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In Kingsley Amis’s virtuoso foray into virtual history, it is 1976, but the modern world is a medieval relic, frozen in intellectual and spiritual time ever since Martin Luther was promoted to pope back in the sixteenth century. Stephen the Third, the king of England, has just died, and Mass (Mozart’s second requiem) is about to be sung to lay him to rest. In the choir is our hero, Hubert Anvil, an extremely ordinary ten-year-old boy with a faultless voice.

Maurice Allington has reached middle age and is haunted by death. As he says, “I honestly can’t see why everybody who isn’t a child, everybody who’s theoretically old enough to have understood what death means, doesn’t spend all his time thinking about it. It’s a pretty arresting thought.” He also happens to own and run a country inn that is haunted. The Green Man opens as Maurice’s father drops dead (had he seen something in the room?) and continues as friends and family convene for the funeral.

Age has done everything except mellow the characters in Kingsley Amis’s The Old Devils, which turns its humane and ironic gaze on a group of Welsh married couples who have been spending their golden years—when “all of a sudden the evening starts starting after breakfast”—nattering, complaining, reminiscing, and, above all, drinking. This more or less orderly social world is thrown off-kilter, however, when two old friends unexpectedly return from England: Alun Weaver, now a celebrated man of Welsh letters, and his entrancing wife, Rhiannon.

This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the audience through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.

The life of secret agent James Bond has begun to fall into a pattern that threatens complacency…until the sunny afternoon when M is kidnapped. The action ricochets across the globe to a volcanic Greek island, where Colonel Sun Liang-tan of the People's Liberation Army of China collaborates with an ex-Nazi atrocity expert in a world-menacing conspiracy. Stripped of all professional aids, Bond faces, unarmed, the monstrous devices of Colonel Sun....

Jim Dixon has accidentally fallen into a job at one of Britain's new red brick universities. A moderately successful future in the History Department beckons. As long as Jim can survive a madrigal-singing weekend at Professor Welch's, deliver a lecture on 'Merrie England' and resist Christine, the hopelessly desirable girlfriend of Welch's awful son Bertrand.

Roger Micheldene, an English publisher, is on the loose in the US. He spends an October week shuttling between New York and Budweiser College in Pennsylvania. This exercises all his British appetites … snobbery, gluttony, anger, sloth, and lust. But Amis roasts Americans as well and serves us familiar dishes, though in a piquant sauce: the precocious undergraduate author of a far-out novel, an earnest young priest, and an alcoholic literary agent’s nymphomaniacal wife.

Everyone wants a comfortable place to die, and Kingsley Amis’s characters have found it in Tuppeny-happeny Cottage, where assorted septuagenarians have come together to see one another out the door of life. Ending Up is a grimly hilarious dance of death, full of bickering, bitching, backstabbing, drinking (of course), and idiocy of all sorts. It is a book about dying people and about a dying England, clinging to its memories of greatness as it succumbs to terminal decay.

Novelist, poet and critic Kingsley Amis was one of Britain’s greatest postwar writers. A master of comic fiction, he came to fame in 1954, and won the 1986 Booker Prize for The Old Devils. Included in this collection are dramatisations of seven of his short stories and two novels, all imbued with his characteristic wit and social satire. These are complemented by readings of selected correspondence and an interview with Amis himself.

Amis’s antihero, Sir Roy Vandervane, a conductor and composer who bears more than a passing resemblance to Leonard Bernstein, is a pillar of the establishment who has fallen hard for protest, bellbottoms, and the electric guitar. And since vain Sir Vandervane is a great success, he is also free to pursue his greatest failing: a taste for younger and younger women. Highborn hippie Sylvia—not, in fact, twenty—is his latest infatuation and a threat to his whole family, from his drama-queen wife, Kitty, to his long-suffering daughter, Penny.

Hubert Anvil is a 10-year-old boy blessed with the voice of an angel. The Church hierarchy decrees that Hubert should be turned into a castrato - an alteration that could bring Hubert fame and fortune, but would also cut him off from an adult world he is curious to discover. In a dystopian world where Martin Luther never reformed and where the Holy Office's power is absolute, where will Hubert turn if he decides to defy their wishes?

Kingsley Amis' authoritative and witty guide to the use and abuse of the English language. A scourge of illiteracy and a thorn in the side of pretension, Amis provides indispensable advice about the linguistic blunders and barbarities that lie in wait for us, from danglers, four-letter words to jargon and even Welsh rarebit. By turns reflective, acerbic and provocative, The King's English is for anyone who cares about how the English language is used.

Elegant, provocative and hugely entertaining, Kingsley Amis's memoirs are filled with anecdotes, experiences and portraits of famous friends, family, acquaintances (and a few eminent foes). From his childhood days to Oxford and army life, his travels abroad and his years as a successful novelist, Memoirs offers extraordinary insights into a unique literary life.

Malcolm, Peter and Charlie and their Soave-sodden wives have one main ambition left in life: to drink Wales dry. But their routine is both shaken and stirred when they are joined by professional Welshman Alun Weaver (CBE) and his wife, Rhiannon.

Twenty-year-old Jenny Bunn is supremely beautiful and stubbornly chaste, which is why Patrick Standish, an arrogant schoolmaster, wants her so much. This perceptive coming of age novel about a northern girl who moves south, who wants to fit in and yet wants to preserve her principles, challenges our assumptions about the battle of the sexes and classes in Britain. It is a story about 'the squalid business of the man and the woman' and 'the most wonderful thing that had ever happened' to Jenny Bunn.

In this hilarious, inspiring and provocative series of essays, Kingsley Amis introduces every listener to the wonders and value of science fiction writing. From the extraordinary ideas, but sexless science, of Jules Verne to the power of H. G. Wells's terrifying storytelling; from the brilliance of bad science fiction writing to the potency of their important ideas; from a portrait of the average SF listener to Amis's sad prediction that this genre will never make it in film or television, New Maps of Hell is a warm and witty exploration of a world many may be yet to discover.

The short stories of Kingsley Amis - the great master of post-war comic prose - are dark, playful, moving, surprising and extremely funny. This definitive collection gathers all Amis' short fiction in a single volume for the first time and encompasses five decades of storytelling.

At Tuppenny-Hapenny Cottage in the English countryside, five elderly people live together in rancorous disharmony. Adela Bastable bosses the house, as her brother Bernard passes his days thinking up malicious schemes against the baby-talking Marigold and secret drinker Shorty, while kindly George lies bedridden upstairs. The mismatched quintet keep their spirits alive by bickering and waiting for grandchildren to visit at Christmas. But the festive season does not herald goodwill to all at Tuppenny-Hapenny Cottage. Disaster and chaos, it seems, are just around the corner.

Douglas Yandell, a young-ish music critic, is enlisted by Kitty Vandervane to keep an eye on her roving husband - the eminent conductor and would-be radical Sir Roy - as he embarks on yet another affair. Roy, meanwhile, wants Douglas as an alibi for his growing involvement with Sylvia, an unsuitably young woman who loves nothing more than to shock and provoke. Life soon becomes extremely complicated as Douglas finds himself caught up in a frantic, farcical tangle of relationships, rivalry and scandal.

Brimming with gluttony, booze and lust, Roger Micheldene is loose in America. Supposedly visiting Budweiser University to make deals for his publishing firm in England, Roger instead sets out to offend all he meets and to seduce every woman he encounters. But his American hosts seem made of sterner stuff. Who will be Roger's undoing? Irving Macher, the young author of an annoyingly brilliant first novel? Father Colgate, the priest who suggests that Roger's soul is in torment? Or will it be his married ex-lover Helene? One thing is certain - Roger is heading for a terrible fall.