Mostrando resultados por narrador "Nene Nwoko" en Todas las categorías

Somadina and her twin brother, Jayaike, are practically the same person: they finish each other's sentences and make each other whole. When the twins come of age, their magical gifts begin to develop, but while Jayaike's powers enchant, Somadina's cause fear to ripple through her town. Always an outsider, Somadina now faces blatant—and dangerous—hostility. And things go from bad to worse when her brother—the one person she trusted—vanishes. Somadina knows that no matter the dangers, she must track him down.

A ghost decides to help the shy young woman living in her former house. Kyra dreams of becoming an artist, and she flourishes under the guidance of her ghostly mentor. This short, supernatural tale will appeal to fans of friendly ghost stories and family reconciliation.

From the moment Sunny Nwazue discovered she had mystical energy flowing in her blood, she sought to understand and control her powers. Throughout her adventures, she had to navigate the balance between nearly everything in her life—America and Nigeria, the "normal" world and the one infused with juju, human and spirit, good daughter and powerful Leopard Person. Now, those hard lessons and abilities are put to the test in a quest so dangerous and fantastical, it would be madness to go . . . but may destroy the world if she does not.

Being the opara of the family, Kingsley Ibe is entitled to certain privileges—a piece of meat in his egusi soup, a party to celebrate his graduation from university. But times are bad in Nigeria. Now he worries that without a "long-leg"—someone who knows someone who can help him—his degrees will do nothing. When a tragedy befalls his family, Kingsley learns the hardest lesson of all: education may be the language of success in Nigeria, but it's money that does the talking. When Kingsley turns to his Uncle Boniface for help, he learns that charity may come with strings attached.

From creation myths and foundation legends to fascinating stories of human relationships and animal tales, these stories provide a diverse look at the countries and cultures across the African continent. Noted folklorist Helen Nde provides context for history and colonial influences for the stories.

In 1860, long after the United States outlawed the importation of enslaved laborers, 110 men, women, and children from Benin and Nigeria were captured and brought to Mobile, Alabama, aboard a ship called Clotilda. Their journey includes the savage Middle Passage and being hidden in the swamplands along the Alabama River before being secretly parceled out to various plantations, where they made desperate attempts to maintain both their culture and also fit into the place of captivity to which they'd been delivered.

In the Nigerian city of Enugu, young Nwabulu, a housemaid since the age of ten, dreams of becoming a typist as she endures her employers' endless chores. She is tall and beautiful and in love with a rich man's son. Educated and privileged, Julie is a modern woman. Living on her own, she is happy to collect the gold jewelry lovestruck Eugene brings her, but has no intention of becoming his second wife. When a kidnapping forces Nwabulu and Julie into a dank room years later, the two women relate the stories of their lives as they await their fate.

Off the coast of West Africa, decades after the dangerous rise of the Atlantic Ocean, the region’s survivors live inside five partially submerged, kilometers-high towers originally created as a playground for the wealthy. Now the towers’ most affluent rule from their lofty perch at the top while the rest are crammed into the dark, fetid floors below sea level.

Bessem notices Fatima for the first time on the soccer field-muscular and focused, she's the only woman playing and seems completely at ease. When Fatima chases a rogue ball in her direction, Bessem freezes, mesmerized by the athlete's charm and beauty. One playful wink from Fatima, and Bessem knows her life will never be the same.

Yarima Lalo believes he has been murdered twice before. The cause? Love. To make sense of these vivid memories he cannot shake, he travels from Abuja to Kano with his new friend and love interest Aziza to meet an old woman who he might have known in a past life. She is skeptical at first - and hesitant to revisit painful memories of her own - but together, they dig deeper and deeper into the past, piecing together a shared history with ripple effects that could shape Lalo’s future.

Beata Umubyeyi Mairesse's debut novel follows three generations torn apart by the genocide against the Tutsis, as they try to reconnect with one another, rebuild broken relationships, and find their place in today's world. Blanche returns to Rwanda after building a life in Bordeaux with her husband and young son, Stokely. Reuniting with her mother Immaculata, old wounds are reopened for both mother and daughter while Stokely, caught between two countries, tries to understand where he comes from and where he belongs.

Mara Kardas-Nelson's We Are Not Able to Live in the Sky is a story about unintended consequences, blind optimism, and the decades-long ramifications of seemingly small policy choices. The book is rooted in the stories of women borrowers in Sierra Leone, West Africa, whose narratives are set against the rise of Yunus's vision that tiny loans would "put poverty in museums," as well as a deep history of modern international development.

A searing, unflinching collection of stories set in Nigeria that explores themes of community expectations, familial strife, and the struggle for survival.

Bata, a young girl tormented by nightmares, wakes up one night to find herself standing sentinel before her cousin's door. Her cousin is to get married the next morning, but only if she can escape the murderous attack of a ghost-bride, who used to be engaged to her groom. A supernatural possession helps Bata battle and vanquish the vengeful ghost bride, and following a botched exorcism, she is transported to Ibaja-La, the realm of dead brides. There, she receives secret powers to fight malevolent ghost-brides before being sent back to the human realm.

God of Mercy is set in Ichulu, an Igbo village where the people's worship of their gods is absolute. Their adherence to tradition has allowed them to evade the influences of colonialism and globalization. But the village is reckoning with changes, including a war between gods signaled by Ijeoma, a girl who can fly.

One day in Lagos, young dancer Ikemefuna is put on a plane to Houston to meet her new husband, Nna. Promises are made to her – about her education, about the man she will marry, about her freedom. None of them are kept. A few months later, self-professed feminist Nna finds a beautiful woman cooking in his parents’ kitchen. They tell him Ikemefuna is his wife, there to give them the grandson they’ve been waiting for. She appears obedient, malleable. But she is no ordinary wife.

Eat. Dance. Fight. This is the life of the girls who compete in the Isle’s elite, all-female fighting sport of Bowing. But it isn’t really Dirt’s life anymore. At sixteen, she is old and has retired from competition. Instead, she spends her days coaching the younger sisters of the Mud Fam and dreading her fast-approaching birthday, when she’ll have to leave her sisters to fulfill whatever destiny the Gods choose for her.

With admission to The Program, an elite interdisciplinary graduate cohort at the forefront of astronomy and technology, Rosa's dreams are finally within reach. Her research into the cosmos follows in the footsteps of her astronomer father's revolutionary work in Bantu geometries and Indigenous astronomies. A bona fide genius, he transformed the scientific landscape by fusing the best of Western and Indigenous scientific thought. Yet since his death during her childhood, Rosa has been plagued by anxiety attacks she dubs "The Terrors".

Gods and Heroes is the first volume of the Itan - Legends of the Golden Age trilogy about the thousand-year story of the Yoruba people. It starts with the establishment of Ile-Ife by Oduduwa and the great sacrifice of the heroine Moremi. The ancient gods of Yorubaland, Obatala, Orunmila, Ogun, and Olokun all play their part, as well as the great heroes and heroines of antiquity. The author uses the genre of the historical novel in a refreshing and imaginative fashion to present the whole tableau of Yoruba history.

I Touched the Moon—a metaphor for the extraordinary place where a young trafficked Nigerian girl finds herself as she struggles to reclaim her freedom and life after being raped, kidnapped, and forced into years of prostitution. Asha’s experiences and her indomitable drive to live and thrive unfold in unexpected ways as we enter her world. The tale is a blend of fact and fiction inspired by the horrific attack on a village in Zamfara, Nigeria—an actual event in 2011. But no matter how far Asha travels, and no matter how remarkable her journey, the weight of her past is both heavy and surreal.