbs. With two introductions from both the MOTHERS OF MAYHEM: Marian Echevarria and Christina Pfeiffer… the anthology includes all new stories from Mary SanGiovanni, Lucy Taylor, Monica J. O’Rourke, CV Hunt, Christine Morgan, Jackie Mitchell, Bridgett Nelson, Candace Nola, Karolina “Mangusta” Kaczkowska & Edward Lee.

A rich anthology of classic tales of ghosts and the supernatural written by women. 'The Operation' by Violet Hunt; 'On the Northern Ice' by Elia W. Peattie; 'Afterward' by Edith Wharton; T'he Missing Model' by Lettice Galbraith; 'The Cold Embrace' by Mary E. Braddon; 'Room Number Ten' by Bessie Kyffin-Taylor; 'Pomegranate Seed' by Edith Wharton; 'Mrs. Raeburn's Waxwork' by Eleanor Smith; 'The Mystery of the Semi-Detached' by Edith Nesbit.

A gripping collection of Victorian supernatural stories from the greatest ghost story writers of the age. 'Room Number Ten' by Bessie Kyffin-Taylor, 'Kerfol' by Edith Wharton, 'A Child of the Rain' by Elia W. Peattie, 'The Cold Embrace' by Mary E. Braddon, 'The Mummy of Thompson-Pratt' by Charles John Cutcliffe Hyne, 'When I Was Dead' by Vincent O'Sullivan, 'The Everlasting Club' by Arthur Gray, 'The Story of the Spaniards' by E & H Heron, 'The Staircase' by Hugh Walpole....

Nature writer and zoologist Mary Taylor Young tells the story of the growing effects of climate change on her land in the pine-covered foothills of southern Colorado. Climate change wasn't yet on the public radar when Young and her husband bought their piece of the wild in 1995. They built a cabin and set up a trail of bluebird nest boxes, and Mary began a nature journal of her observations, delighting in the ceaseless dramas, joys, and tragedies that are the fabric of life in the wild. But changes greater than the seasonal cycles of nature became evident over time.

This chilling tale of a gruesome monster unleashed into the world by an unthinking scientist was first conceived by 19-year-old Mary Shelley on a dark, rainy night on Lake Geneva. Lord Byron and Percy Shelley challenged their friends to see who could come up with the most horrifying story imaginable. Mary Shelley did, terrifying them all with her nightmare-inspired tale. It is followed by "The Rime of the Ancient Mariner" by Coleridge which was an early haunting influence on the young Mary Shelley.