Mostrando resultados por narrador "Jessica Regan" en Todas las categorías

Reclusive Sally Diamond is thrust into the media spotlight when she tries to incinerate her dead father, causing widespread outrage. Now she’s the center of attention, not only from hungry reporters and police detectives, but also a sinister voice from a past she does not remember. As she begins to discover the repressed memories of her horrific early childhood, Sally steps into the world for the first time, making new friends, big decisions, and learning that people don’t always mean what they say.

After a devastating loss, Grania Ryan flees her life as an artist in New York and returns home to Ireland and the arms of her loving family. While out walking the windswept cliffs of West Cork, she comes across Aurora, an enigmatic eight-year-old girl. Mysteriously drawn to the troubled child, Grania soon discovers that the histories of their families are strangely and deeply entwined.

Authors John Dorney, Jessica Regan and Tom Salinsky provide a captivating decade-by-decade exploration of the Oscars. For each decade, they examine the making of classic films, trends and innovations in cinema, behind-the-scenes scandals at the awards ceremony and who won and why. Twenty films are reviewed in-depth, alongside 10 detailed 'making-of' accounts and capsule reviews of every single Best Picture winner in history. In addition, each Best Picture winner is carefully scrutinised to answer the ultimate question: 'did the Academy get it right?'

Jessica and Linda have been best friends since the first day of school. Both girls are from very different broken homes—and beautiful, wilful Jessica has always ensured their survival. Now eighteen, the two have come to Wilde—an elite university in the heart of Dublin, far away from their troubled childhoods. Jessica thrives immediately, and, with the faithful Linda at her side, finds herself at the heart of a new circle of friends. But then Mark enters the picture.

Dublin, 1969: Maura has just married Dr. Christy Davenport and they look forward to growing their family. But as her husband’s vicious temper emerges, Maura worries that her home might never be safe for a child. Meanwhile, her close friend Bernie, a mother of three, learns the devastating news that if she conceives again, her health complications could prove fatal.

Set in 1994, The Coast Road tells the story of two women—Izzy Keaveney, a housewife, and Colette Crowley, a poet. Colette has left her husband and sons for a married man in Dublin. When she returns to her home in County Donegal to try to pick up the pieces of her old life, her husband, Shaun, a successful businessman, denies her access to her children.

Marissa Irvine arrives at 14 Tudor Grove, expecting to pick up her young son Milo from his first playdate with a boy at his new school. But the woman who answers the door isn't a mother she recognises. She isn't the nanny. She doesn't have Milo. And so begins every parent's worst nightmare. As news of the disappearance filters through the quiet Dublin suburb and an unexpected suspect is named, whispers start to spread about the women most closely connected to the shocking event. Because only one of them may have taken Milo - but they could all be blamed.

When the police found the first body, left on a bonfire in the forest, they worried it had the hallmarks of a serial killer. Now, as they find the second, they know for sure. Panic about the “Bonfire Killer” quickly spreads through the sedate suburban area of Southampton. Women are urged not to travel alone at night, and constant vigilance is encouraged among the local residents. But single mom Aisling Cooley has a lot to distract her: two beloved teenage sons and a quest to find her long-lost father, whom she hasn’t seen since she was a teenager.

You press send and your message disappears. Full of secrets about your neighbours, it’s meant for your sister. But it doesn’t reach her – it goes to the entire local community Whatsapp group instead. As rumour spreads like wildfire through the picture-perfect neighbourhood, you convince yourself that people will move on, that this will quickly be forgotten. But then you receive the first death threat. The next day, a woman has been murdered. And what’s even more chilling is that she had the same address as you – 26 Oakpark – but in a different part of town. Did the killer get the wrong house?

Sarah Anderson has never been more excited about anything in her life. She’s going to her best friend’s wedding. And not just any wedding. An Irish wedding. Goodbye New York, hello rolling green hills and men with beautiful accents and twinkling eyes. But Sarah should have known that not all guests are fairy-tale princes....

Sally Diamond cannot understand why what she did was so strange. She was only doing what her father told her to do, to put him out with the rubbish when he died. Now Sally is the centre of attention, not only from the hungry media and worried police, but also a sinister voice from a past she has no memory of. As she begins to discover the horrors of her childhood, recluse Sally steps into the world for the first time, making new friends, finding independence, and learning that people don't always mean what they say.

Anya is enjoying a relaxing bath when she hears a noise coming from the ceiling. Through the open bathroom door, she sees the attic hatch swing down, and a masked figure drops to the floor. Thirty seconds later, Anya is dead. Across town, Anya's old school friend, Julia, sees an online video of a masked figure climbing out of an attic. She suddenly realizes why the footage is eerily familiar: it was filmed inside her own house in a luxury gated community, designed to keep intruders out. Why would a stranger target Julia? Unless of course, it's not a stranger at all.

It's 1990 in London and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition and a brisk disregard for the "peasants"—ordinary people, his readers, easy tabloid fodder. His star seems set to rise when he stumbles across a sensational scoop: a dead child on a London estate, grieving parents beloved across the neighborhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and “bad apples”: the Greens. At their heart sits Carmel: beautiful, otherworldly, broken, and once destined for a future beyond her circumstances.

You stand on a crowded tube platform in London. Your two little girls jump on the train ahead of you. As you try to join them, the doors slide shut and the train moves away, leaving you behind. By the time you get to the next stop, you've convinced yourself that everything will be fine. But you soon start to panic, because there aren't two children waiting for you on the platform. There's only one. Has your other daughter got lost? Been taken by a passing stranger? Or perhaps the culprit is closer to home than you think? No one is telling the truth.

Grace really needs someone to help cover the rent for her London flat, but Christopher Dorrance? Everyone in the little Irish village of Emerald Bay knows about the feud between their families, though no one knows how it started. But, both being in a tight spot, they try and make it work, swearing to tell no one back home. Until a mutual friend and her son in the bay are left homeless after a storm. Grace and Christopher must head back to Ireland to help together.

Nell and her partner Adrienne are about to have a baby. For Adrienne, it’s the start of a new life. For Nell, it’s the reason the two of them are sitting in a therapist’s office. Because she can’t go into this without dealing with the truth: that she has been a mother before, and now she can hardly bring herself to speak to her own mother, let alone return home to Ireland. Nell is running out of places to hide from her past. But to Ireland and the past is where she must go, and that is where The Amendments takes us.

It’s 1994 in County Donegal, Ireland, and everyone is talking about Colette Crowley – the writer, the bohemian, the woman who left her husband and sons to pursue a relationship with a married man in Dublin. But now Colette is back, and nobody knows why. Returning to the community to try and reclaim her old life, Colette quickly learns that they are unwilling to give it back to her.

It's 1990 in London and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition and a brisk disregard for the "peasants" - ordinary people, his readers, easy tabloid fodder. His star looks set to rise when he stumbles across a scoop: a dead child on a London estate, grieving parents loved across the neighbourhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and "bad apples": the Greens.

Anya is enjoying a relaxing bath when she hears a noise in the roof. Through the open bathroom door, she sees the attic hatch swing open, and a masked figure drops to the floor. Thirty seconds later, Anya is dead. Across town, Anya's old school friend, Julia, sees an online video of a masked figure climbing out of an attic. She suddenly realises why the footage is eerily familiar: it was filmed inside her house in a luxury gated community, designed to keep intruders out. Why would a stranger target Julia? Unless of course, it's not a stranger at all.

The game of hide and seek is over, everyone has gone home, but little Lily Murphy hasn't been found. Her parents search the woods and tell themselves that the worst hasn't happened—but deep down they know this peaceful Dublin suburb will never be the same again. Joanna moves into a new house. It seems perfect in every way, until she learns that this was once Lily Murphy's home. From that moment onwards, a sense of dread seems to follow her from room to room.