Mostrando resultados por autor "Jonathan Lethem" en Todas las categorías

Chase Insteadman, a handsome, inoffensive fixture on Manhattan's social scene, lives off residuals earned as a child star on a beloved sitcom called Martyr & Pesty. Chase owes his current social cachet to an ongoing tragedy much covered in the tabloids: His teenage sweetheart and fiancée, Janice Trumbull, is trapped by a layer of low-orbit mines on the International Space Station, from which she sends him rapturous and heartbreaking love letters. Like Janice, Chase is adrift, she in Earth's stratosphere, he in a vague routine punctuated by Upper East Side dinner parties.

At the age of 13, Pella Marsh emigrates with her family to the Planet of the Archbuilders. These enigmatic aborigines have names like Lonely Dumptruck and Hiding Kneel, and a civilization that baffles and frightens their human visitors. As the spikily independent Pella becomes an uneasy envoy between two species, Girl in Landscape deftly interweaves themes of exploration and otherness, loss, and sexual awakening.

From silly chuckles to rueful ironic glee to deep cosmic laughter, this new volume of humorous tales samples the best of recent seasons of the popular public radio series Selected Shorts.

The Arrest isn't post-apocalypse. It isn't a dystopia. It isn't a utopia. It's just what happens when much of what we take for granted - cars, guns, computers, and airplanes, for starters - stops working... Before the Arrest, Sandy Duplessis had a reasonably good life as a screenwriter in L.A. An old college friend and writing partner, the charismatic and malicious Peter Todbaum, had become one of the most powerful men in Hollywood. That didn't hurt. Now, post-Arrest, nothing is what it was. Sandy, who calls himself Journeyman, has landed in rural Maine.

Gumshoe Conrad Metcalf has problems - not the least of which are the rabbit in his waiting room and the trigger-happy kangaroo on his tail. Near-future Oakland is an ominous place where evolved animals function as members of society, the police monitor citizens by their karma levels, and mind-numbing drugs such as Forgettol and Acceptol are all the rage. In this brave new world, Metcalf has been shadowing the wife of an affluent doctor, perhaps falling a little in love with her at the same time.

On the streets of 1970s Brooklyn, a daily ritual goes down: the dance. Money is exchanged, belongings surrendered, power asserted. The promise of violence lies everywhere, a currency itself. For these children, Black, brown, and white, the street is a stage in shadow. And in the wings hide the other players: parents; cops; renovators; landlords; those who write the headlines, the histories, and laws; those who award this neighborhood its name. The rules appear obvious at first. But in memory’s prism, criminals and victims may seem to trade places.

From America's most inventive novelist, Jonathan Lethem, comes this compelling and compulsive riff on the classic detective novel. Lionel Essrog is Brooklyn's very own Human Freakshow, an orphan whose Tourettic impulses drive him to bark, count, and rip apart language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo service cum detective agency. Life without Frank, the charismatic King of Brooklyn, would be unimaginable.

This is the story of two boys, Dylan Ebdus and Mingus Rude. They are friends and neighbors, but because Dylan is white and Mingus is black, their friendship is not simple. This is the story of their Brooklyn neighborhood, which is almost exclusively black despite the first whispers of something that will become known as "gentrification."

Handsome, impeccably tuxedoed Bruno Alexander travels the world winning large sums of money from amateur "whales" who think they can challenge his peerless acumen at backgammon. Fronted by his pasty, vampiric manager, Edgar Falk, Bruno arrives in Berlin after a troubling run of bad luck in Singapore. Perhaps it was the chance encounter with his crass childhood acquaintance Keith Stolarsky and his smoldering girlfriend, Tira Harpaz. Or perhaps it was the emergence of a blot that distorts his vision so he has to look at the board sideways.

Phoebe Siegler first meets Charles Heist in a shabby trailer on the eastern edge of Los Angeles. She’s looking for her friend’s missing daughter, Arabella, and hires Heist to help. A laconic loner who keeps his pet opossum in a desk drawer, Heist intrigues the sarcastic and garrulous Phoebe. Reluctantly, he agrees to help. The unlikely pair navigates the enclaves of desert-dwelling vagabonds and finds Arabella is in serious trouble - caught in the middle of a violent standoff that only Heist, mysteriously, can end.

Jonathan Lethem treats Fear of Music (the third album by the Talking Heads, and the first produced by Brian Eno) as a masterpiece—edgy, paranoid, funky, addictive, rhythmic, repetitive, spooky, and fun. He scratches obsessively at the album's songs, guitars, rhythms, lyrics, packaging, downtown origins, and legacy, showing how Fear of Music hints at the directions (positive and negative) the band would take in the future.

A constellation of previously published pieces and new essays as provocative and idiosyncratic as any he’s written, this volume sheds light on an array of topics from sex in cinema to drugs, graffiti, Bob Dylan, cyberculture, 9/11, book touring, and Marlon Brando, as well as on a shelf’s worth of his literary models and contemporaries: Norman Mailer, Paula Fox, Bret Easton Ellis, James Wood, and oth­ers.

This dazzling, genre-defying collection from Jonathan Lethem features seven major stories published since his last collection, along with his best work spanning more than three decades. A major new story, “The Red Sun School of Thoughts,” never published elsewhere, follows a teenaged boy coming to terms with figures of authority and power—those both in his own biological family and in the family he creates for himself.

In this breathtakingly imaginative audiobook - now appearing in audio for the first time - we enter the mind of an unnamed artist of prodigious talent and intelligence who is determined to correct the world's wrongs via a direct confrontation with the Almighty, no matter what the consequences. A spellbinding tale told by a memorably unreliable narrator, It Happened in Boston? places you inside a vivid world that brilliantly and surprisingly interweaves art, genius, love, madness, betrayal, God - and murder.

Chandler's dark first novel is full of endlessly inventive wordplay, with the wry, cynical, private detective Philip Marlowe. Join the investigation with Jonathan Lethem ( Gun, With Occasional Music and Fortress of Solitude), Judith Freeman ( The Long Embrace: Raymond Chandler and The Woman He Loved), and Rich Cohen ( Sweet and Low: A Family Story) as they compare notes on Chandler's grand style, its place in the mystery canon, and its influence on their work.

Philip is in love with Alice. As the novel opens, he is beginning to lose her. Not to another man, as he fears, but to, literally, nothing. Alice is a physicist, and a team at the University where both she and Philip work has created a hole, a vacuum, a doorway of nothingness inside the laboratory. They call it "Lack". Alice becomes obsessed with Lack, as Philip is obsessed by Alice.

Jonathan Lethem's new collection of stories is a feast for his fans and the perfect introduction for new listeners: a smorgasbord of fantastic, amusing, poignant tales written in a dizzying variety of styles. Lethem is a trailblazer of a new kind of literary fiction, sampling high and low culture to create fictional worlds that are utterly original.

Before the Arrest, Sandy Duplessis had a reasonably good life as a screenwriter in L.A. An old college friend, the charismatic and malicious Peter Todbaum, had become one of the most powerful men in Hollywood. Now, post-Arrest, nothing is what it was. Sandy, who calls himself Journeyman, has landed in rural Maine. There he assists the butcher and delivers the food grown by his sister, Maddy, at her farm. But then Todbaum shows up in an extraordinary vehicle: a retrofitted tunnel-digger powered by a nuclear reactor. Can it be that Todbaum wants to produce one more extravaganza?

Lucinda Hoekke spends eight hours a day at the Complaint Line, listening to anonymous callers air their random grievances. One frequent caller, who insists on speaking only to Lucinda, captivates her with his off-color ruminations and opaque self-reflections. In blatant defiance of the rules, Lucinda and the Complainer arrange a face-to-face meeting - and fall desperately in love.

And in "Forever, Said the Duck," stored computer personalities scheme to break free of their owners. In these and other stories in this striking collection, Jonathan Lethem, author of The Fortress of Solitude and Motherless Brooklyn, draws the reader ever more deeply into his strange, unforgettable world - a trip from which there may be no easy return.