Mostrando resultados por narrador "Emily Tremaine" en Todas las categorías

Victor and Zoey are getting old, well old-er, and it’s beginning to be a real problem. Best friends for a decade, they have seen each other through bad dates and office drama, late nights and hungover brunches, during their years together in New York City. As their wild twenties come to a close, though, the dynamic between the two is shifting. Coming off a tough breakup, Victor dedicates his energies toward building a career writing celebrity profiles for one of the last glossy magazines left, while Zoey navigates the terrain at her nascent fashion startup.

Sloane Caraway is a liar. Harmless lies, mostly, to make her self-proclaimed sad, little life a bit more interesting. So when Sloane sees a young girl in tears at a park one afternoon, she can't help herself—she tells the girl’s (very attractive) dad she’s a nurse and helps him pull a bee stinger from the girl’s foot. With this lie, and chance encounter, Sloane becomes the nanny for the wealthy, and privileged Jay and Violet Lockhart. The perfect New York couple, with a brownstone, a daughter in private school, and summers on Block Island.

"Special Circumstances": The words have sent chills down Tally's spine since her days as a repellent, rebellious ugly. Back then Specials were a sinister rumor - frighteningly beautiful, dangerously strong, breathtakingly fast. Ordinary pretties might live their whole lives without meeting a Special. But Tally's never been ordinary. And now, in the third book in the series, Tally's been turned into a Special: a superamped fighting machine engineered to keep the uglies down and the pretties stupid.

Tally lives in a world where your 16th birthday brings aesthetic perfection: an operation that erases all your flaws, transforming you from an "Ugly" into a "Pretty". She is on the eve of this important event and cannot wait for her life to change. As well as guaranteeing supermodel looks, life as a Pretty seems to revolve around having a good time. But then she meets Shay, who is also 15 - but with a very different outlook on life.

In the second book of the Uglies series, Tally's Pretty. And everything's changed. The new, Pretty Tally is totally happy right where she is. She doesn't think she needs any kind of cure at all. When someone from her Ugly life shows up with a message, Tally has a hard time listening. Did she really promise to give all this up? Is she bound by a promise she made when she was a different person?

Hannah Bond has always been a bookworm, which is why she fled Florida - and her unstable, alcoholic mother - for a quiet life leading Jane Austen-themed tours through the British countryside. But on New Year’s Eve, everything comes crashing down when she arrives back at her London flat to find her mother, Marla, waiting for her. Marla’s brought two things with her: a black eye from her ex-boyfriend and an envelope. Its contents? The deed to an apartment in Paris, an old key, and newspaper clippings about the death of a famous writer named Andres Armand.

A quarter of a century after the plane crash that claimed the lives of John F. Kennedy Jr., his wife Carolyn, and her sister Lauren, the magnitude of this tragedy remains fresh. Yet, Carolyn is still an enigmatic figure, a woman whose life in the spotlight was besieged with misogyny and cruelty. Elizabeth Beller explores the real person behind the tabloid headlines and media frenzy. When she began dating America’s prince, Carolyn was increasingly thrust into an overwhelming spotlight filled with relentless paparazzi who reacted to her reserve with a campaign of harassment and vilification.

For over a decade, Taylor Lorenz has been the authority on internet culture, documenting its far-reaching effects on all corners of our lives. Her reporting is serious yet entertaining and illuminates deep truths about ourselves and the lives we create online. In her debut book, Extremely Online, she reveals how online influence came to upend the world, demolishing traditional barriers and creating whole new sectors of the economy. Lorenz shows this phenomenon to be one of the most disruptive changes in modern capitalism.

We all know and love The Sopranos, one of the most important television dramas to ever hit the small screen, having run for six seasons on HBO. The story of the Italian-American mobster Tony Soprano balancing his family life with his role as the leader of a criminal organization pioneered decades of genre-bending "peak TV". Now, Off the Back of a Truck takes you one step further into the world of Tony Soprano and his families, offering an Italian potluck of fresh and fun takes that any true fan can get lost in for hours.

They’re a privileged breed—glamorous, glossy, and demanding. When life is this fast, there are no guarantees. Status is everything, and you’re only ever as popular as your husband’s latest box-office hit. Elaine Conti: Bronx girl turned Hollywood hostess, determined to relaunch her husband’s fading acting career back into orbit. Angel Hudson: Married to a hot young actor and an innocent beauty prey to Hollywood’s most unscrupulous men. Montana Grey: Gorgeous renegade, ambitiously driven to succeed in the male-dominated world on the other side of the camera.

Julia and Sienna Larkin are sisters-in-law, connected by Julia’s husband and Sienna’s brother, Jason. More than that, the two are devoted best friends and business partners, believing that theirs is a uniquely unbreakable bond. To Sienna, her protective brother can do no wrong, and although Julia knows he’s not perfect, they’ve built a comfortable life and family together. Recently, Jason has been putting in long hours to secure a promotion at work, so when his boss is found brutally murdered—his lips sewn shut—the Larkins are shocked and unsettled, especially as local gossip swirls.

Gilda, a 20-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she’s there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace.

The Candy House opens with the staggeringly brilliant Bix Bouton, whose company, Mandala, is so successful that he is “one of those tech demi-gods with whom we’re all on a first name basis.” Bix is forty, with four kids, restless, and desperate for a new idea, when he stumbles into a conversation group, mostly Columbia professors, one of whom is experimenting with downloading or “externalizing” memory. Within a decade, Bix’s new technology, “Own Your Unconscious”—which allows you access to every memory you’ve ever had, and to share your memories in exchange for access to the memories of others—has seduced multitudes.

Baby Boomers are the most prosperous generation in American history, but their kids are screwed. In this eye-opening book, journalist Jill Filipovic breaks down the massive problems facing Millennials including climate, money, housing, and healthcare.

Meet Gilda. She cannot stop thinking about death. Desperate for relief from her anxious mind and alienated from her repressive family, she responds to a flyer for free therapy at a local church and finds herself abruptly hired to replace the deceased receptionist Grace. It's not the most obvious job - she's queer and an atheist for starters - and so in between trying to learn mass, hiding her new maybe-girlfriend and conducting an amateur investigation into Grace's death, Gilda must avoid revealing the truth of her mortifying existence.

Sen Anon is assigned to be a witness for the Department of Transition, recording the changes in the environment as the world begins to rewild. Abandoned by her mother in a cabin somewhere in upstate New York, Sen will observe the monumental ecological shift known as the Great Transition, the final step in Project Afterworld. Around her drones buzz, cameras watch, microphones listen, digitizing her every move. Privately she keeps a journal of her observations, which are then uploaded and saved, joining the rest of humanity on Maia, a new virtual home.

When Ann Stilwell arrives in New York City, she expects to spend her summer working as a curatorial associate at the Metropolitan Museum of Art. Instead, she finds herself assigned to The Cloisters, a gothic museum and garden renowned for its medieval art collection and its group of enigmatic researchers studying the history of divination. Desperate to escape her painful past, Ann is happy to indulge the researchers’ more outlandish theories about the history of fortune telling.

Audrey Miller has an enviable new job at the Smithsonian, a body by reformer Pilates, an apartment door with a broken lock, and hundreds of thousands of Instagram followers to bear witness to it all. Having just moved to Washington, DC, Audrey busies herself impressing her new boss, interacting with her online fan base, and staving off a creepy upstairs neighbor with the help of the only two people she knows in town: an ex-boyfriend she can't stay away from and a sorority sister with a high-powered job and a mysterious past.

In Eating the Dinosaur, Klosterman is more entertaining and incisive than ever. Whether he's dissecting the boredom of voyeurism, the reason why music fan's inevitably hate their favorite band's latest album, or why we love watching can't-miss superstars fail spectacularly, Klosterman remains obsessed with the relationship between expectation, reality, and living history. It's amateur anthropology for the present tense, and sometimes it's incredibly funny.

Every summer for the past ten years, six awe-struck bakers have descended on the grounds of Grafton, the leafy and imposing Vermont estate that is not only the filming site for “Bake Week” but also the childhood home of the show’s famous host, celebrated baker Betsy Martin.