Showing titles in Asian American

Ever since a man was found dead in Vera's teahouse, life has been good. For Vera that is. She’s surrounded by loved ones, her shop is bustling, and best of all, her son, Tilly, has a girlfriend! All thanks to Vera, because Tilly's girlfriend is none other than Officer Selena Gray. The very same Officer Gray that she had harassed while investigating the teahouse murder. Still, Vera wishes more dead bodies would pop up in her shop, but one mustn't be ungrateful, even if one is slightly...bored.

In a small pocket of London, between the houses of No.77 and No.79 Eastbourne Road, lies a neglected community garden. It was a beautiful thing once, a little oasis in a bustling city for neighbors by day and the local foxes at twilight. Now it’s overgrown and neglected, an empty patch of greenery lost to time.

In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned - from the layout of the winding roads to the colors of the houses to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules. Enter Mia Warren - an enigmatic artist and single mother - who arrives in this idyllic bubble with her teenage daughter, Pearl, and rents a house from the Richardsons.

Melanie Jenkins, newly single and desperate for change, swaps her ER scrubs for a stethoscope and a one-way ticket to Crazy Town. Her destination? The mansion of Rhonda Miltmore—hypochondriac extraordinaire and self-appointed Cupid. Enter Brent Miltmore: Wall Street titan with an emotional portfolio in dire need of diversification. When he takes a tumble (literally), guess who becomes his reluctant caretaker? Yep, his childhood nemesis.

Raised by her mother and grandmother and tutored in the healing wonders of spices, Tulsi Gupta is expected to carry on the ancestral tradition from her family’s Salem spice shop. Restless and reluctant, Tulsi yearns to follow her own path—destiny has other plans. When Tulsi finds a letter written by her grandmother, addressed and never sent, that speaks of a long-ago betrayal, she decides to unravel the mystery as a distraction. But Tulsi stumbles into much more than she bargained for.

Willis Wu doesn’t perceive himself as a protagonist even in his own life: He’s merely Generic Asian man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but he is always relegated to a prop. Yet every day he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He’s a bit player here, too, but he dreams of being Kung Fu Guy - the most respected role that anyone who looks like him can attain. At least that’s what he has been told.

It’s spring 1999, and 25-year-old Lia Cope and her prickly 73-year-old grandmother, Mineko, are sharing a bedroom in Curtain, Texas, the ranching town where Lia grew up and Mineko began her life as a Japanese war bride. Both women are at a turning point: Mineko, long widowed, moved in with her son and daughter-in-law after a suspicious fire destroyed the Cope family ranch house, while Lia, an architect with a promising career in Austin, has unexpectedly returned under circumstances she refuses to explain.

According to Confucius, “an educated woman is a worthless woman,” but Tan Yunxian—born into an elite family, yet haunted by death, separations, and loneliness—is being raised by her grandparents to be of use. Her grandmother is one of only a handful of female doctors in China, and she teaches Yunxian the pillars of Chinese medicine, the Four Examinations—looking, listening, touching, and asking—something a man can never do with a female patient.

Helen Zhang hasn’t seen Grant Shepard once in the thirteen years since the tragic accident that bound their lives together forever. Now a bestselling author, Helen pours everything into her career. She’s even scored a coveted spot in the writers’ room of the TV adaptation of her popular young adult novels, and if she can hide her imposter syndrome and overcome her writer’s block, surely the rest of her life will fall into place too. LA is the fresh start she needs. After all, no one knows her there. Except…

On the eve of her wedding to Nicholas Young, heir to one of the greatest fortunes in Asia, Rachel should be over the moon. She has a flawless Asscher-cut diamond from JAR, a wedding dress she loves more than anything found in the salons of Paris, and a fiancé willing to sacrifice his entire inheritance in order to marry her. But Rachel still mourns the fact that her birthfather, a man she never knew, won't be able to walk her down the aisle.

Jasmine Yang arrives in New York City from her rural Chinese village without money or family support, fleeing a controlling husband, on a desperate search for the daughter who was taken from her at birth—another female casualty of China’s controversial One Child Policy. But with her husband on her trail, the clock is ticking, and she’s forced to make increasingly risky decisions if she ever hopes to be reunited with her daughter.

Vera Wong is a lonely little old lady—ah, lady of a certain age—who lives above her forgotten tea shop in the middle of San Francisco’s Chinatown. Despite living alone, Vera is not needy, oh no. She likes nothing more than sipping on a good cup of Wulong and doing some healthy detective work on the Internet about what her Gen-Z son is up to. Then one morning, Vera trudges downstairs to find a curious thing—a dead man in the middle of her tea shop.

Real Americans begins on the precipice of Y2K in New York City, when twenty-two-year-old Lily Chen, an unpaid intern at a slick media company, meets Matthew. Matthew is everything Lily is not: easygoing and effortlessly attractive, a native East Coaster and, most notably, heir to a vast pharmaceutical empire. Lily couldn't be more different: flat-broke, raised in Tampa, the only child of scientists who fled Mao’s Cultural Revolution. Despite all this, Lily and Matthew fall in love.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.

Mia, the irreverent, hyperanalytical twenty-year-old daughter, has an explanation for everything—which is why she isn’t initially concerned when her father and younger brother Eugene don’t return from a walk in a nearby park. They must have lost their phone. Or stopped for an errand somewhere. But by the time Mia’s brother runs through the front door bloody and alone, it becomes clear that the father in this tight-knit family is missing and the only witness is Eugene, who has the rare genetic condition Angelman syndrome and cannot speak.

For decades, a quartet of Chinese women who have emigrated to San Francisco gather to eat dim sum, play mahjong, and talk—they call themselves the Joy Luck Club. Over the years, their stories have informed the lives of four daughters who feel the weight of family and world history on their shoulders. With wit and sensitivity, this novel explores the deep, complicated, and sometimes painful connections between mothers and daughters.

Rufus Leung Gresham, future Earl of Greshambury and son of a former Hong Kong supermodel has a problem: the legendary Gresham Trust has been depleted by decades of profligate spending, and behind all the magazine covers and Instagram stories manors and yachts lies nothing more than a gargantuan mountain of debt. The only solution, put forth by Rufus’s scheming mother, is for Rufus to attend his sister’s wedding at a luxury eco-resort, a veritable who’s-who of sultans, barons, and oligarchs, and seduce a woman with money.

A soul-warming love story, nestled in an inspiring tale of the American Dream and an Indian Dream shattered by the evils of globalization—that pays homage to a generation of immigrants who held their heads low so one day, their children lift could theirs high.

Twelve-year-old Bird Gardner lives a quiet existence with his loving father, a former linguist who now shelves books in a university library. His mother, Margaret, a Chinese American poet, left without a trace when he was nine years old. He doesn’t know what happened to her—only that her books have been banned—and he resents that she cared more about her work than about him.

Pulitzer Prize, Fiction, 2016. It is April 1975, and Saigon is in chaos. At his villa, a general of the South Vietnamese army is drinking whiskey and, with the help of his trusted captain, drawing up a list of those who will be given passage aboard the last flights out of the country. The general and his compatriots start a new life in Los Angeles, unaware that one among their number, the captain, is secretly observing and reporting on the group to a higher-up in the Viet Cong.