Mostrando resultados por autor "Josephine Cox" en Todas las categorías

When Rosie’s parents were involved in a train accident, her mother was killed and her father left crippled, unable to earn a living and relying on Rosie to keep the wolf from the door. With her mother gone and her sweetheart Adam away in the army, Rosie is lonely. She eagerly awaits the letters from him, but they never come. As she grows more disillusioned, Adam’s best friend Doug goes out of his way to be charming and attentive. Alone and confused, Rosie blossoms under his evil influence.

Lucy Nolan is the golden girl. The only daughter of local grocers, Sally and Mike Nolan, she's grown up in a home of total love and security. The one thing her heart desires is that Jack Hanson might ask her to marry him, and when he does eventually propose, Lucy is prepared to give up everything to be with him—even though it means leaving her beloved parents to live abroad where Jack has been offered an exciting business opportunity. But then, almost on the eve of the marriage itself, tragedy strikes.

Vagabonds is the final instalment of Josephine Cox's best-selling Emma Grady trilogy, which finds the heroine content, yet still struggling with the ghosts of her past. 1885. Ex-convict Emma Grady has returned to her hometown of Blackburn and been reunited with her lover Marlow. Now married, with a beautiful home, loving husband and wonderful son, she is still haunted by the past, unable to forget the cruelty of her uncle Caleb Crowther, who ignored her desperate pleas to save her and her tragic first-born.

1870 - Emma Grady has spent seven years of servitude as a convict in Australia. Now, having earned her ticket of leave, she is still bound by chains of honour and friendship. Yet she lives for the day when she will return to England, to face those who cheated and betrayed her. And to Marlow Tanner, the man she loves and whose tragic child she bore and then lost.

Nell Reece has never known her mother, and her father's burden of guilt about his wife has kept him cowed for years, working as a common labourer on his sister's farm. For all her aunt's spiteful attempts to break Nell's independent spirit, she has never succeeded. But now Nell, pregnant and alone, is forced to leave behind the men in her life, believing she might never be able to return. With little but the clothes she wears, she travels across the Bedfordshire countryside of 1890. When she encounters a scruffy urchin called Kit, she takes him under her wing.

‘I can take him away from you any time I want.’ Her mistress’s cruel taunt is deeply disturbing to Jenny Dickens—why would Claudia be interested in a servant’s sweetheart? All the same, Jenny reckons without Claudia’s vicious nature. Using a wily trick, Claudia seduces Frank who, overcome with shame, leaves the household for a new life in Blackburn. Losing Frank is just the first of many disasters that leave Jenny struggling to cope alone.

When heart-broken Sarah Quinn is left to care for her father and siblings when her mother dies, it’s hard to watch their loving dad, Fred, drift into drink and despair. With money tight, Sarah is determined to keep the family together. But they receive a shock when Fred Quinn announces he is to marry Mavis Swindel, the landlady of a boarding house on the edge of the moors. Mavis seems to offer the answer to the family’s problems, and soon they are all moving into her shabby lodgings. It quickly becomes clear that their stepmother has plans for her new family.

Despite a deathbed warning from her beloved mother, Phoebe Mulligan has no choice but to throw herself on the mercy of her uncle, Edward. Wrenched from all she holds dear, the tragic young girl is delivered to Blackburn town, where she must live in a household terrorised by the cold, forbidding presence of her mother's brother. Phoebe cannot understand why she is treated so harshly by Edward Dickens. She is not to know the guilty secret that lies in his past, a secret that casts a sinister shadow over his feelings for his lovely niece.

Bella can’t wait to be married to her fiancée Sidney, and dreams of the day she will walk up the aisle to be given away by her widowed father, with her bookish sister Alice as her bridesmaid. Their lives are disturbed when they receive a letter from their fourteen-year-old cousin Millie. Taken in by her austere aunt and uncle when her parents were killed in an accident, Millie says she is being badly treated and pleads to be rescued. When the two sisters take a trip to find out the truth, things take a troubling turn.

Set in 1952, this story begins when three people meet in a churchyard. One is a local farmer, Ben Morris, walking through the churchyard from his farmhouse. The other two, Lucy and Eileen Baker, are mother and daughter, bringing flowers to lay at the resting place of a man by the name of Barney Davidson. There is an air of mystery about them that greatly intrigues Ben.

From the moment she learns of the stranger's visit, Molly Tattersall is filled with a sense of fear. Then her mother disappears, leaving behind a letter asking Molly to take care of her five brothers and sisters. Molly's wayward father rejects his responsibilities, leaving Molly to choose between the young man she has given her heart to and the family she adores. It is the cruellest decision of her life, with long-reaching and heart-breaking consequences. Only one thing is certain – Molly's life will never be the same again.

On a fateful night in 1860, Thadius Grady realises, too late, that he has made a grave mistake. In blind faith he has put himself and his daughter Emma at the mercy of his sister and her conniving husband, Caleb Crowther - for he has entrusted to them his entire fortune and the daughter he adores. With his dying breath he pleads to see his daughter one last time - but Caleb's heart is made of stone.

Queenie Kenney seems born to suffer. Her mum dies giving birth to her, her drunken father George ignores her unless he is cursing her, and only her beloved Auntie Biddy provides an anchor for the little girl. And after her aunt dies, there is no one to protect Queenie from her father, who blames his daughter for her mother’s death. But in spite of hardship, Queenie grows tall and strikingly beautiful with her deep grey eyes and her abundant honey-coloured hair. Love, in the shape of Rick Marsden, might release her from the burden of the drink-sodden George.

Florence Stanville is a woman with a past. When she moves to Guisethorpe on the east coast of England, the townsfolk are intrigued by the glamorous and mysterious stranger, with her flame-red hair and abrupt manners. Florence doesn’t care about the gossips—she’s drawn to the peaceful seaside town by the pull of her childhood, when she lived for a brief but happy time with her beloved late mother. The riddle of those days remains, and now Florence can only snatch at half-remembered memories and shadowy figures in her dreams.

Beth Ward and Tyler Blacklock share a love they know will last forever. But Beth’s mother, Esther, is jealous of the girl’s happiness and seizes an opportunity to be rid of her daughter. Banished in disgrace from the family home, Beth takes the northbound train and alights at Blackburn, friendless and alone. On this day, Fortune smiles, for Beth is taken in by warm-hearted Maisie Armstrong, a widow with two children. Money is scarce, but love abounds in the cosy house on Larkhill, and Beth is content there to await the birth of her child.

Maureen Bancroft has never learned the art of putting herself first. As a widow with a gentle temperament and humble ways, she’s been easy to take advantage of. All that changes when an unexpected windfall comes her way. Determined to make up for lost time, she decides to take a holiday and, needing a companion, looks up her friend Barbara Hayle. Glamorous, and with a successful career on the stage, Barbara seems to be everything that Maureen is not. But things aren’t as they seem, and what starts out as a nostalgic trip between friends becomes something different altogether.

The pretty Arnold sisters have grown up on their father's farm and yearn for something more out of life than drudgery and toil. Ellen, loyal and honest, is her father's favourite, but Georgina is impulsive and unreliable, and can't please a father who has never shown her love.The big house, Grindle Hall, offers them both a chance of betterment, but while Ellen follows the steady path, Georgina takes a darker road and soon, her actions will have fateful consequences for them all. Only Ellen can help them, but will a sister's love be enough?

In the middle of the night, Evie is torn away from her beloved home and close-knit community as her family run away to the south. Her father's luck has finally run out, but what should mark a hopeful new beginning is just the start of young Evie’s troubles. With the weight of her family's future on her shoulders, Evie has no one to turn to. Her mother, worn down by life, runs off with a new man, and with her grandmother's sight failing, it's left to Evie to earn their keep and run the house. Holding her family together is only made harder when tragedy strikes at its heart.

On a moonlit night in 1898, Kathleen Wyman lies in labour at Bessington Hall. Her husband, Edward, is sure that she has been unfaithful to him. In his blind, jealous rage he later gives away the baby to gypsy Rona Parrish, summoned to help with the delivery. Kathleen, frenzied with grief, is soon after locked away in an asylum.

It’s 1954 and Adam Carter is 12 years old, an only child with no friends nor any self-confidence. His father Edward is a bully of a man. A successful and ruthless businessman, he breeds fear into the heart of his family. Adam’s mother Peggy is too cowed to protect her son, so Adam’s only support comes in the shape of Jake Wallis, the school bus driver. One particular afternoon, when Adam is his last drop of the day, Jake decides to accompany him along the darkening wood land to his house.