Showing results by narrator "Ghizela Rowe" in All Categories

Night. The day has gone. Departed. And the dark embrace, the inky shadows of night descend. For many a time to unwind and slumber. For some a nagging doubt that all is not well. That some primeval and primordial happening may yet go bump in the night. But for our poets the night is a time of wonder and imagination as well as many other emotions and feelings. Among our ranks of gloried talents are Keats, Coleridge, William Morris, DH Lawrence, Whitman, Longfellow and many more besides. Their descriptions capture what they see and feel as perhaps only a poet can.

Robert Laurence Binyon, CH, was born on 10th August 1869 in Lancaster in Lancashire, England, to Quaker parents, Frederick Binyon and Mary Dockray. He studied at St Paul's School, London, before enrolling at Trinity College, Oxford, to read classics. Binyon’s first published work was Persephone in 1890. As a poet, his output was not prodigious, and, in the main, the volumes he did publish were slim, but his reputation was of the highest order. When the Poet Laureate, Alfred Austin, died in 1913, Binyon was considered alongside Thomas Hardy and Rudyard Kipling....

Robert Southey was born on the 12th of August 1774 in Bristol. A poet of the Romantic school and one of the 'Lake Poets'. Although his fame has been eclipsed by that of his friends William Wordsworth and Samuel Taylor Coleridge, Southey's verse was highly influential and he wrote movingly against the horrors and injustice of the slave trade. Among his other classics are Inchcape Rock as well as a number of plays including Wat Tyler.

Marguerite Radclyffe-Hall was born on August 12th, 1880 to wealthy parents who separated while she was still an infant. Her parents thereafter paid little attention to her. Hall was educated privately, and then at King’s College London. Later she travelled to Europe, settling in Dresden, Germany. With the death of her paternal grandfather she inherited a large estate and was then able to live as she pleased. In Germany, Hall met Mabel Batten and fell in love despite the 23 year age difference.

Michael Drayton was born in 1563 at Hartshill, near Nuneaton, Warwickshire, England. The facts of his early life remain unknown. Drayton first published, in 1590, a volume of spiritual poems: The Harmony of the Church. Ironically the Archbishop of Canterbury seized almost the entire edition and had it destroyed. In 1593 he published Idea: The Shepherd's Garland, nine pastorals celebrating his own love-sorrows under the poetic name of Rowland. This was later expanded to a 64-sonnet cycle.

Mary Cholmondeley was born in Hodnet near Market Drayton in Shropshire on June 8th 1859, the third of eight children. Her father was appointed rector in 1874 in succession to his father. Much of the first 30 years of her life was taken up with helping her sickly mother run the household and her father with his parish work and mitigating the effects of her asthma. Mary began writing in her teens. She wrote in her journal in 1877, 'What a pleasure and interest it would be to me in life to write books.'

Art. The greatest standard bearer of what the human condition really is? Or emperor’s clothes, cheap gimmicks displayed as all-knowing? When it comes to writing we have our favourite authors. But what of the authors themselves? What are they keen to write of? For our classic authors, from Poe to Lovecraft, from Woolf to Fitzgerald, art in their words is something to be admired. From many angles, many views, their stories, their characters interact with art, and the consequences fall as they may.

Israel Zangwill was born in London on 21st January 1864, to a family of Jewish immigrants from the Russian Empire. His writing earned him the sobriquet ‘the Dickens of the Ghetto’ primarily based on his much-lauded novel Children of the Ghetto: A Study of a Peculiar People in 1892 and its glimpse of the poverty-stricken life in London's Jewish quarter.

At some point in our lives we believe that creak, that low moan, that whisper is something unnatural, beyond our comprehension. And in these stories our instincts are right. We are afraid. And we should be. Perhaps even terrified. In this volume our classic authors take different approaches, but the result is inevitably the same. We are hooked by these unknowable forces, our emotions heightened and rattled by the expectation - or shock - of the next few words.

The human race prides itself on being the most organised of animals. We manage the fate of all other species. All other animals bow to our control or suffer. In diminishing numbers we allow some to live in the wild, but in increasing numbers we domesticate them, and whether they become part of the family, a best friend or a wonderfully decorative accessory, we take their compliance for granted.

We love control. The ability to predict and organise our lives as we want them. As we desire them. It’s quite a shock, then, when phantoms, ghouls and ghosts play their part, too. They don’t play by our rules. Our welfare is not their concern. They will do as they wish. And they have very vivid imaginations - way beyond the dictionary definition: Phantom. Noun. Something apparently seen, heard or sensed but having no physical reality. An image that appears only in the mind; an illusion. A model, especially a transparent one, of the human body or of any of its parts.

Scotland’s official national day is St Andrew's Day, the feast day of Saint Andrew. In the Bible it is Andrew who introduces his brother Peter to Jesus as the Messiah. As well as Scotland he is also the patron saint of the likes of Russia, Greece, the Ukraine, and Barbados. It is thought that the day was first celebrated over a thousand years ago in the reign of Malcolm III (1034-1093).

Adelaide Anne Procter was born on 30th October, 1825 at 25 Bedford Square in the Bloomsbury district of London. Her literary career began whilst still a teenager. Many of her poems were published by the great Charles Dickens in his periodicals Household Words and All the Year Round before being later published in book form.

Letitia Elizabeth Landon was born on 14 August 1802 in Chelsea, London. A precocious child she had her first poem published is 1820 using a single ‘L’ as her marker. The following year her first volume appeared and sold well. She published a further two poems that same year with just the initials ‘L. E. L.' It provided the basis for much intrigue. She became the chief reviewer of the Gazette and published her second collection, The Improvisatrice, in 1824. By 1826, rumours began to circulate that she had had affairs.

With almost a million words at its command, it is not surprising that these Isles have produced some of the most beautiful, moving and descriptive verse through the centuries. In this series we look at individual poets who have shaped and influenced their craft and cement their place in our heritage. In this volume we look at the works of the Victorian Poet Laureate Alfred Austin.

Women, so often referred to as the gentler sex - in this volume at least, this is an unfounded and unlikely description. From their minds and pens comes a series of macabre, twisted tales that are anything but gentle. But as they weave their magic, usually black, and mesh you into their narrative you just know 'sugar and spice and all things nice' are not likely to be what little girls really are made of and certainly not these femme fatales....

Sir Anthony Hope Hawkins was born on 9th February 1863 in Clapton, London. He was educated at St John's School, Leatherhead, Marlborough College and Balliol College, Oxford. Hope trained as a lawyer and barrister and was called to the Bar by the Middle Temple in 1887. Despite what was thought to be a promising legal career, he had literary ambitions and wrote in his spare time. His early works appeared in various periodicals of the day but for his first book, ‘A Man of Mark’ (1890), with no publisher interested, he published with his own resources.

Bithia Mary Sheppard was born in Kilgefin, County Roscommon, Ireland, the only daughter of an Anglican Church of Ireland rector. Bithia only began writing at the age of 33 and in her life wrote 42 novels and 7 volumes of short stories. Within her short story creations are much anthologized ghost, supernatural and macabre tales. Many of her novels reveal a side of Empire that is undeniably of its time and a fine example of both talent and observation.

This volume of poetry brings together poems throughout history with very special women. The relationship with our Mother is one of the most powerful many of us will ever feel. It rivals those with our children and partners in a way that both permeates and challenges how and on what terms we live our lives. A woman giving birth is not only bringing life into the World, she is doing so, usually, at great pain to herself.

Our greatest fears are of the unknown. Usually we think those fears are in front of us...or behind us. But perhaps the human body itself holds the greatest horror. What happens after death? Do our bodies have a new existence either in whole...or part? Will others seek to claim them and do unspeakable things? We don’t know. But our authors do. And they have the talents and wits to make these diabolical stories vehicles for horror, for terror, for the unimaginable....