Mostrando resultados por narrador "Meera Simhan" en Todas las categorías

In a crumbling, isolated house at the foot of Mount Kanchenjunga lives an embittered old judge who wants to retire in peace when his orphaned granddaughter Sai arrives on his doorstep. The judge's chatty cook watches over her, but his thoughts are mostly with his son, Biju, hopscotching from one New York restaurant job to another, trying to stay a step ahead of the INS, forced to consider his country's place in the world. When a Nepalese insurgency in the mountains threatens Sai's new-sprung romance with her handsome Nepali tutor, they, too, are forced to confront their colliding interests.

Bridge is an accident survivor who's wondering why she's still alive. Emily has new curves and an almost-boyfriend who wants a certain kind of picture. Tabitha sees through everybody's games - or so she tells the world. The three girls are best friends with one rule: no fighting. Can it get them through seventh grade?

"My life is dust and rocks and rude boys and skinny babies, and long days of searching for my mother when I don’t have the faintest idea where she might be". Parvana is alone. Her father is dead. A refugee in a land full of dangers, she must travel across Afghanistan to find her mother and sisters. As she travels, Parvana finds friends - a starving, orphaned baby; a strange, hostile boy; a solitary girl who darts in and out of the minefields to find food. Perhaps, with their help, she may one day be reunited with her family...

From the Pulitzer Prize finalist and author of The Moor’s Account, here is a timely and powerful novel about the suspicious death of a Moroccan immigrant—at once a family saga, a murder mystery, and a love story, informed by the treacherous fault lines of American culture.

On a cool evening in Kolkata, India, beneath a full moon, as the whirling rhythms of traveling musicians fill the night, college professor Alok encounters a mysterious stranger with a bizarre confession and an extraordinary story. Tantalized by the man's unfinished tale, Alok will do anything to hear its completion. So Alok agrees, at the stranger's behest, to transcribe a collection of battered notebooks, weathered parchments, and once-living skins.

Perfect for fans of George Saunders, Karen Russell, Neil Gaiman, and Aimee Bender, Magic for Beginners is an exquisite, dreamlike dispatch from a virtuoso storyteller who can do seemingly anything. Kelly Link reconstructs modern life through an intoxicating prism, conjuring up unforgettable worlds with humor and humanity. These stories are at once ingenious and deeply moving. They leave the listener astonished and exhilarated.

Forced by her father to marry a man three times her age, young Nujood Ali was sent away from her parents and beloved sisters and made to live with her husband and his family in an isolated village in rural Yemen. There she suffered daily from physical and emotional abuse by her mother-in-law and nightly at the rough hands of her spouse. Flouting his oath to wait to have sexual relations with Nujood until she was no longer a child, he took her virginity on their wedding night.

Away from her home in India to study Spanish, Bonita sits on a bench in El Jardin de San Miguel, Mexico, basking in the park’s lush beauty, when she slowly becomes aware that she is being watched. An elderly woman approaches her, claiming that she knew Bonita’s mother—that they had been friends when Bonita’s mother had lived in Mexico as a talented young artist. Bonita tells the stranger that she must be mistaken; her mother was not a painter and had never travelled to Mexico. Though the stranger leaves, Bonita cannot shake the feeling that she is being followed.

The girl does not respond to questions in any language and remains silent, even when she is threatened, harassed, and mistreated over several days. The only clue to her identity is a tattered shoulder bag containing papers that refer to people named Shauzia, Nooria, Leila, Asif, Hassan - and Parvana. As she waits for foreign military forces to determine her fate, she remembers the past four years of her life. Reunited with her mother and sisters, she has been living in a village where her mother managed to open a school for girls.

It's been a year since the mysterious godsgem cured Cadrium's king and ushered in what promised to be a new golden age. The heroes who brought home the gem are renowned in story and song, but for two fellows on the quest, peace and prosperity don't come easily.

That was where she needed to be, in a field of purple flowers, where no one could bother her. She would sit there until the confusion left her head and the stink of the camp left her nostrils. Shauzia has a dream. She dreams of getting away from the refugee camp in Pakistan and travelling to France. There she knows she would find a better life, away from the war in her home country of Afghanistan...But escape is not so easy. Once she leaves the camp, she has no money, no food - and only her dog Jasper for company. But Shauzia is determined to find a new future for herself...

Mitra and her little brother, Babak, are beggars in the city of Rhagae, scratching out a living as best as they can with what they can beg for, or steal. But Mitra burns with hope and ambition, for she and Babak are not what they seem. They are of royal blood, but their father's ill-fated plot against the evil tyrant, King Phraates, has resulted in their father's death and their exile.

For most of her life, Lauren Mahdian has been certain of two things: that her mother is dead, and that her father is a murderer. Before the horrific tragedy, Lauren led a sheltered life in a wealthy corner of America, in a town outside Manhattan on the banks of Long Island Sound, a haven of luxurious homes, manicured lawns, and seemingly perfect families. Here Lauren and her older brother, Alex, thought they were safe. But one morning, six-year-old Lauren and eight-year-old Alex awoke to discover their mother's body....

Every now and then, we come across a novel that moves us like no other, that seems like a miracle of the imagination, and that haunts us long after the book is closed. James Levine’s The Blue Notebook is that kind of book. It is the story of Batuk, an Indian girl who is taken to Mumbai from the countryside and sold into prostitution by her father; the blue notebook is her diary, in which she recalls her early childhood, records her life on the Common Street, and makes up beautiful and fantastic tales.

In Kabul, 15-year-old Damsa runs away to avoid being forced into marriage by her family. She is found by a police officer named Shauzia, who takes her to Green Valley, a shelter and school for women and girls run by Parvana. It has been 20 years since Parvana and Shauzia had to disguise themselves as boys to support themselves and their families. While Asif tries to get Maryam and Rafi on one of the last flights out of Kabul, the Taliban come to the school, and Parvana must lead the girls out of Green Valley and into the mountains.

When her father is killed in a coup, 15-year-old Laila flees from the war-torn Middle East to a life of exile and anonymity in the U.S. Gradually she adjusts to a new school, new friends, and a new culture, but while Laila sees opportunity in her new life, her mother is focused on the past. She's conspiring with CIA operatives and rebel factions to regain the throne their family lost. Laila can't bear to stand still as an international crisis takes shape around her, but how can one girl stop a conflict that spans generations?

A young student sits on a bench in a jardín in San Miguel. Bonita is away from her home in India to learn Spanish. She is alone, somewhere she has never been and has no connection to. It is bliss. And then a woman approaches her. The woman claims to recognize Bonita because she is the spitting image of her mother, who made the same journey from India to Mexico as a young artist. No, says Bonita, my mother didn’t paint. She never travelled to Mexico. But this strange woman insists, and so Bonita follows her.

A young student sits on a bench in a jardín in San Miguel. Bonita is away from her home in India to learn Spanish. She is alone, somewhere she has never been and has no connection to. It is bliss. And then a woman approaches her. The woman claims to recognize Bonita because she is the spitting image of her mother, who made the same journey from India to Mexico as a young artist. No, says Bonita, my mother didn’t paint. She never travelled to Mexico. But this strange woman insists, and so Bonita follows her.