Showing results by author "Dorothy L. Sayers" in All Categories

The elegant, intelligent amateur sleuth Lord Peter Wimsey is one of detective literature's most popular creations. Ian Carmichael is the personification of Dorothy L. Sayers' charming investigator in this BBC Radio 4 full-cast dramatisation. The dignified calm of the Bellona Club is shattered when Lord Wimsey finds General Fentiman dead in his favourite chair. A straighforward death by natural causes? Perhaps... but why can no one remember seeing the general the day he died?

Dorothy L. Sayers was best known for her mystery novels featuring aristocratic amateur sleuth Lord Peter Wimsey. But she was also a poet, playwright and committed Christian, and in The Man Born to Be King, she combined art and evangelism to powerful effect, making the story of Christ accessible, relevant and every bit as thrilling as her detective fiction.

Ian Carmichael stars as Lord Peter Wimsey in the much-acclaimed radio dramatisations of: Unpleasantness at the Bellona Club, Strong Poison, Five Red Herrings and Have His Carcase.

Amateur detective Lord Peter Wimsey sets out to unravel a puzzling case involving the disappearance of a wealthy financier and the discovery of a corpse in a bathtub. He does succeed in solving things to everyone's ultimate satisfaction, but only after a series of bloodcurdling and hair-raising episodes that will hold the listener spellbound with anticipation.

Dashing detective Lord Peter Wimsey is caught up in the murder trial of mystery writer Harriet Vane. Her fiance has died of poisoning exactly as described in one of Harriet's novels, so naturally she is the prime suspect. As Peter looks on, he not only falls in love with the accused but eagerly helps with Harriet's defense when the first trial ends in a hung jury. Will she be convicted and executed for the crime, or can he save her life and win her hand in marriage?

In a shocking scandal, the likes of which has not been seen in the English aristocracy since the 18th century, the Duke of Denver stands accused of the foul murder or his sister's fiancé, shot through the heart on a cold, lonely night at Riddlesdale Hall in Yorkshire. The duke's brother, Lord Peter Wimsey, attempts to prove Denver's innocence, but why is the duke refusing to cooperate? And what does his sister, Lady Mary, know about the affair? Trying to reveal the truth, Wimsey uncovers a web of lies and deceit.

Enter the 1920s Golden Age of Detection with this first novel from Dorothy L. Sayers, featuring the debut of a dashing gentleman detective, one of the great characters of mystery fiction - Lord Peter Wimsey. An unidentified corpse is found in a bathtub, and the police are jumping to conclusions about its identity and that of the murderer. Lord Peter Wimsey steps in and, with the help of his friend, Inspector Parker; and his manservant, Bunter, solves the mystery.

After a corpse wearing pince-nez glasses is found in a bathtub, Lord Peter Wimsey undertakes the case and investigates the deed privately. But determining whether the corpse belongs to a well-known banker or a group of mischief-making medical students is just the beginning of this tangled mystery plot.

A prominent financier vanishes before bedtime, without his clothes. Hours later, a corpse is found in a bathtub wearing only pince-nez eyeglasses. When it’s determined that the body is not that of the financier, it’s up to amateur detective Lord Peter Wimsey to uncover the naked truth. As the part-time sleuth investigates what these men - one dead, one missing, both starkers - have in common, the pieces of two puzzles converge, and the case becomes more dangerous by the clue.

A short story from the British Library Crime Classic collection Final Acts. Detective novelist Dorothy L. Sayers presents a look at morality and motive as playwright John Scales grows angrier and more resentful towards the actor who reinvented his script, and must decide how far he will allow his hatred to take him.

The first three mysteries for Dorothy L. Sayers' aristocratic sleuth: first, a body is discovered in a Battersea bathroom, wearing nothing but a pair of pince-nez, on the same night that financier Sir Reuben Levy disappears from his Park Lane home. Then, Wimsey returns to England when his brother, the Duke of Denver, is accused of murdering the fiance of their sister, Lady Mary, and a trial in the House of Lords looms; and finally, an overheard conversation in a restaurant begins an investigation of the strangely premature death of wealthy and terminally ill old lady Miss Agatha Dawson.

When copywriter Victor Dean falls to his death on the stairs of Pym's Advertising Agency, everyone assumes it was an unfortunate accident. His replacement doesn't think so and begins asking a lot of questions. The new man is something of a mystery to his colleagues, and he certainly dresses well considering his meagre writer's salary.

When a wealthy woman comes to her untimely demise, Lord Peter Wimsey dives into the case—despite his lack of evidence or suspects. Just as Wimsey is getting familiar with the case, the woman's maid becomes the next victim. With two victims and no suspects, Wimsey is at his wit's end trying to prevent the next murder from happening. As senseless crime brings a dark shadow over this beautiful Hampshire village, will Wimsey be able to solve this case in time?

General Fentiman is found dead on the afternoon of November 11 in his armchair at the Bellona Club—just hours after the passing of his wealthy estranged sister. At ninety years old, his physician certifies death by natural causes. The important question, then, is not how he died, but when, as the answer determines the fate of an inheritance worth half a million pounds. If he died after his sister, her fortune stands to go to his grandsons, who are sorely in need of the funds.

When Harriet Vane attends her Oxford reunion, known as the 'Gaudy', the prim academic setting is haunted by a rash of bizarre pranks: scrawled obscenities, burnt effigies and poison-pen letters - including one that says, 'Ask your boyfriend with the title if he likes arsenic in his soup.' Some of the notes threaten murder, and one of them involves a long Latin quotation, which makes Harriet suspect that the perpetrator is probably a member of the Senior Common Room. But which of the apparently rational, respectable dons could be committing such crazed acts?

Inspector Rudge does not encounter many cases of murder in the sleepy seaside town of Whynmouth. But when an old sailor lands a rowing boat containing a fresh corpse with a stab wound to the chest, the Inspector's investigation immediately comes up against several obstacles. The vicar, whose boat the body was found in, is clearly withholding information, and the victim's niece has disappeared. There is clearly more to this case than meets the eye - even the identity of the victim is called into doubt.

Three perplexing puzzles - and three inimitable Wimsey solutions - told with wit, humor, and suspense. Narrator Ian Carmichael, the quintessential Lord Peter, provides great entertainment with his talented performance of these three stories. In "Striding Folly", a frightening dream provides a haunting premonition. A house numbered 13 is in a street of even numbers, and a dead man was never alive in "The Haunted Policeman." And "Talboys" sees Lord Peter's own children accused of theft.

'No sign of foul play,' says Dr Carr after the post-mortem on Agatha Dawson. The case is closed. But Lord Peter Wimsey is not satisfied... With no clues to work on, he begins his own investigation. No clues, that is, until the sudden, senseless murder of Agatha's maid. What is going on in the mysterious Mrs Forrest's Mayfair flat? And can Wimsey catch a desperate murderer before he himself becomes one of the victims?

The Classic Crime Collection is a collection of 18 classic detective novels, read by esteemed cast of award-winning narrators. Included here are stories by some of the most iconic crime writers in history, including Dorothy L. Sayers; Arthur Conan Doyle; Agatha Christie; Dashiell Hammett; Wilkie Collins; Josephine Tey; and more.

That I, whose experience of teaching is extremely limited, should presume to discuss education is a matter, surely, that calls for no apology. It is a kind of behavior to which the present climate of opinion is wholly favorable. If we are to produce a society of educated people, fitted to preserve their intellectual freedom amid the complex pressures of our modern society, we must turn back the wheel of progress some 400 or 500 years, to the point at which education began to lose sight of its true object, toward the end of the Middle Ages.