Showing results by narrator "Lindy Nettleton" in All Categories

Handsome, dashing Henry Wright, the Duke of Westerland, needed a wife in a desperately short period of time. If he could not find a wife, he would lose the legacy he so desperately desired. Young, lovely, but sheltered Miss Frederica Sayers needed a husband just as much as Henry Wright needed a wife, only she needed a husband to save her from the life of shame that almost certainly awaited her when shefled the callous cruelty of her family.

Certainly the two should never have met. The handsome, wealthy Marquess of Rockingham was the most notorious man in London, as infamous for his violent temper as he was for his intemperate ways. Miss Lucinda Westerville was a country vicar's daughter, as innocent as she was lovely and as proper as a young lady could possibly be. Yet when this improbably matched pair met at a glittering social ball, they had struck the dubious bargain to become man and wife.

Jenny Sutherland is pretty, but the lovely country girl is also vain. Her guardian has decided that a London season is just the thing to give the fair Jenny a sorely deserved set-down. Meanwhile, the handsome Duke of Pelham, owner of 67 Clarges Street, has returned from Europe at last - to find a wife. Used to women doting on him, the Duke turns the ton against the disdainful Jenny who dares to spurn him at her very first London soiree. Alas, he’s fallen in love with the miss he’s just ruined!

Lovely, wealthy, and well bred, Clarissa Vevian has been unable to find a suitable husband because of her terrible clumsiness. Her petite and fastidious mother, the Lady Clarendon, has tried to mold Clarissa into a dainty miss to fit the fashion, but until the fashions fit tall Clarissa, her mother’s efforts are doomed to fail.

Miss Harriet Brown, daughter of a Methodist minister, is the embodiment of propriety and Christian charity - too much so, perhaps, for her own good. The virtues Harriet possesses are far from fashionable, but Amy and Effy Tribble, chaperones-for-hire, feel confident that their new charge will attract a worthy vicar or two before the end of the season. First, though, they must vanquish confirmed rake and gambler Lord Charles Marsham, catch though he is, who seems perversely determined to woo Harriet.

"Oh to be as beautiful as Euphemia!" plain Jane Hart sighs when she joins her sister Euphemia at Number 67 Clarges Street for the season. Then Lord Tregarthan might notice her, as she had noticed him and forever lost her heart to the most eligible bachelor of the town. But Euphemia’s fate is to flirt through balls and into the arms of a marquis, while Jane’s is to stay home, amusing herself with snooping into the strange death of Miss Clara Vere-Baxton, a former tenant of Number 67.

When a local publican is murdered, Inspector Witherspoon takes Mrs. Jeffries' advice to heart. He is going to trust his own instincts - but that keeps Mrs. Jeffries in the dark. She must rouse the household staff to action and hope the Inspector doesn't arrest the wrong person before they can solve the crime.

Maria Kendall is stunningly beautiful, impeccably mannered, effortlessly graceful - in short, a perfect candidate for marriage. Thus all of polite London society is astonished that she is the latest charge of Amy and Effy Tribble, eccentric spinsters specializing in making matches for unmarriageable misses. But when Maria’s suitors - among them the roguish and exceedingly aristocratic Duke of Berham - meet her vulgar and boorish parents, proposals of marriage invariably vanish.

Followers of the series will notice in this volume some personality changes in the odd assortment of retainers who keep the infamous house at 67 Clarges Street, in London’s Mayfair, at the ready for whatever entrepreneur will rent it as a launching pad into the London social season. This time the renters are an unlikely couple, the Goodenoughs, apparently father and daughter; she a great beauty, he silent and mysterious. Their secrets eventually become known to the downstairs troupe, but the indomitable butler Rainberd rallies the support forces.

Fanny and her groom had been tricked! Parents on both sides, all impoverished, had decided to recoup their families' losses by marrying their children to the progeny of a wealthier neighbor. The joke was on them, however, when it was outed that neither family had a penny to its name.

Lord Guy Carlton, late of His Majesty’s regiment and weary from the war in France, has only wine, women, and song in mind when he rents Number 67 Clarges Street. He certainly has no desire for a serious attachment! Then his merry eyes spot the lovely but very proper Miss Esther Jones. Though Esther’s business acumen has made her one of the richest women in England, her innocence could make her a victim of the wild ways of the ton - unless the downstairs staff at Clarges Street devise a campaign to reform the rake who is laying siege to her heart.

Inspector Witherspoon has been assigned another tough case. The latest murder victim has possibly swindled his shareholders out of a huge sum of money. When the businessman is found with a bullet through is chest, all of them are suspects - but no one is telling the truth. It is up to Mrs. Jeffries and the household staff at Upper Edmonton Gardens to crack the case.

Inspector Witherspoon always triumphs...but how does he do it? Even the inspector himself doesn't know - because his secret weapon is as ladylike as she is clever. She's Mrs. Jeffries: the determined, delightful detective who is also Inspector Witherspoon's housekeeper.

With London's streets deserted, a young flower girl is murdered. But why was she out so late on the foggiest night of the year? Inspector Witherspoon of Scotland Yard has nowhere to even begin looking for a suspect. However, Mrs. Jeffries, his housekeeper, is even more accomplished at detection than she is at household management. A policeman's widow herself, her quick wits allow her to nudge the inspector in the right direction to solve the mystery.

When Inspector Witherspoon becomes the main suspect in a murder case, Scotland Yard refuses to let him investigate. But no one said anything about Mrs. Jeffries and her polished detection skills, proving that behind every great man there's a woman - and that a crime solver's work is never done.

An artist's model never shows up at Neville Grant's house...or so he claims. But when one of Mr. Grant's houseguests suddenly dies, the Inspector and Mrs. Jeffries have to work double-time to find both the missing model and the killer!

Mirabelle Daws traveled all the way from Australia to Sheridan Square to visit her sister - only to die in the middle of a locked garden. All the residents of Sheridan Square have a key to the garden - but no one seemed to know that Mirabelle was planning to arrive. So the question facing Mrs. Jeffries is: Who wanted to make sure that Mirabelle's visit was very, very short-lived?

Minerva Kenny is a dear woman, but her tendency to "borrow" things without asking has finally caught up with her. William Barrett has learned Minerva's shameful secret, and he's holding it over her head. Mrs. Jeffries and the staff at Upper Edmonton Gardens have hatched a scheme to save her - but when they try to recover the damning evidence from Barrett, they discover something more shocking: Barrett's corpse. Considering the victim's wicked ways, Minerva is far from the only suspect.

After her father dies, March Middleton has to move to London to live with her guardian, Sidney Grice, the country's most famous private detective. It is 1882, and London is at its murkiest yet most vibrant, wealthiest yet most poverty-stricken. No sooner does March arrive than a case presents itself: A young woman has been brutally murdered, and her husband is the only suspect.

It was a most peculiar murder. A man's body was found in the canal - but the evidence showed that he had drowned in a bathtub. A theater critic known for his savage reviews, the victim had had a full cast of enemies. While Inspector Witherspoon scoured the theater, his housekeeper and unofficial sleuthing partner Mrs. Jeffries uncovered the critic's secret past: a real-life drama more compelling than any stage play.