Charles Paris

Charles Paris is on his way up again, career-wise. No longer ‘resting’ or playing a corpse in a cupboard, he finds himself doubling almost every role in a provincial production of the play dreaded by superstitious theatrefolk: Macbeth.

Charles Paris is in clover. He has been contracted for three whole months to play brainless bobby Sergeant Clump, foil to the charismatic amateur sleuth, Stanislas Braid, in a TV series of that name. Recourse to the whiskey bottle is still needed, however, to get him through a day’s filming - one made all the more arduous by the pompous posturings of the show’s star, and the constant outraged interruptions of the ancient author whose detective novels are being adapted. Indeed, there is plenty of friction about.

Charles Paris's star gig is as "forklift-driver-for-a-day" in a corporate video. Charles must position the forklift and then declaim in the trained voice of an actor the wonders of the company and its big, happy family of employees. He delivers his lines with his usual aplomb, but he can't help wondering about the "happy family". It's rather fun to learn to manipulate a forklift. But it's a responsibility, too, as Charles learns to his horror: a forklift can be a tool for murder.

Charles Paris’ acting career plumbs new depths when he takes the part of a possible murder victim in ‘Public Enemies’, a true-crime television series. Finding himself in a bizarre world somewhere between police procedure and showbiz, Charles is inexorably drawn into the investigation... especially after the dismembered limbs start turning up. The viewers of ‘Public Enemies’ get caught up in the macabre jigsaw puzzle of death; it is ghastly, of course, but it does make good television.

Simon Brett's oldest and most beloved character, Charles Paris, is back. Paris, the often out-of-work actor, has a good part for a change, playing Sir Toby Belch in a summer festival production of "Twelfth Night." But when the director takes ill and then Paris' friend in the production is the apparent victim of intentional food poisoning meant for Paris, it's not long until the bodies start to turn up. Paris is forced to deal with a wild young director whose idea of Shakespeare the bard himself would hate.

Charles Paris' old friend Mark, who runs a recording studio in Bath where Charles is making a talking book, has a drinking problem that amounts to a death wish. But it's not the drink that kills Mark, it's somebody in the cast of Charles' play who has a dirty little secret that Mark must not be allowed to reveal...

After a long period of "resting", life is looking up for Charles Paris, who has been cast as the Ghost of Hamlet's Father and First Gravedigger in a new production of Hamlet. Ophelia is played by Katrina Selsey, who won the role through a television talent show. Hamlet himself is also played by a reality TV contestant, Jared Root - and the two young stars have rather different views than the more experienced members of the cast. But when the company reach the first staging post of their tour, matters get more serious, with one member of the company seriously injured in what appears to be an accident, and another dead....

After a long period of "resting", life is looking up for Charles Paris, who has been cast in a new production of Hamlet. But rehearsals are fraught. Ophelia is played by Katrina Selsey, who won the role through a television talent show. Hamlet himself is also played by a reality TV contestant, Jared Root. But when the company reaches the first staging post of their tour, matters get more serious, with one member of the company seriously injured in what appears to be an accident, and another dead. Once again, Charles Paris is forced to don the mantle of amateur detective to get to the bottom of the mystery.

Landing a minor part in the Empire Theatre Eastbourne’s Christmas production of Cinderella, Charles Paris soon discovers that his main role is to gently introduce the show’s baffled American star, Kenny Polizzi, to the bizarre customs of English pantomime. During their sessions in the local pub, Charles finds himself increasingly caught up in Polizzi’s tangled affairs. But Charles is about to be far more involved than he might wish when he stumbles across a body beneath Eastbourne Pier.

Having landed a small part in a new West End play, The Habit of Faith, Charles Paris is dismayed to discover that his good fortune has been orchestrated by his bête noire, the now-famous screen actor Justin Grover. But why has Grover become involved in this relatively obscure production - and why has he roped in Charles to star? From the outset the production is fraught with difficulties - and matters become even more complicated when a body is discovered at the foot of the dressing room stairs.