Showing titles in Drama

Beware the gossips! Lady Sneerwell and her hireling, Snake, are certainly up to no good in this timeless send-up of hypocritical manners. Thanks to their scandal-mongering, the comely Lady Teazle must fend off the slanderous barbs that have caught the ear of her elderly husband - as well as every other gossip in London! What follows is a torrent of mistaken identities and sex-crazed scheming in which the upper classes have never looked so low class.

A dark tale of hubris, lust, and self-destruction… as told by a man who famously fell prey to those same impulses in his own life. Oscar Wilde wrote his original interpretation of the Biblical story of Salomé in French, and the play was so controversial that no theatre in England would produce it for nearly four decades. Includes a conversation with director Michael Hackett and Wilde scholar David Rodes. An L.A. Theatre Works full-cast production.

This classic Shakespearean comedy is presented here in a colorful full-cast dramatization, drawn from the complete text and starring Warren Mitchell, Michael Maloney, and Sarah Woodward.

The play begins in a factory that manufactures artificial people (called robots) from synthetic organic matter. They are living creatures of artificial flesh and blood rather than machines and are closer to the later idea of androids. Happy to work for humans at first, the robots eventually rebel, and the human race becomes extinct.

Written in alternating prose and poetry, La Vita Nuova is a profound reflection on the nature of love, devoted to Dante's muse Beatrice. Following Beatrice's death in 1290, Dante became obsessed with the young Florentine woman, whom he only ever knew from a distance. He believed his love for her was a form of divine love and saw her as an image of salvation itself - a theme that is later explored in his masterpiece The Divine Comedy, where she guides him through heaven.

A collection of four of Chekhov's most popular dramas together with his unusual one-act comedy, The Boor, presented by members of The Online Stage.

Controversy and hidden pasts are suddenly and painfully exposed as wealthy widow Mrs Alving prepares to open a new orphanage in memory of her husband. Her treasured son Oswald’s return from Paris and her relationship with old friend Pastor Manders are no longer the source of joy they once were, as secrets are turned into a frightening and desperate reality.

Starring James Marsters, this classic comedy of manners from 1773 is still widely performed and studied. Love, lies, and dysfunctional families. Sound like your last family gathering? Try this one on for laughs. Two randy young gents, Charles and George, set out to woo the alluring and upper-crust Kate and Constance. But inexperienced Charles is shy and clumsy around upper-class ladies, so it’s the barmaid who catches his eye. But is she really who she seems?

The dour, Mr. Darcy is anything but popular with the Bennets, especially when he fancies a member of their clan. And as Elizabeth reluctantly deals with Mr. Darcy’s advances, their romance seems destined to fail. Jane Austen’s Pride and Prejudice set the standard for romantic comedies when it debuted in 1813, and it still speaks to audiences worldwide through countless adaptations.

The final play of the Oresteia, called The Eumenides (Εὐμενίδες, Eumenídes), illustrates how the sequence of events in the trilogy ends up in the development of social order or a proper judicial system in Athenian society. In this play, Orestes is hunted down and tormented by the Furies, a trio of goddesses known to be the instruments of justice, who are also referred to as the "Gracious Ones" (Eumenides). They relentlessly pursue Orestes for the killing of his mother.

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

Euripides (c. 480-406 B.C.E.) is the author of eighteen extant plays and many more only surviving in fragments. He is the youngest of the three great Athenian tragedians with Aeschylus and Sophocles. Hippolytus, bastard son of Theseus and the Amazon Hippolyta, has sworn chaste allegiance to the goddess Artemis, thus severely offending the goddess Aphrodite by failing to revere her. Aphrodite swears revenge and promises that he will die before the day is done, taking with him Queen Phaedra, wife of Theseus.

A swashbuckling swordsman extraordinaire, a wordsmith of unparalleled flair, action and romance follow him everywhere, as he of the pronounced protuberance beyond compare, seeks the favor of his beloved Roxanne, by waxing poetic...for another man.

'Twas the night before Christmas. Ebenezer Scrooge was alone, when suddenly he heard a ghostly moan. A ghost it was, took him back to the past, then to the present and future days in hope that Scrooge would mend his ways.

Star of stage, film, and television Alan Cumming delivers a virtuoso performance playing every role in the National Theatre of Scotland's bold presentation of Shakespeare's chilling tale of desire, ambition, and the supernatural. This radical reimagining of one of Shakespeare's most deeply psychological plays is set in a psychiatric unit in which Cumming is the lone patient. Channeling the story of Macbeth, he is inhabited in turn by each of the characters of the drama, including some of Shakespeare's most complex and troubled creations.

The focus of the book is on Shakespeare's London, how it influenced his drama, and how he represents it on stage. Taking listeners on an imaginative journey through the city, the book moves both chronologically, from beginning to end of Shakespeare's dramatic career, and geographically, traversing London from west to east.

The Oresteia is a tragedy in three parts written by Aeschylus in the fifth century BCE. After a decade of warfare, Troy had fallen and Agamemnon, King of Mycenae, returned home. His wife, Queen Clytemnestra, had him killed to avenge the sacrifice of her daughter Iphigenia, to obtain the crown and to marry her lover Aegisthus. This murder leads to further bloodshed when their son Orestes in turn kills Clytemnestra and Aegisthus. The trilogy consists of Agamemnon, The Libation Bearers, and The Eumenides.

One of the most important books on William Shakespeare, this superb biography is both authoritative and extremely readable. It is the first modern biography of Shakespeare since the Victorian Age to pay full attention to his life and times, to his works, and to the numerous and subtle connections among them.

Eugene O’Neill’s tale of Ephraim Cabot, greedy and hard like the stone walls that surround his farm, the family patriarch brings home his new young bride, Abbie. His grown sons dissaprove; one leaves but the other stays to fight for the family fortune. What follows is a tragedy of epic proportions.

The Comedy of Errors is likely the very first play Shakespeare ever wrote, and for that reason alone it deserves a special place in literary history. Yet, despite the author's lack of maturity, the play is unmistakably the work of a burgeoning master. A farce of a type that was wildly popular in Shakespeare's day, The Comedy of Errors transcends its genre, and is as accessible and as entertaining as any of the Bard's later comedies.