Mostrando resultados por narrador "Dani Martineck" en Todas las categorías

Lourna Dee is not a villain. She’s not a hero. She’s a survivor. The former Tempest Runner, wanted by both her Nihil allies and the Republic, has evaded imprisonment and death from both groups more times than she can count. But even Lourna cannot outrun the mysterious blight that devours everything wherever it appears. And Marchion Ro, the Eye of the Nihil, has announced that only he knows the secret to stopping it.

When Abby steps foot on Isla Colel, she isn’t sure what—if anything—she’ll find. She only knows that she needs to see the place where her fiancée, Eszter, died to try and make sense of the tragic accident. The island is nothing like Abby expected: Though it was once a bustling tourist hub, a hurricane has left it a shell of its former self, with only a handful of residents remaining. Even the once-daily ferry to the mainland now runs every week or so. There, Abby befriends an alluring group of expats, but her sense of unease surges.

All they need to do is get out. Alissa, Sky, Miles and Mint are ready for a night of fun at the Escape Room. It's simple. Choose their game. Get locked in a room. Find the clues. Solve the puzzles. And escape the room in 60 minutes. But what happens if the Game Master has no intention of letting them go?

In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick. The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot.

John Maeda is one of the world's preeminent interdisciplinary thinkers on technology and design. In How to Speak Machine, he offers a set of simple laws that govern not only the computers of today, but the unimaginable machines of the future. Technology is already more powerful than we can comprehend, and getting more powerful at an exponential pace. Once set in motion, algorithms never tire.

With his father’s mysterious disappearance and his brother Ronnie enlisting in the Vietnam War, 13-year-old TJ Crowley is left alone with his racist, unstable mother, Kate. The newly enforced Fair Housing Act results in the unthinkable for the Crowleys when a Black family, headed by the eminent Dr. Washington, crosses the racial red line and moves in next door. Kate is quick to warn TJ that their new neighbors are strictly off-limits and makes a panicked call to beg Ray, her old flame, to travel to their home in Wichita Kansas to help deal with “the problem next door.”

On the night Miles Abernathy—sixteen-year-old socialist and proud West Virginian—comes out as trans to his parents, he sneaks off to a party, carrying evidence that may finally turn the tide of the blood feud plaguing Twist Creek: Photos that prove the county’s Sheriff Davies was responsible for the so-called “accident” that injured his dad, killed others, and crushed their grassroots efforts to unseat him. The feud began a hundred years ago when Miles’s great-great-grandfather, Saint Abernathy, incited a miners’ rebellion that ended with a public execution at the hands of law enforcement.

The first time I heard about Planet Choom, we'd been on Mars for almost a year. But life on the Mars station was grim, and since Earth was no longer an option (we may have blown it up), it was time to find a new home. That's how we ended up on Choom with the Zhuri. They're very smart. They also look like giant mosquitos. But that's not why it's so hard to live here. The Zhuri don't like us. And if humankind is going to survive, it's up to my family to change their minds. No pressure.

When their ex-hero dad is summoned back to the royal capital of Helston to train a hopeless crown prince, Callie lunges at the opportunity to finally prove themself worthy to the kingdom’s "great and powerful." Except the intolerant great and powerful look at nonbinary Callie and only see girl. But Callie has always known exactly what they want to be, and they’re not about to let anything stand in their way.

What you are holding is no ordinary book. This book contains scary stories. Thrilling and chilling tales that feature the worst Disney villains. They twist and turn through unfortunate circumstances.

In Asalin, fae rule and witches like Wyatt Croft…don't. Wyatt's betrothal to his best friend, fae prince Emyr North, was supposed to change that. But when Wyatt lost control of his magic one devastating night, he fled to the human world. Now a distant Emyr has hunted him down. Despite transgender Wyatt's newfound identity and troubling past, Emyr has no intention of dissolving their engagement. In fact, he claims they must marry now or risk losing the throne. Jaded, Wyatt strikes a deal with the enemy. But as he gets to know Emyr, Wyatt realizes the boy he once loved may still exist.

From the vast lore surrounding King Arthur, Camelot, and the Knights of the Round Table comes an anthology of gender-bent, race-bent, LGBTQIA+ inclusive retellings.

It's the beginning of sophomore year, and Robin's Odd Squad friends have decided: This time, they're going to fit in. They couple up, they won't stop talking about college and their future careers, and they're obsessed with trying to act "normal". Robin knows that game well - she's been pretending for years, hoping nobody would notice the sarcastic polyglot French horn player with a bad perm in the back of the room. But there's one aspect of her identity that she knows for sure doesn't fit in with her carefully controlled image.

Star point guard Mack Morris’s senior year of high school begins with twin cataclysms: the death of Mack’s father and the arrival of transfer student Liv Cooper. Playing side by side for their high school basketball team, Mack and Liv discover an electrifying, game-winning chemistry on the court. Off the court, they fall into an equally intoxicating more-than-friendship—one that feels out-of-bounds in their small Pennsylvania town. Mack teeters on the precipice of adulthood as desire and grief collide with drugs, sex, and the looming college signing deadline.

A young boy and his older sisters find themselves suddenly and utterly alone, orphaned in an abandoned fishing village. Their food supplies dwindling, they set out across a breathtaking yet treacherous wilderness in search of the last of their people. Down the coast, raiders deliver the children's mother, along with the rest of their human cargo, to the last port city of a waning empire. Determined to reunite with her family, she plots her escape—while her fellow captives plan open revolt.

Yael Clauneck is more interested in drinking and flirting than joining their powerful family’s business. They’re on the precipice of a predetermined life when they flee their own graduation party, galloping away in search of . . . well, they’re not sure, but maybe the chance to feel like life can still be a grand adventure. Margot Greenwillow—talented plant witch, tea lover, and greenhouse owner—has never felt further from adventure in her life. She’s been desperately trying to keep what remains of her family’s magic remedies business afloat.

Logan Gray is Hollywood's bad boy—a talented but troubled actor who the public loves to hate. Mattie Cole is an up‑and‑coming golden boy, adored by all but plagued by insecurities. When Logan and Mattie are cast as leads in a new romantic film, Logan claims that Matt has “zero talent,” sending the film’s publicity into a nosedive. To create positive buzz, the two are persuaded into a fake‑dating scheme—but as the two actors get to know their new characters, real feelings start to develop.

When Byron Kidd’s twelve-year-old daughter vanishes, the only clue is a note claiming that she’s taken off to explore the Hidden World, a magical land from a series of popular novels. She is not the only child to seek out this imaginary realm in recent years, and Byron—a cynical and hard-nosed reporter—is determined to discover the whereabouts of dozens of missing kids.

Najwa Zebian, EdD, has been grappling with the concept of letting go for years, both in her own journey and in her interactions with community members, students, and friends. More and more, Najwa has observed that while our problems are personal, the themes surrounding them are universal. She concluded that letting go is a topic that deserves specific attention and consideration.

Among a crop of fresh filmmakers including Steven Spielberg, George Lucas, Martin Scorsese, and Francis Ford Coppola revolutionizing Hollywood in the ’70s, Brian De Palma—a director from Philadelphia with a few social satires under his belt—charted a cinematic path unlike any of his peers. At times he was unfairly dismissed as a Hitchcock copycat; other times he was misunderstood for his peculiar mix of sexuality, humor, music, and violence. But, over the course of ten years, he created a new cinematic language.