Showing titles in Coming of Age

Nan King, an oyster girl, is captivated by the music hall phenomenon Kitty Butler, a male impersonator extraordinaire treading the boards in Canterbury. Through a friend at the box office, Nan manages to visit all her shows and finally meet her heroine. Soon after, she becomes Kitty's dresser and the two head for the bright lights of Leicester Square where they begin a glittering career as music-hall stars in an all-singing and dancing double act.

The youngest daughter of Algerian immigrants, Fatima Daas is raised in a home where love and sexuality are considered taboo, and signs of affection avoided. Living in the majority-Muslim suburb of Clichy-sous-Bois, she often spends more than three hours a day on public transportation to and from the city, where she feels like a tourist observing Parisian manners. And as she gains distance from her family and comes into her own, she grapples more directly with her attraction to women and how it fits with her religion, which she continues to practice.

It’s 2001, and twenty-four-year-old Gordon—handsome, sensitive, and eager for direction—takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him—and what he’s capable of doing in order to get it for himself.

It is 2015, weeks after the Supreme Court marriage equality ruling. A high school art history teacher, Sebastian Mote envies his queer students and their freedom to live openly the youth he lost to fear and shame. When he runs into his childhood friend Oscar Burnham at a wedding in Washington, DC, he can’t help but see it as a second chance. Now thirty-five, the men haven’t seen each other in more than a decade. But Oscar has no interest in their shared history, nor in the sense of belonging Sebastian craves. Instead, he’s outraged by what he sees as the death of gay culture.

His world was water and rhythm. Hard work and drive kept Royal O'Connell one step ahead of his competition. His spot on the swim team, keeping his scholarship, was the only plan that mattered. His world was ebony and ivory. Natural talent and ambition set Camden Morgan apart from the other music majors. His dedication scored him a full ride. Normally, their paths would have never crossed...but when Royal meets his best friend's new roommate, his big plan and Camden's controlled environment faces a variable that could destroy it all: attraction.

Victor and Zoey are getting old—well, older—and it’s beginning to be a real problem. Best friends since college they have been through thick and thin, poor and poorer, drunk and drunker throughout their twenties in New York. Victor has built a successful career writing celebrity profiles for one of the last glossy magazines left standing, and Zoey is working for a fashion startup that is desperately trying to figure out how to monetize influencers, but has definitely figured out how to create a toxic work culture.

Sensitive, big-hearted, and achingly self-conscious, 40-year-old Aaron Englund long ago escaped the confines of his Midwestern hometown, but he still feels like an outcast. After 20 years under the Pygmalion-like direction of his older partner, Walter, Aaron at last decides it is time to stop letting life happen to him and to take control of his own fate.

My name is Connor Williams, and people say I’m crazy. But that’s not who I am. They also think I’m straight, mean, and dangerous. But that’s not who I am either. The stories people tell—all those legends they whisper at school—they don’t mean a thing. Only my mother and younger brother matter to me.

It’s 1953 when Memory Feather and her mother, Virginia, are welcomed back home to the Mississippi Gulf Coast community of Belle Cote by Virginia’s childhood friend Mac McFadden, whose verve and energy buoy the recently divorced Virginia to embrace this new chapter. Memory (“Mem”) is unlike other girls: she is attuned to the voices of plants and animals and is missing two fingers on her twisted left hand. The three of them knit their lives together and become a close, though unconventional, family.

New to a small town, Jackie and Paula envision a quiet life for their kids: a young adopted son and two teenage foster children, including the troubled Star. However, they quickly butt heads with their neighbor, Clementine, who disapproves of their lifestyle and is incensed when Star befriends her spirited horse, Comet. Haunted by past tragedy and unable to properly care for Comet, Clem nevertheless resents the bond Star soon shares with the horse.

A Better Place is the story of two boys from two completely different worlds struggling to find themselves amongst a whirlwind of confusion. Will the strength they find in each other be enough to overcome the hatred and abuse of others? The unlikely pair struggle through friendship and heartbreaks, betrayal and hardships, to find the deepest desire of their hearts.

Fueled by tomato sandwiches and green milkshakes, and obsessed with cars, Philbet struggles with life and love as a gay boy in rural Georgia. He’s happiest when helping Grandaddy dig potatoes from the vegetable garden that connects their houses. But Philbet’s world is shattered and his resilience shaken by events that crush his innocence and sense of security; expose his misshapen chest skillfully hidden behind shirts Mama makes at home; and convince him that he’s not fit to be loved by Knox, the older boy he idolizes to distraction.

Mallory is a freshman in college when she meets the woman. She sees her for the first time at the university’s gym, immediately entranced by this elegant, older person, whom she later learns is married and works at the school. Before long, they begin a clandestine affair. Self-possessed, successful, brilliant, and aloof, the woman absolutely consumes Mallory, who is still reeling from her mother’s death a few months earlier.

Obiefuna has always been the black sheep of his family—sensitive where his father, Anozie, is pragmatic, a dancer where his brother, Ekene, is a natural athlete. But when Obiefuna’s father witnesses an intimate moment between his teenage son and another boy, his deepest fears are confirmed, and Obiefuna is banished to boarding school.

Most days, Magda is fine. She has her routines. She has her anxious therapy patients, who depend on her to cure their bad habits. She has her longtime colleagues, whose playful bickering she mediates. She’s mourning the recent loss of her best friend, Sara, but has brokered a tentative truce with Sara’s prickly widower as she helps him sort through the last of Sara’s possessions. She’s fine. But in going through Sara’s old journal, Magda discovers her friend’s last directive: plans for a road trip they would take together in celebration of Magda’s upcoming seventieth birthday.

Oto leaves for boarding school with one plan: Excel and escape his cruel home. Falling in love with his roommate was certainly not on the agenda, but fear and shame force him to hide his love and true self. Back home, weighed down by the expectations of their wealthy and powerful family, the love of Oto's twin sister wavers, and, as their world begins to crumble around them, Oto must make drastic choices that will alter the family's lives for ever.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

Twelve-year-old Fee is a shy Korean American boy and a newly named section leader of the first sopranos in his local boys' choir. But when Fee learns how the director treats his section leaders, he is so ashamed he says nothing of the abuse, not even when Peter, his best friend, is in line to be next. When the director is arrested, Fee tries to forgive himself for his silence. But when Peter takes his own life, Fee blames only himself.

Alex Claremont-Diaz is handsome, charismatic, a genius--pure millennial-marketing gold for the White House ever since his mother first became President of the United States. There’s only one problem. When the tabloids get hold of a photo involving an altercation between Alex and Prince Henry, U.S./British relations take a turn for the worse.

At 19, almost 20, Ron Bancroft is newly out as transgender and finds himself adrift: kicked out by his family, jilted by his girlfriend, and unable to afford to return to college in the fall. So he heads out to Wyoming for a new start, a chance to prove that - even though he was raised as a girl, even though everyone in Boston thinks of him as transgender - he can live as a man. A real man. In Wyoming, he finds what he was looking for: rugged terrain, wranglers, and a clean slate. He also stumbles into a world more dangerous than he imagined, one of bigotry and violence.