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One of the most recognizable young poets in America, Olivia Gatwood dazzles with her tribute to contemporary American womanhood in her debut book, New American Best Friend. Gatwood's poems deftly deconstruct traditional stereotypes. The focus shifts from childhood to adulthood, gender to sexuality, violence to joy. And always and inexorably, the book moves toward celebration, culminating in a series of odes: odes to the body, to tough women, to embracing your own journey in all its failures and triumphs.

Chicago is one of the most widely celebrated, routinely demonized, and thoroughly contested cities in the world.Writing in the tradition of Howard Zinn, Kevin Coval’s A People’s History of Chicago celebrates the history of this great American city from the perspective of those on the margins, whose stories often go untold. These 77 poems (for the city’s 77 neighborhoods) honor the everyday lives and enduring resistance of the city’s workers, poor people, and people of color, whose cultural and political revolutions continue to shape the social landscape.

What I Learned from the Trees delves into the intricate relationship between humans and nature, and how these often overlooked, everyday interactions affect us as individuals, families, and communities. With a backbone rooted in primordial imagery and allegory, and a focus on how the growing disconnect with our own wants, needs, and fears creates deeper divides in our relationships, this collection is notably relevant to today’s society and the struggles we face with the ever-expanding detachment between humans and the natural world.

This audiobook was selected by Louise Glück as winner of the 2023 Max Ritvo Poetry Prize, joining a growing list of successful poetry debuts, including Michael Kleber-Digg’s collection Worldly Things, which has sold more than 4,000 copies. The author is a poet and translator from Shanghai, China; his poems have appeared in AGNI, Boulevard, Copper Nickel, Georgia Review, New Ohio Review, Ninth Letter, Poetry Daily, and elsewhere.

As snappy as a dinner jacket’s red silk lining, as appealing as a piano interlude in jazz, Brad Leithauser’s robust felicity is a balm in grim times. It’s also the perfect vehicle for nostalgia, regret, and surprise, forces that animate his first collection in more than a decade. By turns laugh-out-loud funny and deeply thoughtful, this collection balances wisdom and practicality, as with deft care Leithauser easily, often unexpectedly, juggles off-rhymes and old forms and new. The book unfolds like a five-act play, moving from chattier poems to dramatic denouements.

Campos de Castilla, publicado en 1912, es, probablemente, el libro más influyente de la poesía en español del siglo XX. Su impacto en sucesivas generaciones de poetas, comenzando por la Generación del 98, a la que Machado pertenece, o por la Generación del 27, aún se siente y es reconocible en las voces a ambos lados del Atlántico, en España e Hispanoamérica.

Publié en 1857, Les Fleurs du mal de Charles Baudelaire, est un recueil de poèmes qui explore les thèmes de la beauté, du mal, de la mélancolie, et de la révolte. L'œuvre, souvent considérée comme un chef-d'œuvre de la poésie française, reflète les tourments intérieurs du poète face à une société moderne et aliénante. Baudelaire y exprime un profond malaise existentiel, oscillant entre fascination pour le sublime et attirance pour la décadence.

woke up no light is a Black girl’s saunter turned to a woman’s defiant strut. These are the hymns of a new generation of poetry. Young, alive, yearning. A mouth swung open and ready to devour. A quest for home in a world that knows only wasteland and wanting.

One of the most influential poets in Chinese history, Ai Qing is mostly unknown to American readers, but his work has shaped the nature of poetry in China for decades. Born between the fall of imperial Manchurian rule and the establishment of the Communist People’s Republic, Ai Qing was at one time an intimate of Mao Zedong. He would eventually fall out with the leader and be sentenced to hard labor during the Cultural Revolution, when he was exiled to the remote part of the country known as “Little Siberia” with his family, including his son, Ai Weiwei.

A diaspora of memories runs through this poetry collection—a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form—small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement.

In her striking collection of poems, Zoë Hitzig investigates how we seek certitude, power, and domination over the natural world and one another. Hitzig brings a scientific rigor to her poetry, as well as a raucous energy and willingness to allow her work to exist in states of uncertainty and precariousness. The result is an original voice that is incisive and unsparing, but also passionate and tender. Her poems probe the authority of language, exploring the surprising and powerful resonances that can be found among words and ideas.

Balancing direct language with a suggestive “aslantness,” Nye probes the fragile connection between language and meaning. She never shies from the challenge of trying to name the mysterious logic of childhood or speak truth to power in the face of the horrors of war.

Through poems of immense emotion, and the use of alluring form, Abraham crafts work that examines what we come to own by existing.

Anne Waldman takes the opportunity with this 20th-anniversary expanded edition to add 20 poems to this collection that brings into focus her lifelong engagement with “chant” as central to contemporary performative poetry.

A stunning collection of poems that John Updike wrote during the last seven years of his life. The opening sequence, "Endpoint", is made up of a series of connected poems written on the occasions of his recent birthdays and culminates in his confrontation with his final illness. He looks back on the boy that he was, on the family, the small town, the people, and the circumstances that fed his love of writing, and he finds endless delight and solace in "turning the oddities of life into words".

Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived here since, these poems reflect the life of a writer, traveller and watcher of the world—describing himself as a “mongrel,” someone born out of diverse cultures. Here, rediscovering the influence of every border crossed, he moves back and forth in time.

Fever of Unknown Origin opens at a remote crossroads, where the speaker considers the intersection of history, beauty, and destruction: “the past / is paper / and the present, a match . . .” What follows is an urgent tour of landscapes—environmental, political, and personal—that reframes our perception of modern America and leads the listener into “An empire of rags and photons” where we must look to the past to clarify our futures.

Touching on themes from perceptions of beauty to the betrayals of the body, from what it means to give consent to how we grapple with demons internal and external, Woman, Eat Me Whole is an entirely fresh and powerful look at womanhood and personhood in a shifting world. Moving between Ghana and the United States, Diaka probes those countries’ ever-changing cultural expectations and norms while investigating the dislocation and fragmentation of a body—and a mind—so often restless or ill at ease.

Before he became an award-winning writer and poet, Brian Sonia-Wallace set up a typewriter on the street with a sign that said “Poetry Store” and discovered something surprising: All over America, people want poems. An amateur busker at first, Brian asked countless strangers, “What do you need a poem about?” To his surprise, passersby opened up to share their deepest yearnings, loves, and heartbreaks. Hundreds of them. Then thousands. Around the nation, Brian’s poetry crusade drew countless converts from all walks of life.

Featuring both Ak’abal’s Spanish translations from the indigenous K’iche’ and English translations by acclaimed poet Michael Bazzett, this collection blossoms from the landscape of Momostenango—mountains covered in cloud forest, deep ravines, terraced fields of maize. Ak’abal’s unpretentious verse models a contraconquista—counter-conquest—perspective, one that resists the impulse to impose meaning on the world and encourages us to receive it instead.