Showing results by narrator "Denis Daly" in All Categories

Antonio, a wealthy and popular merchant, is in financial difficulty. He approaches a Jewish money lender, Shylock, who agrees to provide 3000 ducats, with a very curious bond – a pound of the merchant’s flesh, to be levied if Antonio fails to make a timely repayment. Feeling confident that his argosies will arrive in time to cover the debt, Antonio agrees to this bizarre transaction.

Thomas Troward (1847-1916) was a divisional Judge in British-administered India, who, in his later years, developed a highly idiosyncratic New Thought philosophy. One of Troward's most startling assertions was that thought had the power to directly create phenomenal manifestation. This theme is explored in detail in this particular book. According to Troward, the universe is the expression of a Universal Creative Principle, which is activated by the self-contemplation of Spirit. To be complete, creation is obliged to incorporate physical expression.

E. Clerihew Bentley is credited with the invention of the ‘clerihew’, or humorous verse aphorism, on biographical subjects. This collection, which was illustrated by G. K Chesterton, contains thirty-nine irregular quatrains on historical and contemporary celebrities, starting with Sir Christopher Wren and concluding with the publisher, T. Werner Laurie.

Two themes that recur very frequently in the works of James Allen are passion and purity. However, unlike many writers on moral discipline, the author regards purity as the natural state of man, which has been obscured by passionate attachment to external artefacts. Once the waves of passion are stilled, attachment falls away, allowing the seeker to attain a transcendent purity of vision and thus behold the reality that underlies the illusion of change.

Sense and Sensibility follows the fortunes of sensible Elinor and her volatile younger sister, Marianne, as each searches for a spouse—a quest made urgent by the family’s financial embarrassment. While Elinor pursues the heart of clergyman, Edward Ferrars, Marianne impulsively falls in love with a glamorous but unscrupulous adventurer, Willoughby. Elinor sees trouble brewing but the enraptured Marianne does not. The sisters question each other’s choices in love.

In 1896, H.G Wells was stimulated to compose this dystopian fantasy about an obsessed scientist and his efforts to artificially accelerate the intellectual development of animals using bizarre medical procedures involving vivisection. Wells described the book as "an exercise in youthful blasphemy."

Isabella, or the Pot of Basil (1818) is a poetic retelling of a story from The Decameron by Giovanni Boccaccio. The poem relates the sad fate of two victims of youthful love. The aristocratic and nubile Isabella is intended for marriage to an eligible suitor but falls in love with the plebeian Lorenzo. Isabella's brothers murder Lorenzo and bury his body, the location of which is revealed to Isabella by a ghost. She exhumes the body and re-inters the head in a pot of basil.

In De Profundis, Oscar Wilde, in a lengthy letter to his former lover, reflects on suffering, forgiveness, and redemption. As a confessional text, it ranks with the Confessions of Saint Augustine as an examination of the nature of penitence, its origin and transformative effect. T. W. H. Crosland (1865-1924), a social commentator, was extremely moralistic. Among his targets was Oscar Wilde, whose contrition, as expressed in De Profundis, he believed to be an elaborate and convenient sham.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

Northanger Abbey is one of Jane Austen’s first novels, though it was not published until after her death, and contains some of her most biting satire. Catherine Morland, the novel’s naive and provincial heroine, has formed her idea of the world from Gothic novels, full of gloomy Italian castles, long-kept secrets, and dastardly villains. However, when she travels to the city of Bath and encounters a wider society, she will discover that all her reading has ill-prepared her for the real world.

A Book for Kids, first published in 1921, may be regarded as the Australian equivalent of Robert Louis Stevenson’s A Child’s Garden of Verses. The collection contains 55 short poems on a wide variety of subjects, and two stories, "The Little Red House" and "The Boy Who Rode into the Sunset".

The Castle of Indolence was published early in the summer of 1748, four months after the poet’s death. The work was a slow and leisurely composition, which took nearly fifteen years to complete. The poem consists of 158 stanzas, divided into two cantos. It is presented as an allegory and was professedly written in imitation of The Faerie Queene. The origin of the poem appears to be the frequent remonstrances of Thomson’s friends about the poet’s well-known indolence, regarding both life and composition.

The Eve of St. Agnes was first published in 1820 in a collection containing many of Keat's best-known poems. Several of these were retellings of stories that were popular in the Middle Ages and earlier times.

Between 1915 and 1921, C. J. Dennis published seven verse novels and two collections of poetry. The first of these was The Songs of a Sentimental Bloke, which features Dennis' characteristic use of a distinctive Australian argot and which became an immediate bestseller.

First published in 1874, "The City of Dreadful Night" is an extended poetic meditation on melancholy, or what is generally termed today as depression. Thomson's "city" is the "città dolente" of Dante, the domain of souls trapped in a round of ceaseless misery. However, the inhabitants of Thomson's world endure a torment more subtle and more devastating than the acute and picturesque tortures of Dante's Inferno - a complete loss of purpose and a relentless draining of energy, a desperate and ever wakeful ennui.

This universalist spiritual treatise is the best known work by the Lebanese-born poet and artist Kahlil Gibran (1883-1931). The central figure of the narrative is a fictional prophet, Al Mustafa, who is about to set off on a journey back to his homeland. His departure is delayed when he encounters a group of people who urgently seek his advice on a wide range of topics ranging from the mundane to the highest flights of spiritual introspection.

It is said that there is no-one more zealous in a cause than an adult convert. A notable example of this was Joseph McCabe, whose conversion was not to a religion, but from religious faith to secularism. Ordained as a Franciscan priest in 1890, and later recognized by the Catholic Church as an able scholar and teacher, by 1897 McCabe had completely lost his faith and had left the priesthood. He became a very active secularist, delivering thousands of public lectures and publishing over two hundred books on a wide range of religious, historical and scientific topics.

Many of the short poems for which Keats has become famous were written in a burst of inspiration early in 1819, including these four odes: Ode to a Nightingale, Ode on a Grecian Urn, Ode to Psyche, and Ode on Melancholy. The generally melancholy and sometimes elegiac quality of these poems is reflective of Keats' inevitable preoccupation with his declining health. Another significant factor was his infatuation with Fanny Brawne, who returned his affection in an unfortunately non-exclusive manner.

In this rambling essay, Bertrand Russell reflects on the future of the world while the memory of the First World War was still strong in the public imagination. Russell notes the concomitant development of technology and the rise of political autocracies and explores whether man can be considered fit to handle the vast new powers at his disposal.

Edward "Ned" Kelly (1854 -1880) was the last and most celebrated Australian bushranger (outlaw). After being implicated in the shooting of three policemen at Stringybark Creek in October, 1878, Kelly and his gang were declared by the Victorian government to be outlaws, and were the subjects of an extensive manhunt over the next two years.