Showing titles in Family

In her first collection of poems, Ching Yeung Russell captures elements of her youth in rich, vivid snapshots and authentic detail. Listeners of all backgrounds will relate to spirited Yeung Ying, her dynamic family, and her courage in the face of life's obstacles.

Dead Dad Jokes is an unflinching take on family, loss and trauma. There is nothing quiet about Schminkey’s debut. Every moment is raw, honest and unforgettable. Dead Dad Jokes brings the impact of addiction into crisp focus while also shattering our simplistic TV preconceptions about it. Ollie never lets the listener slip into the easy sadness of cliche–instead they guide us through the realities and contradictions of losing someone you love and of death–reminding us that they need not be one and the same.

These poems dip their hands into the fabric of black womanhood and revel in it. shimmer establishes Olayiwola firmly in the lineage of black queer poetics, celebrating the work done by generations of poets from Audre Lorde to Danez Smith. This is a book of gentle breaking and inventive reconstruction. A book of self and community-care―the pursuit of building a world that will not only keep you alive but keep you joyful.

Side Notes from the Archivist is a preservation of Black culture viewed through a feminist lens. The Archivist leads listeners through poems that epitomize youthful renditions of a Black girl coming of age in Philadelphia’s pre-funk ’80s; episodic adventures of “the Black Girl” whose life is depicted through the white gaze; and selections of verse evincing affection for self and testimony to the magnificence within Black femme culture at-large.

Renia White is a first-time author. Her debut collection, Casual Conversation, was chosen by Aracelis Girmay as a Blessing the Boats Selection. Named in honor of Lucille Clifton’s National Book Award-winning collection, Blessing the Boats Selections spotlight new poetry collections by women poets of color. Previous Blessing the Boats Selections include Letters to a Young Brown Girl by Barbara Jane Reyes and Year of the Dog by Deborah Paredez.

Steph Catudal is beloved for her poignant meditations on loss, uncertainty, and illness, and the raw, wise reflections of her “brilliant, unflinching, lyrical” (Matt Haig) New York Times bestselling memoir Everything All At Once. Now, Catudal brings her trademark wisdom and strong lyrical voice to bear in her first collection of verse, delving into the challenging yet often rich parts of life people often lack the courage to face.

Modern parenthood can feel indescribable. This poignant collection of poetry and art chronicles the ups and downs of a rollercoaster ride that every parent will recognize. Capturing the joys and frustrations that come with each fleetingly precious (or interminable) stage of development, Poems of Parenting will be a balm to the soul of weary parents.

Have you ever wondered what life would be like without love? Life is a priceless gift deliberately crafted and packaged for our enjoyment, but it is not a bed of roses. It is a mixture of the good, bad and ugly-including pains and gains, sadness and joy, despair and hope, failures and successes- and it ends in death. Death reminds us we must make the most of this gift before it expires. How can we do this? Love and life are inseparable, dependent and complementary; love powers life while life makes love visible.

Fans of Colm Tóibín’s novels, including The Magician, The Master, and Nora Webster, will relish the opportunity to re-encounter Tóibín in verse. Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects—politics, queer love, reflections on literary and artistic greats, living through COVID, and facing mortality.

Usman Hameedi’s debut collection, Staying Right Here, is a journey in finding home. Hameedi invites listeners to bear witness to vignettes of joy and hardship as he navigates finding his place in America. From an ode to Bodegas, an autobiography of his eyebrows, and elegies for lost friends, Hameedi’s thematic metaphors for family, wellness, and American biases weave a literary tapestry.

When tensions veer between hope and despair, the ensuing fracture can swing like a scythe and cut a ragged seam between past and present. In One Wild Word Away, Geffrey Davis weaves a deft set of poems about illness, family, loss, and rebirth. The luxurious sonics and crisp descriptions in each line are haunted by grief and buoyed by love as the speaker confronts generational trauma and the potential loss of a loved one while in the process of raising his own son.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family and the cost of being the product of an American war in America. At once vivid, brave and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicentre of the break.

D. Nurkse’s immigrant parents met on a boat out of Europe in 1940; he was a child of the generation whose anxieties were forged in the shadow of Hiroshima and the aftermath of WWII. His poems extend that child’s dignified ignorance into an open encounter with the cataclysms of the latter twentieth century and with family structures.

'They have lightning in their souls, thunder in their hearts, chaos in their bones.' Nikita Gill's poetry has captured hearts and minds all over the world; her inspirational words have been shared hundreds of thousands of times online, plastered across placards on international women's marches and even transformed into tattoos. This collection will showcase mostly unseen poetry and prose, delving into ideas about passion, identity, empowerment and femininity. Written and read by Nikita Gill.

The work of Carl Dennis has won praise for its “integrity, its substance, and its seemingly effortless craft; and for its embodiment of passionate inquiry” (Times Literary Supplement). The title of his new collection, Earthborn, helps to point the way to its two central concerns: how to find meaning, as creatures of the earth, in lives that are short and frail and destined to be forgotten; and how, as stewards of the earth, to address the need to protect our home from ourselves, from the menace to life posed by our own species.

Raise a glass, and sample what's been cooked up in this A Crock of Sundries, Volume One. A pinch of family traditions. A dash of the teenage years. Toss in a few alcohol-infused musings. Top it off with a bit of cheeky satire, and some pensive prose and poetry for a fun literary romp through genres. This single-author, multi-genre anthology by Timothy R. Baldwin is sure to have a bit of something for everyone. So kick back in your favorite reading spot, pour yourself a drink, and settle in for an evening of diverse entertainment.

“Il libro della follia” è la prima traduzione integrale in italiano di "The Book of Folly", che Anne Sexton diede alle stampe nel 1972. Lo stile confessionale che aveva reso celebre l’autrice, fruttandole nel 1967 il premio Pulitzer, giunge qui alla piena maturità trasformandosi nell’allegoria di un Gran Teatro psichedelico. La Signora Benestante che scrive occasionalmente versi rispettando le forme metriche lascia il posto, definitivamente e consapevolmente, al personaggio della Poetessa Martire della società benpensante e all’aspirante suicida, in un rovesciamento parodico dei valori patriarcali.

From a visionary writer praised for her captivating work on Black history and experience, comes a poetry collection exploring personal, political, and artistic frontiers, journeying from her family's history as "Afropioneers" in the American West to shimmering glimpses of transcendent, liberated futures.

This book is based on the life experiences of a little girl who had to grow up fast. She was a mother at the age of 14. She had an apartment and adult bills at the age of 15. She struggled in an urban environment to do the right thing, but kept doing the wrong until she had enough experiences in life to guide her through her storm. Learning by experiences and not giving up, today she is a successful business owner, and her daughter is also a successful business owner. She has two beautiful, respectful, and smart granddaughters.

Linda Gregerson’s long-awaited new collection is a tour de force, a compendium of lives touched by the radical fragility of the planet and, ultimately, the endless astonishment and paradox of being human within the larger ecosystem, “in a world where every breath I take is luck.”