Showing results by author "Rachel Cusk" in All Categories

Coventry encompasses memoir, cultural criticism, and writing about literature, with pieces on family life, gender, and politics, and on D. H. Lawrence, Françoise Sagan, and Kazuo Ishiguro. Named for an essay Cusk published in Granta (“Every so often, for offences actual or hypothetical, my mother and father stop speaking to me. There’s a funny phrase for this phenomenon in England: it’s called being sent to Coventry”), this collection is pure Cusk and essential listening for our age: fearless, unrepentantly erudite, and dazzling to behold.

In the wake of her family's collapse, a writer and her two young sons move to London. The upheaval is the catalyst for a number of transitions - personal, moral, artistic and practical - as she endeavours to construct a new reality for herself and her children. In the city, she is made to confront aspects of living that she has, until now, avoided and to consider questions of vulnerability and power, death and renewal, in what becomes her struggle to reattach herself to and believe in life.

In the winter of 2009, Rachel Cusk’s marriage of 10 years came to an end. Candid and revelatory, Aftermath chronicles the perilous journey as the author redefines herself and creates a new version of family life for her daughters. She discovers previously unknown strengths and freedoms, but also finds herself suddenly vulnerable to outsiders, unwelcome advice, social displacement, and the absence of a clear authority. The pressure to reconstruct a “normal” life for her daughters competes with the sense that nothing feels normal at all.

Thomas Bradshaw and Tonie Swann are experiencing the classic symptoms of marriage in its middle years: comfortable house, happy enough daughter, and an eerie sense that life might be happening elsewhere. Then Tonie accepts a big promotion at work and Thomas agrees to become a stay-at-home dad. While Thomas is suddenly faced with the daily silence of an empty house, Tonie finds herself alive to previously unimagined possibilities. And at the head of the family, the aging Bradshaw parents continue their marital dynamic of bickering and petty undermining.

When Stella leaves London for a small village in Sussex, she hopes that the country life will be conducive to her journey toward self-discovery. She'll have no more insipid lover, dead end job, or controlling parents to endure. But, as an au pair for a dispiriting family, she's stalked by bad-tempered people, misfortune from weather and wildlife, and unwelcome suitors. Spunky and resourceful, she manages to keep a stiff upper lip, even when her darkest secret manages to catch up with her.

A woman invites a famous artist to use her guesthouse in the remote coastal landscape where she lives with her family. Powerfully drawn to his paintings, she believes his vision might penetrate the mystery at the center of her life. But as a long, dry summer sets in, his provocative presence itself becomes an enigma - and disrupts the calm of her secluded household. Second Place, Rachel Cusk’s electrifying new novel, is a study of female fate and male privilege, the geometries of human relationships, and the moral questions that animate our lives.

A man and a woman are seated next to each other on a plane. They get to talking - about their destination, their careers, their families. Grievances are aired, family tragedies discussed, marriages and divorces analyzed. An intimacy is established as two strangers contrast their own fictions about their lives. Outline is a novel in 10 conversations. Spare and stark, it follows a novelist teaching a course in creative writing during one oppressively hot summer in Athens.

Set over the course of one rainy day in an ordinary English suburb, Arlington Park is a viciously funny portrait of a group of young mothers, each bound to their families, each straining for some kind of independence: Juliet, enraged at the victory of men over women in family life; Amanda, warding off thoughts of death with obsessive housework; Solly, about to give birth to her fourth child; Maisie, struggling to accept provincial life; and Christine, the optimist and host of a dinner party where the neighbors come together.

Outline is a novel in 10 conversations. Spare and lucid, it follows a novelist teaching a course in creative writing over an oppressively hot summer in Athens. She leads her student in storytelling exercises. She meets other writers for dinner. She goes swimming in the Ionian Sea with her seatmate from the place. The people she encounters speak volubly about themselves, their fantasies, anxieties, pet theories, regrets and longings. And through these disclosures, a portrait of the narrator is drawn by contrast, a portrait of a woman learning to face great a great loss.

Casting off a northern winter and an orderly life, a family decides to sell everything and go to Italy to search for art and its meanings, for freedom from routine, for a different path into the future. The award-winning writer Rachel Cusk describes a three-month journey around the Italy of Raphael and rented villas, of the Piero della Francesca Trail and the tourist furnace of Amalfi, of soccer and the simple glories of pasta and gelato.

When first published in 2001, it divided female critics and readers. One famous columnist wrote a piece demanding that Cusk's children were taken into care, that was she was unfit to look after them. Oprah Winfrey invited her on the show to defend herself and the book as protests grew about its honest, gritty account of the misery of those early months. It is a seminal, stand-out book on the complications of being an ambivalent mum in an age of white-washed, Annabel Karmel'd new families.

Midway through his life, the artist G begins to paint upside down. Eventually, he paints his wife upside down. He also makes her ugly. The paintings are a great success. In Paris, a woman is attacked by a stranger in the street. Her attacker flees, but not before turning around to contemplate her victim, like an artist stepping back from a canvas. At the age of twenty-two, the painter G leaves home for a new life in another country, far from the disapproval of her parents. Her paintings attract the disapproval of the man she later marries.

The experience of motherhood is an experience in contradiction. It is commonplace and it is impossible to imagine. It is prosaic and it is mysterious. It is at once banal, bizarre, compelling, tedious, comic, and catastrophic. To become a mother is to become the chief actor in a drama of human existence to which no one turns up. It is the process by which an ordinary life is transformed unseen into a story of strange and powerful passions, of love and servitude, of confinement and compassion.

A woman writer visits a Europe in flux, where questions of personal and political identity are rising to the surface and the trauma of change is opening up new possibilities of loss and renewal. Within the rituals of literary culture, Faye finds the human story in disarray amid differing attitudes toward the public performance of the creative persona. She begins to identify among the people she meets a tension between truth and representation, a fissure that accrues great dramatic force as Kudos reaches a profound and beautiful climax.

In the wake of her family’s collapse, a writer and her two young sons move to London. The process of this upheaval is the catalyst for a number of transitions—personal, moral, artistic, and practical—as she endeavors to construct a new reality for herself and her children. In the city, she is made to confront aspects of living that she has, until now, avoided, and to consider questions of vulnerability and power, death and renewal, in what becomes her struggle to reattach herself to, and believe in, life.

When 18-year-old Michael visits the Hanbury's remote family home, he is captivated by their bohemian lifestyle. Years later, when he marries the strong-willed, beautiful Rebecca, he is secretly hoping to create his own version of that free-thinking family, but after the birth of their first child, their marriage begins to flounder. The chance to escape once more to his friend's country house comes as a welcome relief, until he discovers a family changed and his own romantic notions of country life begin to disintegrate....

A woman on a plane listens to the stranger in the seat next to hers telling her the story of his life: his work, his marriage, and the harrowing night he has just spent burying the family dog. That woman is Faye, who is on her way to Europe to promote the book she has just published. Once she reaches her destination, the conversations she has with the people she meets - about art, about family, about politics, about love, about sorrow and joy, about justice and injustice - include the most far-reaching questions human beings ask.

Forfatteren Faye er inviteret til en litteraturfestival i et sted i Europa for at promovere sin nye bog. Allerede på flyet falder hun i snak med sin sidemand, der begynder at fortælle hende om sit liv. Han fortæller om sit job, sit ægteskab og om den forfærdelige nat, han lige har tilbragt med at begrave familiens døde hund. På festivalen fortsætter Faye samtalerne med de mennesker, hun møder.

Efter sin skilsmisse flytter forfatteren Faye med sine to sønner til London for at begynde på en frisk. Men opbruddet fører andre ændringer med sig - af både personlig, moralsk, kunstnerisk og ikke mindst praktisk karakter. Faye sætter sit hus i stand og taler med de mennesker hun møder i et et forsøg på at genfinde troen på livet, men vakler mellem at føle sig stærk og fuldkommen magtesløs. En elegant og reflekteret roman om menneskers livsfortællinger; om hvordan vi forsøger at styre vores liv ved at fortælle, men også om, hvordan fortællingerne forvandler os.

The new novel from one of the most distinctive writers of the age, Parade sets loose a carousel of lives. It surges past the limits of identity, character, and plot, to tell a true story-about art, family, morality, gender, and how we compose ourselves.