Mostrando resultados por autor "Neal Asher" en Todas las categorías

Alan Saul is now part-human and part-machine, and our solar system isn't big enough to hold him. He craves the stars, but can't leave yet. His sister Var is trapped on Mars, on the wrong side of a rebellion, and Saul's human side won't let her die. He must leave Argus Station to stage a dangerous rescue - but mutiny is brewing onboard, as Saul's robots make his crew feel increasingly redundant. Serene Galahad will do anything to prevent Saul's escape. Earth’s ruthless dictator hides her crimes from a cowed populace as she readies new warships for pursuit.

The Argus Space Station looks down on a nightmarish Earth. And from this safe distance, the Committee enforces its despotic rule. There are too many people and too few resources, and they need 12 billion to die before Earth can be stabilised. So corruption is rife, people starve, and the poor are policed by mechanised overseers and identity-reader guns. Citizens already fear the brutal Inspectorate with its pain inducers. But to reach its goals, the Committee will unleash satellite laser weaponry, taking carnage to a new level. This is the world Alan Saul wakes to.

Ottanger is a rebel and mutant on an Earth governed by a ruthless Committee. But after its Inspectorate experiments on him, Ottanger realizes the mutation allows him to reach alternate worlds. The multiverse is revealed in all its glory and terror—and he understands that he can finally flee his timeline. Then Ottanger meets the Fenris, an evolved human, visiting his Earth from the far future. He'd engineered the original world walking mutation, so those altered could escape the Committee's nightmarish regime. And Ottanger sees that that Committee will become unstoppable if not destroyed.

In a far corner of space, on the very borders between humanity’s Polity worlds and the kingdom of the vicious crab-like prador, is an immediate threat to all sentient life: an accretion disc, a solar system designed by the long-dead Jain race and swarming with living technology powerful enough to destroy entire civilizations. Neither the Polity or the prador want the other in full control of the disc, so they’ve placed an impartial third party in charge of the weapons platform guarding the technology from escaping into the galaxy: Orlandine, a part-human, part-AI haiman.

The savage ocean planet of Spatterjay draws visitors with very different agendas. Erlin is immortal and seeks a reason to keep living. Janer hosts a hive mind, which paid him to find this planet. And Keech is an agent of Earth who’s been dead for 700 years – but still hunts a notorious criminal. On Spatterjay’s vast waterscapes, only the Old Captains risk the native life forms and their voracious appetites. However, they are now barely human. And somewhere out there Keech’s target – the Skinner – runs wild.

Captain Blite knows that someone, or something, is trying to kill him. But a device he possesses, known only as the dark diamond, won't let that happen. After surviving a series of accidents and assassination attempts, Blite comes to realize that whenever he dies the dark diamond reverses time to a moment before his death. He must then go through the traumatic experience again and again until he escapes.

In the eight years since his first full-length novel, Gridlinked, was published by Pan Macmillan, Neal Asher has firmly established himself as one of the leading British writers of science fiction, and his novels are now translated in many languages. Most of his stories are set in a galactic future-scape called The Polity, and with this collection of marvellously inventive and action-packed short stories, he takes us further into the manifold diversities of that amazing universe.

Neal Asher takes on first contact, Polity style. This original novel recounts the first contact between the aggressive Prador aliens, and the Polity Collective as it is forced to retool its society to a war footing. The overwhelming brute force of the Prador dreadnaughts causes several worlds and space stations to be overrun. Prador Moon follows the initial Polity defeats, to the first draws, and culminates in what might be the first Polity victory, told from the point of view of two unlikely heroes.

Outlink station Miranda has been destroyed by a nanomycelium, and the very nature of this sabotage suggests that the alien bioconstruct Dragon - a creature as untrustworthy as it is gigantic - is somehow involved. Sent out on a titanic Polity dreadnought, the Occam Razor, agent Cormac must investigate the disaster.

On the primitive world Cull, a knight errant called Anderson hunts a dragon, not knowing that elsewhere is a resurrected brass killing machine, Mr Crane, assisting in a similar hunt. Learning that this old enemy still lives, agent Cormac pursues while scientist Mika begins discovering the horrifying truth about an ancient alien technology. Each day is a survival struggle for the people of Cull. Ferocious insectile monsters roam their planet as they try to escape to their forefathers' starship, still orbiting far above them.

One man will transcend death to seek vengeance. One woman will transform herself to gain power. And no one will emerge unscathed... Thorvald Spear wakes in a hospital to find he's been brought back from the dead. What's more, he died in a human vs. alien war that ended a century ago.

Thorvald Spear, resurrected from his death over 100 years earlier, continues to hunt Penny Royal, the rogue AI and dangerous war criminal on the run from Polity forces. Beyond the Graveyard, a lawless and deadly area in deep space, Spear follows the trail of several enemy Prador, the crab-like alien species with a violent history of conflict with humanity. Sverl, a Prador genetically modified by Penny Royal and slowly becoming human, pursues Cvorn, a Prador harboring deep hatred for the Polity.

The Theocracy has been dead for 20 years, and the Polity rules on Masada - but it is an order that the rebels of the Tidy Squad cannot accept, and the iconic Jeremiah Tombs is top of their hitlist. Tombs, meanwhile, has escaped his sanatorium. His insanity must be cured, because the near-mythical hooder, called "the Technician", that attacked him all those years ago, did something to his mind even the AIs fail to understand. Tombs might possess information about the suicide of an entire alien race.

The fifteen stories and three screenplays that make up Volumes Two and Three of the Emmy® Award–winning Netflix Original series Love, Death & Robots. Featuring bestselling authors and screenwriters from all over the globe, curated by filmmakers Tim Miller and David Fincher, and Supervising Director Jennifer Yuh Nelson.

Their nemesis lies in wait.... Orlandine has destroyed the alien Jain super-soldier by deploying an actual black hole. And now that same weapon hoovers up clouds of lethal Jain technology, swarming within the deadly accretion disc’s event horizon. All seems just as she planned. Yet behind her back, forces incite rebellion on her home world, planning her assassination.

From 800 years in the future, a runcible gate is opened into the Polity and those coming through it have been sent specially to take the alien ‘Maker’ back to its home civilization in the Small Magellanic cloud. Once these refugees are safely through, the gate itself is rapidly shut down – because something alien is pursuing them. The gate is then dumped into a nearby sun. From those refugees who get through, agent Cormac learns that the Maker civilization has been destroyed by pernicious virus known as the Jain technology.

The Polity is under attack from a 'melded' AI entity with control of the lethal Jain technology, yet the attack seems to have no coherence. When one of Erebus' wormships kills millions on the world of Klurhammon, a high-tech agricultural world of no real tactical significance, agent Ian Cormac is sent to investigate, though he is secretly struggling to control a new ability no human being should possess...and beginning to question the motives of his AI masters.

On Mars, Var Delex fights for the survival of Antares Base, while the Argus Space Station hurls towards the red planet. And she knows whomever, or whatever, trashed Earth is still aboard. Var must save the base, while also dealing with the first signs of rebellion. And aboard Argus Station, Alan Saul’s mind has expanded into the local computer network. In the process, he uncovers the ghastly experiments of the Humanoid Unit Development.

Their enemy seems unbeatable. But humanity is indomitable.... A Jain warship has risen from a prison five million years old, wielding a hoard of lethal technology. Its goal is to catch their old enemy, the Client, and it will destroy all who stand in its path.Humanity and the prador thought their mutual nemesis – the bane of so many races – was long extinct. But the Jain are back and Orlandine must prepare humanity’s defence. She needs the Client’s knowledge to counter this ancient threat. But is the enemy of your enemy a friend?

Old Captain Orbus commandeered a ship to flee Spatterjay, desperate to escape the violent planet. Orbus’ alien enemy, the Prador Vrell, is also moving on. The Spatterjay virus mutated him into something even more dangerous. And he’s hunting the Prador King himself - who sought to kill him, to bury the secret of their similar transformations. Orbus and Vrell clash in the Graveyard, a lawless zone where the Prador have seized a key space station. Official action by humanity or Prador would end peace, as a centuries-long cold war simmers.