The Last Ferry Out
A Novel
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The Last Ferry Out
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Narrado por:
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De:
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Andrea Bartz
Acerca de esta escucha
On a trip to the tropical paradise where her fiancée died, a young woman begins to suspect the death was no accident—and the killer’s still on the island—in this twisty thriller from the New York Times bestselling author of Reese's Book Club pick We Were Never Here.
Paradise hides a deadly secret.
When Abby steps foot on Isla Colel, she isn’t sure what—if anything—she’ll find. She only knows that she needs to see the place where her fiancée, Eszter, died to try and make sense of the tragic accident.
The island is nothing like Abby expected: Though it was once a bustling tourist hub, a hurricane has left it a shell of its former self, with only a handful of residents remaining. Even the once-daily ferry to the mainland now runs every week or so.
There, Abby befriends an alluring group of expats, but her sense of unease surges when one of them says he knows the truth about Eszter’s final days. Before he can tell her more, though, he vanishes from the island. Hours turn to days with no sign of him, and the others are chillingly cavalier about his disappearance.
As her quest for the truth unearths dark secrets, shady pasts, and a web of lies, Abby grows more determined than ever to find out what happened to the love of her life. And the deeper she gets in the close-knit expat community, the more she suspects that one of them is Eszter’s killer—and will do anything to keep the truth buried. But will Abby discover who it is before she becomes the island’s next victim?
©2025 Andrea Bartz (P)2025 Random House AudioLos oyentes también disfrutaron...
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- Duración: 3 h y 2 m
- Grabación Original
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General4.5 out of 5 stars 4,486
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Narración:4.5 out of 5 stars 4,345
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Historia4.5 out of 5 stars 4,345
After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
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5 out of 5 stars
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Tricky
- De Robert Scott Read en 10-30-24
De: James Patterson, y otros
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7 Hours to Die
- De: James Patterson, Duane Swierczynski
- Narrado por: Sarah Paulson, Patina Miller, Mel Rodriguez, y otros
- Duración: 2 h y 25 m
- Grabación Original
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General4 out of 5 stars 1,268
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Narración:4.5 out of 5 stars 1,139
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Historia4 out of 5 stars 1,139
Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.
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5 out of 5 stars
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This was such a fun Quick listen
- De Mdc en 10-08-24
De: James Patterson, y otros
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Denali
- De: Austin Bunn
- Narrado por: Jack Falahee, Jake Lacy, Amrit Kaur, y otros
- Duración: 1 h y 16 m
- Grabación Original
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General4 out of 5 stars 1,121
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Narración:4 out of 5 stars 1,078
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Historia3.5 out of 5 stars 1,078
Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.
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4 out of 5 stars
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Fun and thrilling
- De Anonymous User en 01-23-25
De: Austin Bunn
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Say No More
- De: Caroline Overington
- Narrado por: Anna Skellern
- Duración: 5 h y 47 m
- Grabación Original
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General4.5 out of 5 stars 1,502
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Narración:4.5 out of 5 stars 1,471
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Historia4.5 out of 5 stars 1,471
Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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4 out of 5 stars
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Seriously, that was the ending?
- De alicia in athens en 02-13-25
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It was the Crime of the Decade. Pathological sibling rivalry. Bitter, all-consuming envy. Whatever the cause—and everyone has an opinion—it led Georgia Cartwright who was adopted as a newborn, to kill the younger, biological daughter of her wealthy, socially prominent family. Georgia is being kept at an institution where the most violent offenders are held while she waits to see if she is ruled not guilty by reason of insanity.
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Dan Garvie’s life has been haunted by the crime he witnessed as a child—narrowly escaping an encounter with a notorious serial killer. He has dedicated his life since to becoming a criminal profiler, eager to seek justice for innocent victims. So when his father passes away under suspicious circumstances, Dan revisits his small island community, determined to uncover the truth about his death. Is it possible that the monster he remembers from his childhood nightmares has returned after all these years?
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After an accident that nearly kills her, Emily and her husband, Freddie, move from London to a beautiful Dartmoor country house called Larkin Lodge. The house is gorgeous, striking—and to Emily, something about it feels deeply wrong. Old boards creak at night, fires go out, and books fall from the shelves, and all of it stems from the terrible presence she feels in the third-floor room. But these things happen only when Emily’s alone, so are they happening at all?
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