Mostrando resultados por autor "Kingsley Amis" en Todas las categorías

Maurice Allington has reached middle age and is haunted by death. As he says, “I honestly can’t see why everybody who isn’t a child, everybody who’s theoretically old enough to have understood what death means, doesn’t spend all his time thinking about it. It’s a pretty arresting thought.” He also happens to own and run a country inn that is haunted. The Green Man opens as Maurice’s father drops dead (had he seen something in the room?) and continues as friends and family convene for the funeral.

Roger Micheldene, an English publisher, is on the loose in the US. He spends an October week shuttling between New York and Budweiser College in Pennsylvania. This exercises all his British appetites … snobbery, gluttony, anger, sloth, and lust. But Amis roasts Americans as well and serves us familiar dishes, though in a piquant sauce: the precocious undergraduate author of a far-out novel, an earnest young priest, and an alcoholic literary agent’s nymphomaniacal wife.

In Kingsley Amis’s virtuoso foray into virtual history, it is 1976, but the modern world is a medieval relic, frozen in intellectual and spiritual time ever since Martin Luther was promoted to pope back in the sixteenth century. Stephen the Third, the king of England, has just died, and Mass (Mozart’s second requiem) is about to be sung to lay him to rest. In the choir is our hero, Hubert Anvil, an extremely ordinary ten-year-old boy with a faultless voice.

Age has done everything except mellow the characters in Kingsley Amis’s The Old Devils, which turns its humane and ironic gaze on a group of Welsh married couples who have been spending their golden years—when “all of a sudden the evening starts starting after breakfast”—nattering, complaining, reminiscing, and, above all, drinking. This more or less orderly social world is thrown off-kilter, however, when two old friends unexpectedly return from England: Alun Weaver, now a celebrated man of Welsh letters, and his entrancing wife, Rhiannon.

This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the audience through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.

The life of secret agent James Bond has begun to fall into a pattern that threatens complacency…until the sunny afternoon when M is kidnapped. The action ricochets across the globe to a volcanic Greek island, where Colonel Sun Liang-tan of the People's Liberation Army of China collaborates with an ex-Nazi atrocity expert in a world-menacing conspiracy. Stripped of all professional aids, Bond faces, unarmed, the monstrous devices of Colonel Sun....

Jim Dixon has accidentally fallen into a job at one of Britain's new red brick universities. A moderately successful future in the History Department beckons. As long as Jim can survive a madrigal-singing weekend at Professor Welch's, deliver a lecture on 'Merrie England' and resist Christine, the hopelessly desirable girlfriend of Welch's awful son Bertrand.

At Tuppenny-Hapenny Cottage in the English countryside, five elderly people live together in rancorous disharmony. Adela Bastable bosses the house, as her brother Bernard passes his days thinking up malicious schemes against the baby-talking Marigold and secret drinker Shorty, while kindly George lies bedridden upstairs. The mismatched quintet keep their spirits alive by bickering and waiting for grandchildren to visit at Christmas. But the festive season does not herald goodwill to all at Tuppenny-Hapenny Cottage. Disaster and chaos, it seems, are just around the corner.

Jake Richardson, an Oxford don nearing 60 with a lifetime's lechery behind him, is in pursuit of his lost libido and heads off to the consulting room of a miniature sex therapist. Not one to disobey a doctor's orders, he runs the full humiliating gamut of sex labs and trendy 'workshops', where more than souls are bared. He decks himself with cunning gadgetry, dreams up a weekly fantasy, pets diligently with his overweight wife and browses listlessly through porn magazines behind locked doors.

Novelist, poet and critic Kingsley Amis was one of Britain’s greatest postwar writers. A master of comic fiction, he came to fame in 1954, and won the 1986 Booker Prize for The Old Devils. Included in this collection are dramatisations of seven of his short stories and two novels, all imbued with his characteristic wit and social satire. These are complemented by readings of selected correspondence and an interview with Amis himself.

Everyone wants a comfortable place to die, and Kingsley Amis’s characters have found it in Tuppeny-happeny Cottage, where assorted septuagenarians have come together to see one another out the door of life. Ending Up is a grimly hilarious dance of death, full of bickering, bitching, backstabbing, drinking (of course), and idiocy of all sorts. It is a book about dying people and about a dying England, clinging to its memories of greatness as it succumbs to terminal decay.

Hubert Anvil is a 10-year-old boy blessed with the voice of an angel. The Church hierarchy decrees that Hubert should be turned into a castrato - an alteration that could bring Hubert fame and fortune, but would also cut him off from an adult world he is curious to discover. In a dystopian world where Martin Luther never reformed and where the Holy Office's power is absolute, where will Hubert turn if he decides to defy their wishes?

Amis’s antihero, Sir Roy Vandervane, a conductor and composer who bears more than a passing resemblance to Leonard Bernstein, is a pillar of the establishment who has fallen hard for protest, bellbottoms, and the electric guitar. And since vain Sir Vandervane is a great success, he is also free to pursue his greatest failing: a taste for younger and younger women. Highborn hippie Sylvia—not, in fact, twenty—is his latest infatuation and a threat to his whole family, from his drama-queen wife, Kitty, to his long-suffering daughter, Penny.

Twenty-year-old Jenny Bunn is supremely beautiful and stubbornly chaste, which is why Patrick Standish, an arrogant schoolmaster, wants her so much. This perceptive coming of age novel about a northern girl who moves south, who wants to fit in and yet wants to preserve her principles, challenges our assumptions about the battle of the sexes and classes in Britain. It is a story about 'the squalid business of the man and the woman' and 'the most wonderful thing that had ever happened' to Jenny Bunn.

Elegant, provocative and hugely entertaining, Kingsley Amis's memoirs are filled with anecdotes, experiences and portraits of famous friends, family, acquaintances (and a few eminent foes). From his childhood days to Oxford and army life, his travels abroad and his years as a successful novelist, Memoirs offers extraordinary insights into a unique literary life.

The short stories of Kingsley Amis - the great master of post-war comic prose - are dark, playful, moving, surprising and extremely funny. This definitive collection gathers all Amis' short fiction in a single volume for the first time and encompasses five decades of storytelling.

Competition is stiff for the position of sub-librarian in Aberdarcy Library. For John Lewis, the situation is complicated by the attentions of daunting and desirable village socialite Elizabeth Gruffyd-Williams, who is married to a member of the local Council. Pursuing an affair with her whilst keeping his job prospects alive is John's predicament, as he finds himself running down Welsh country lanes at midnight in a wig and dress, resisting the advances of local drunks and suffering the long speeches of a 'nut-faced' clergyman.

Malcolm, Peter and Charlie and their Soave-sodden wives have one main ambition left in life: to drink Wales dry. But their routine is both shaken and stirred when they are joined by professional Welshman Alun Weaver (CBE) and his wife, Rhiannon.

Like all good coaching inns, The Green Man is said to boast a resident ghost: Dr Thomas Underhill, a notorious 17th-century practitioner of black arts and sexual deviancy. However, the landlord, Maurice Allington, is the sole witness to the renaissance of the malevolent Underhill. Led by an anxious desire to vindicate his sanity, Allington strives to uncover the key to Underhill's satanic powers. All while the skeletons in Allington's own cupboard rattle to get out.

Robin Davies knows how to look after number one. Raised in a bland suburb of South London in the 1930s, Robin longs for the freedom to do what he wants. When he escapes to study in Oxford, he meets Nancy Bennett, a young woman even less worldly than himself. As Robin stumbles through his rites of passage to adulthood, involving rebellion, self-discovery, sex, war, seduction and the threat of commitment, we come to realise just how far he will go to have his cake and eat it.