Showing results by author "Simon Brett" in All Categories

Having decided to redecorate Woodside Cottage, Jude has engaged the services of local man Pete, who has painted and decorated the homes of Fethering residents for many years. Pete is currently working on Footscrow House, a large Victorian building being converted into holiday flats. Whilst at 'Fiasco House', Jude and Pete make a surprising discovery behind a wall panel: a woman's handbag! The casual discovery becomes serious when the police identify the handbag's owner as Anita Garner, a young woman who vanished in suspicious circumstances 20 years earlier.

The Dowager Duchess has decided to sell off the less important family possessions. Blotto and Twinks are dispatched to help the valuer. He spies some Egyptian artifacts and in some excitement rushes back to London, leaving Blotto and Twinks alone in the attic, where they are drawn to a sarchophagus decorated with hieroglyphs. Twinks starts to translate: "Anyone who desecrates this shrine will be visited by the Pharoah's curse..." - just as Blotto prises the lid off.

When Jude pays a visit to Long Bamber Stables - to meet an unusual new client and his owner, Sonia Dalrymple - she does not expect to stumble across a man laying in the darkness. Co-owner of the stables Walter Fleet has been viciously stabbed to death, and Jude suspects she may have arrived only seconds after his murder. Unable to resist a mystery, friends Jude and Carole begin to make discreet enquiries.

Originally published a decade ago and now expanded, this book is a homage to the greatest detective story writer of the 20th century, an Anglo-American who took Los Angeles, his adopted home, off the road maps and into the land of legend. For Raymond Chandler, who died in 1959, his literary descendants will do just about anything, and that includes contributing to an anthology honoring him. Thus, in here we find the likes of Sara Paretsky, Robert Crais, Loren D. Estleman, Jonathan Valin, Robert Campbell, Eric Van Lustbader, Simon Brett, Julie Smith, Jeremiah Healy, Roger L. Simon, James ...

When Carole goes for a trim at Connie’s Clip Joint, she doesn’t expect to find herself at the scene of a murder. But in the back room, strangled by the lead of a hairdryer, sits Connie’s young assistant Kyra. Carole and her sleuthing friend Jude are soon enjoying some tactical snooping, and it seems that Fethering’s fingers are pointing at Kyra’s boyfriend Nathan, who has disappeared. As our discreet lady detectives decide there are only so many haircuts they can have for the sake of neighbourhood crime-solving, they also realise that this is no cut-and-dried case....

Charles Paris' old friend Mark, who runs a recording studio in Bath where Charles is making a talking book, has a drinking problem that amounts to a death wish. But it's not the drink that kills Mark, it's somebody in the cast of Charles' play who has a dirty little secret that Mark must not be allowed to reveal...

Although she hadn't known Leonard Mallett well, Carole Seddon feels duty bound to attend her fellow committee member's funeral. As she suspected, the sermon is very predictable - not unlike Leonard himself. What she couldn't have predicted was that the deceased's daughter would use the occasion to publicly accuse her stepmother of murder. Did Heather Mallett really kill her husband? Deciding to get to the heart of the matter, Carole's neighbour Jude joins the new community choir - and discovers that amidst the clashing egos and petty resentments lurk some decidedly false notes.

The Hopwicke Country House Hotel, owned by Jude's glamorous friend Suzy Longthorne, is to host an event for the all-male society the Pillars of Sussex. On the night, Jude helps Suzy serve dinner, and in the early hours of the morning they watch with relief as the guests drag themselves to their beds. The next morning, one young solicitor does not come down for breakfast. Jude heads for Nigel Ackford's room, presuming he is feeling the effects of the night before. It soon becomes apparent, however, that Nigel has been spared his hangover....

The two aristocratic siblings Blotto and Twinks are once again launched into another death-defying adventure, this time in the civil war-torn republic of Jalapeno, in Mexico. But how did they ever get to such a foreign and distant land in the first place? For Twinks it was an easy decision - to escape her mother's match-making attempts she sets out to visit her old friend, Begonia Guiteras, who lives in Jalapeno, which is fortuitously on the doorstep of an Aztec dig Twinks wants to work on.

Carole Seddon's trusty Renault is one of her most treasured possessions. So when it is vandalised, there's only one person she will entrust with its repair: Bill Shefford has been servicing the vehicles of the good citizens of Fethering for many years. But how could something like this happen in Fethering of all places? Then the note is shoved under Carole's kitchen door: Watch out. The car window was just the start. She has been deliberately targeted. But by whom and why?

Charles Paris returns again, in a fringe show at the Edinburgh Festival, with another nubile girl to provoke him, his accommodating wife to console him and a gory murder to challenge him. Edinburgh and the Festival are both background and foreground with Charles flitting between a production of A Midsummer Night’s Dream, a ‘mixed-media’ satire, a late-night revue and his own one-man show on Thomas Hood. Then a fading pop star is murdered, there’s a bomb scare in Holyrood Palace and someone makes a suicide leap from the top of the Rock….

Ellen Curtis runs her own business helping people who are running out of space. As a declutterer, she is used to encountering all sorts of weird and wonderful objects in the course of her work. What she has never before encountered is a dead body. When Ellen stumbles across the body of a young woman in an over-cluttered flat, suspicion immediately falls on the deceased homeowner's son. No doubt Nate Ogden is guilty of many things - but is he really the killer? Discovering a link between the victim and her own past, Ellen sets out to uncover the truth.

Charles Paris is in clover. He has been contracted for three whole months to play brainless bobby Sergeant Clump, foil to the charismatic amateur sleuth, Stanislas Braid, in a TV series of that name. Recourse to the whiskey bottle is still needed, however, to get him through a day’s filming - one made all the more arduous by the pompous posturings of the show’s star, and the constant outraged interruptions of the ancient author whose detective novels are being adapted. Indeed, there is plenty of friction about.

Declutterer Ellen Curtis has been working to bring order into the life of Cedric Waites, a recluse in his eighties who hasn't left his house or let anyone inside it since his wife died. On one of her regular visits, Ellen finds the old man dead. Sad but, given his age, perhaps not unexpected. Until the police raise the suspicion that Cedric might have been poisoned! The cause seems be something he ate, and as Ellen cleared away the old man's food containers, she is under suspicion. As is Dodge, who works for Ellen and has unhelpfully done a runner.

When Alexandra Richards approaches professional declutterer Ellen Curtis to ask her to help sort out her mother's chaotic flat, Ellen gets the impression Alexandra doesn't like her mother very much. But when Ingrid Richards' body is discovered in her burned-out home, Alexandra's exasperated words don't seem such a joke. Due to the hazardous state of the victim's over-cluttered residence, the police are inclined to dismiss her death as an unfortunate accident. Ellen's not so sure.

Territory is the theme that unites these four humorous plays - whether that means fighting over an allotment plot, dealing with the sudden partition of a country, guarding the privacy of a garden or battling with the council over school catchment areas.

Christopher Milton is one of TV’s brightest stars and the natural choice to play the lead in Lumpkin!, the musical version of She Stoops to Conquer. His is a ruthless, egomaniacal talent, guaranteed to turn his co-cast’s rehearsals into nail-biting hell. Charles Paris suspects him of harbouring at least one dark secret from years past. And then the ‘accidents’ begin. Soon it is plain that someone will stop at nothing in order to sabotage the show for their own ends.

A rising young stage comedian, who is about to receive his profession's award as ‘Most Promising Newcomer’, dies sensationally on stage at the start of his act; as he picks up the mike, he is electrocuted. Faulty wiring seems to be the cause; no one person is to blame; a verdict of death by misadventure is returned at the inquest.

Charles Paris is on his way up again, career-wise. No longer ‘resting’ or playing a corpse in a cupboard, he finds himself doubling almost every role in a provincial production of the play dreaded by superstitious theatrefolk: Macbeth.

Charles Paris’ acting career plumbs new depths when he takes the part of a possible murder victim in ‘Public Enemies’, a true-crime television series. Finding himself in a bizarre world somewhere between police procedure and showbiz, Charles is inexorably drawn into the investigation... especially after the dismembered limbs start turning up. The viewers of ‘Public Enemies’ get caught up in the macabre jigsaw puzzle of death; it is ghastly, of course, but it does make good television.