Showing titles in History & Criticism

Dutch painter and printmaker Rembrandt Harmenszoon van Rijn is considered one of the greatest artists of all time. As a painter, he never considered glamorizing what he saw, and he was a master of creating extraordinary scenes with light and shadows. His paintings were unique for their ability to depict action and moods. Sadly, having a mistress and spending recklessly went far to ruin his reputation during his lifetime. Rembrandt died penniless and was buried in a pauper’s grave.

On July 29, 1890, a hot and muggy afternoon, shortly after Vincent van Gogh was laid to rest after his honor killing for “compromising” his doctor's twenty-one-year-old daughter, Marguerite, twenty-six of his unknown paintings and other art material were stolen from the hotel where he had been laid out for his final viewing by his doctor and his son.

On August 21, 1911, the unfathomable happened - Leonardo da Vinci's Mona Lisa vanished from the Louvre. More than 24 hours passed before museum officials realized she was gone. The prime suspects were as shocking as the crime: Pablo Picasso and Guillaume Apollinaire, young provocateurs of a new art. As French detectives using the latest methods of criminology, including fingerprinting, tried to trace the thieves, a burgeoning international media hyped news of the heist.

Some of the twentieth century's most important artists and writers, from Jackson Pollock to Saul Steinberg, Fairfield Porter to Jean Stafford, lived and worked on the East End of Long Island. The home they made there would affect their creative work for years to come.

Radio 4's In Our Time has established itself at the pinnacle of essential conversation on a wide range of subjects from science, history, philosophy and the arts. The programme, which celebrates its 25th anniversary in 2023, is presented by Melvyn Bragg with contributors from the diverse worlds of academia. Opening with four contextual episodes - The Artist, Imagination, The Muses, and Architecture and Power - this thematic anthology contains 25 programmes on the history of visual art. Included are artistic styles and movements.

In this series of essays, Roger Kimball, managing editor of the New Criterion and an art critic for the London Spectator, examines the current art scene with a scathing intelligence and a crystalline eloquence of writing style. Particularly amusing are his dissections of art-show catalogspeak.

The Royal Collection is one of the most wide-ranging collections of art and artefacts in the world, and it provides an intriguing insight into the minds of the monarchs who have assembled it. In this series, BBC Arts Editor Will Gompertz examines dozens of these unique objects, in a quest to "use the collection as a prism through which to better understand the art of being a monarch". From intimate portraits to epic tapestries, from the Coronation pen to the Investiture sword, each has an absorbing history.

Etta and Claribel Cone had an eye for art that was unparalleled at their time, and they left Baltimore what is perhaps the best gift the city has ever received: their collection.

William Morris was a giant of the Victorian age, and his beautiful creations and provocative philosophies are still with us today: but his wife, Jane, is too often relegated to a footnote. In truth, Jane and William's personal and creative partnership was the central collaboration of both their lives. The homes they made together were works of art in themselves, and the great labour of their lives was life itself: through their houses and the objects they filled them with, they explored how we all might live a life more focused on beauty and fulfilment.

The Bayeux Tapestry is the world's most famous textile: an exquisite 230-foot-long embroidered panorama depicting the events surrounding the Norman Conquest of 1066. It is also one of history's most mysterious and compelling works of art. This haunting stitched account of the battle that redrew the map of medieval Europe has inspired dreams of theft, waves of nationalism, visions of limitless power, and esthetic rapture.

Discover "The Essence of Less," a transformative journey that invites you to strip away the superfluous and embrace the profound power of simplicity. Venture into the heart of minimalism where less is infinitely more and unlock the secrets of living a life unencumbered by needless excess. The narrative begins with "Prelude to Simplicity," unveiling minimalism's myriad definitions and tracing its rich historical roots, from ancient philosophies to contemporary movements. As you delve into the "Genesis of Minimalism," witness the interplay of Eastern thought with pioneering European art ...

Ya hemos afirmado en distintos capítulos que el arte gótico es el estilo de la clase burguesa de la Baja Edad Media. Sin embargo, en España no hubo una verdadera burguesía más que en Cataluña y Levante. En los reinos centrales la aristocracia y las Ordenes monásticas monopolizaron la casi totalidad de la riqueza. Sólo en el Principado de Cataluña existe una clase social de negociantes, armadores y artesanos que va tomando auge a medida que avanza la Edad Media.

Was hat Dalí vom Camembert gelernt? Lustig, leidenschaftlich, lehrreich – ein Blick hinter die Kulissen, der Kunstnerds wie Kunstbanausen gleichermaßen begeistert. Einer der bekanntesten Surrealisten ließ sich bei seinen fließenden Uhren von französischem Weichkäse inspirieren, der Schöpfer des ›Schrei‹, Edvard Munch, verteilte auf den meisten seiner Werke Vogelscheiße, Martin Kippenberger hat in den 1980er-Jahren ein Bild von Gerhard Richter als Tischplatte in seiner eigenen Skulptur verarbeitet.

Geoff Dyer has won fans writing about everything from jazz to D. H. Lawrence, from photography to neurotic enlightenment, from Cambodia to Rome. The Missing of the Somme, his remarkable book on the significance of the First World War, is a gem for Dyer fans and history buffs alike. With his characteristic wit and insight, here Dyer weaves a network of myth and memory, photos and film, poetry and sculptures, graveyards, and ceremonies that illuminate our understanding of, and relationship to, the Great War.

In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy. Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays.

Most art history books just go over dates and major style changes, without letting the artists speak for themselves. In For Artists by Artists, you will learn directly from the top 40 of some of the most famous artists in the world. You will see how they thought about art, nature, truth, beauty, work, other artists, and God. You will journey through the last 750 years of art history in chronological order, seeing the evolution of how painters taught and thought over time.

Best-selling novelist, memoirist, and biographer Edmund White displays his sharp wit and boundless erudition in 37 portraits of the writers, artists, and cultural icons who have captured his curiosity and imagination for the last 20 years. White is as compelling as he is unpretentious in these stories of his encounters with some of the most provocative writers, artists, and personalities of our time.

BBC Radio 4 Book of the Week. In 1845, a Reading bookseller named John Snare came across the dirt-blackened portrait of a prince at a country house auction. Suspecting that it might be a long-lost Velázquez, he bought the picture and set out to discover its strange history. When Laura Cumming stumbled on a startling trial involving John Snare, it sent her on a search of her own.

While the Civil War raged in America, another, very different revolution was beginning to take shape across the Atlantic, in the studios of Paris. The artists who would make Impressionism the most popular art form in history were showing their first paintings amid scorn and derision from the French artistic establishment. Indeed, no artistic movement has ever been, at its inception, quite so controversial.

As people look to the arts to promote a particular ideology, whether radical, liberal, or conservative, Jed Perl argues that the arts have their own laws and logic, which transcend the controversies of any one moment. “Art’s relevance,” he writes, “has everything to do with what many regard as its irrelevance.” Authority and Freedom will find listeners from college classrooms to foundation board meetings - wherever the arts are confronting social, political, and economic ferment and heated debates about political correctness and cancel culture.