Mostrando resultados por autor "Donna Leon" en Todas las categorías

In The Golden Egg, as the first leaves of autumn begin to fall, Vice Questore Patta asks Brunetti to look into a minor violation committed by the mayor’s future daughter-in-law. Brunetti has no interest in helping his boss amass political favors, but he has little choice but to comply. Then Brunetti’s wife, Paola, comes to him with a request of her own. The mentally handicapped man who worked at their dry cleaners has just died of a sleeping pill overdose, and Paola loathes the idea that he lived and died without anyone noticing him, or helping him.

Commissario Guido Brunetti comes to the aid of a young nursing sister who has had five patients unexpectedly die and decides to leave her convent. In the course of his inquiries, Brunetti encounters an unusual cast of characters but discovers nothing that seems criminal. Is the nun simply creating a smoke screen to justify abandoning her vocation? Or has she stumbled onto something very real and very sinister - something that places her own life in imminent danger?

In Friends in High Places, Commissario Guido Brunetti is visited by a young bureaucrat investigating the lack of approval for the construction of Brunetti's apartment years before. What began as a red-tape headache ends in murder when the bureaucrat is later found dead after a mysterious fall from a scaffold. Brunetti starts an investigation that will take him into the unfamiliar and dangerous areas of drug abuse and loan-sharking, and will reveal, once again, what a difference it makes in Venice to have friends in high places.

On a cold November evening, Guido Brunetti and Paola are up late when a call from his colleague Ispettore Vianello arrives, alerting the Commissario that a hand has been seen in one of Venice's canals. The body is soon found, and Brunetti is assigned to investigate the murder of an undocumented Sri Lankan immigrant. Because no official record of the man's presence in Venice exists, Brunetti is forced to use the city's far richer sources of information: gossip and the memories of people who knew the victim.

Of all the trademarks of Venice - and there are many, from the gilded Basilica of San Marco to the melancholy Bridge of Sighs - none is more ubiquitous than the gondola. The internationally acclaimed "American with the Venetian heart," Donna Leon, tells its fascinating story ( The Washington Post). First used in medieval Venice as a deftly maneuverable getaway boat, the gondola evolved over the centuries into a floating pleasure palace, bedecked in silk, that facilitated the romantic escapades of the Venetian elite.

One afternoon, Commissario Guido Brunetti gets a frantic call from the director of a prestigious Venetian library. Someone has stolen pages out of several rare books. After a round of questioning, the case seems clear: The culprit must be the man who requested the volumes, an American professor from a Kansas university. The only problem-- the man fled the library earlier that day, and after checking his credentials, the American professor doesn't exist.

When Venetian detective Commissario Guido Brunetti is called to investigate a presumed suicide in Venice's elite military academy, his inquiries are immediately met with a wall of silence. The young man is the son of a doctor and former politician, a man of an impeccable integrity all too rare in Italian politics. Dr. Moro seems devastated by his son's death, but is not eager to talk to the police.

On a spring day in Venice, Commissario Brunetti and his assistant, Vianello, play hooky to help Vianello's friend Marco Ripetti, arrested during an environmental protest. They secure his release, only to be faced with the fury of the man's father-in-law, Giovanni De Cal, who has made violent threats against Ripetti. Brunetti's curiousity is peaked, and he finds himself drawn to investigate. Is De Cal the type of man to carry out his threats?

Surprised, if not dismayed, to discover from his superior, Vice-Questore Patta, that leaks are emanating from the Questura, Commissario Guido Brunetti is surprised more consequentially by the appearance of a friend of his wife's, fearful that her son is using drugs and hopeful Brunetti can somehow intervene. When Tullio Gasparini, the woman's husband, is found unconscious and with a serious brain injury at the foot of a Venice bridge at midnight, Brunetti is drawn to pursue a possible connection to the boy's behavior. But the truth, as Brunetti has experienced so often, is rarely straightforward.

Caterina Pellegrini is a native Venetian, and like so many of them, she’s had to leave home to pursue her career elsewhere, mostly abroad. With a doctorate in baroque opera from Vienna, she lands in Birmingham, England, as a research fellow and assistant professor. Birmingham, however, is no Venice, so when she gets word of a position back home, Caterina jumps at the opportunity. The job is an unusual one.

Guido Brunetti faces a heinous crime committed outside his jurisdiction. He is drawn in innocently enough: two young American women have been badly injured in a boating accident, joyriding in the Laguna with two young Italians. However, Brunetti's curiosity is aroused by the behavior of the young men, who abandoned the victims after taking them to the hospital. If the injuries were the result of an accident, why did they want to avoid association with it?

Late one night, Commissario Guido Brunetti's telefonino rings. A woman's body has been found in a Spartan apartment on Campo San Giacomo dell'Orio. Brunetti sees some signs of force on the old woman, but they could just as easily have been from the radiator near where she fell. When the medical examiner rules that the woman died of a heart attack, it seems there is nothing to investigate.

A good man who loves his family and his city, Commissario Guido Brunetti is relentless in his pursuit of truth and some measure of justice. In Earthly Remains, Brunetti's endurance is tested more than ever before. During an interrogation of an entitled, arrogant man suspected of giving drugs to a young girl who then died, Brunetti acts rashly, doing something he will quickly come to regret. In the fallout, he realizes that he needs a break, needs to get away from the stifling problems of his work.

The polluted waters of the canals in Venice are an ever-present issue; but environmental concerns become significant in Commissario Guido Brunetti's work when an investigator from the Carabiniere—looking into the illegal hauling of garbage—asks for a favor. But the investigator is not the only one with a special request. Brunetti's father-in-law needs help and a mysterious woman comes into the picture. And the Commissario soon finds himself in the middle of an investigation into murder and corruption more dangerous than anything he's seen before.

When Commissario Brunetti is summoned in the middle of the night to the hospital bed of a pediatrician, he is confronted with more questions than answers. Three men, a young carabiniere captain and two privates from out of town, burst into the doctor's apartment while the family was sleeping, attacked him, and took away his 18-month-old boy. What could have motivated an assault by the forces of the state that was so violent it has left the doctor mute?

Commissario Guido Brunetti must contend with ingenious corruption, bureaucratic intransigence, and the stifling heat of a Venetian summer. As he plans a trip to the mountains with his family, he learns that cases at the local court - hardly known as a model of efficiency - are being delayed to the benefit of one of the parties. A creative new trick for corrupting the system, perhaps, but what can Brunetti do about it?

On a cold Venetian night, shortly before Christmas, a street vendor is killed in a scuffle in Campo San Stefano. The closest witnesses are the tourists who had been browsing the man's wares: fake handbags of every designer label. The dead man had been working as a vu cumpra, one of the many African immigrants purveying goods outside normal shop hours and without work permits. Commissario Brunetti's response is that of everybody involved: why would anyone kill an illegal immigrant?

Mystery lovers everywhere are addicted to Donna Leon's ever-honorable Commissario Guido Brunetti and her portrayal of Venice's beautiful but sinister byways and canals. In Willful Behavior, Brunetti is approached for a favor by one of his wife's students. Intelligent and serious, Claudia Leonardo asks for his help in obtaining a pardon for a crime once committed by her now-dead grandfather.

On a rainy morning, not long after the funeral of his mother, Commissario Brunetti and Ispettore Vianello respond to a 911 call reporting a body floating near the steps in one of Venice's side canals. Reaching down to pull it out, Brunetti's wrist is caught by the silkiness of golden hair, and he sees a small foot - together he and Vianello lift a dead girl from the water.

Donna Leon’s memoir, Wandering through Life, gave her legions of fans a colorful tour through her life, from childhood in New Jersey to adventures in China and Iran, to her love of Venice and opera. Nowhere, however, did she discuss her writing life. In Backstage, Donna reveals her admiration for, and inspiration from, the great crime novelists Ruth Rendell and Ross MacDonald, examining their approach to storytelling as she dissects her favorite books of theirs. She expresses her love for Charles Dickens’s Great Expectations and her appreciation for Sir Walter Scott’s generosity of spirit.