Showing results by narrator "Justine Eyre" in All Categories

Aodhan and Illium. Adi and Blue. Sparkle and Bluebell. Friends become lovers, their future a wild unknown. Finally reunited in New York, they must now learn to navigate the monumental shift in their relationship. But for these two members of Archangel Raphael's legendary Seven, there is no time to rest. As they investigate a case for the Tower that echoes the darkness from Aodhan's past, they will be forced to confront not only the scars that mark them both, but the promise of a vast power that flickers in Illium.

The Hematoi descend from the unions of gods and mortals, and the children of two Hematoi-pure-bloods-have godlike powers. Children of Hematoi and mortals-well, not so much. Half-bloods only have two options: Become trained Sentinels who hunt and kill daimons or become servants in the homes of the pures. Seventeen-year-old Alexandria would rather risk her life fighting than waste it scrubbing toilets, but she may end up slumming it anyway.

Alexandria isn’t sure she’s going to make it to her 18th birthday - to her Awakening. A long-forgotten, fanatical order is out to kill her, and if the Council ever discovers what she did in the Catskills, she’s a goner...and so is Aiden. If that’s not freaky enough, whenever Alex and Seth spend time "training" - which really is just Seth's code word for some up-close and personal one-on-one time - she ends up with another mark of the Apollyon, which brings her one step closer to Awakening ahead of schedule. Awesome.

Alex has always feared two things: Losing herself in the Awakening and being placed on the Elixir. But love has always been stronger than fate, and Aiden St. Delphi is willing to make war on the gods - and Alex herself - to bring her back. The gods have killed thousands and could destroy entire cities in their quest to stop Seth from taking Alex's power and becoming the all-powerful God Killer. But breaking Alex's connection to Seth isn't the only problem.

It's a beautiful day for a war. As the mortal world slowly slips into chaos of the godly kind, Alexandria Andros must overcome a stunning defeat that has left her shaken and in doubt of their ability to end this war once and for all. And with all the obstacles between Alex and her happily-ever-after with the swoonworthy Aiden St. Delphi, they must now trust a deadly foe as they travel deep into the Underworld to release one of the most dangerous gods of all time. Alex faces a terrible choice: The destruction of everything and everyone she holds dear...or the end of herself.

After her father loses the family fortune in an insider-trading scheme, single mom Parker Welles is faced with some hard decisions. First order of business: go to Gideon's Cove, Maine, to sell the only thing she now owns-a decrepit house in need of some serious flipping. When her father's wingman, James Cahill, asks to go with her, she's not thrilled . . . even if he is fairly gorgeous and knows his way around a toolbox.

Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor", and they plunge her into a world she never dreamed of - a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.

Being destined to become some kind of supernatural electrical outlet isn't exactly awesome - especially when Alexandria's "other half" is everywhere she goes. Seth's in her training room, outside her classes, and keeps showing up in her bedroom - so not cool. Their connection does have some benefits, like staving off her nightmares of the tragic showdown with her mother, but it has no effect on what Alex feels for the forbidden, pure-blooded Aiden. Or what he will do - and sacrifice - for her.

A handsome and reclusive horse breeder, Spencer Dumarque, the fourth Duke of Morland, is a member of the exclusive Stud Club, an organization so select it has only 10 members - yet membership is attainable to anyone with luck. And Spencer has plenty of it, along with an obsession with a prize horse, a dark secret, and, now, a reputation as the dashing "Duke of Midnight." Each evening he selects one lady for a breathtaking midnight waltz. But none of the women catch his interest, and nobody ever bests the duke - until Lady Amelia d'Orsay tries her luck.

Vampire hunter Elena Deveraux knows she is the best - but she does not know if even she is good enough for this job. Hired by the dangerously beautiful archangel Raphael, a being so lethal that no mortal wants his attention, Elena knows failure is not an option---even if the task is impossible. Because this time, it's not a wayward vamp she has to track. It's an archangel gone bad.

Emily Emerson is used to being alone; her dad ran out on the family when she was just a kid, her mom died when she was 17, and her beloved grandmother has just passed away as well. But when she's laid off from her reporting job, she finds herself completely at sea until the day she receives a beautiful, haunting painting of a young woman standing at the edge of a sugarcane field under a violet sky. That woman is recognizable as her grandmother - and the painting arrived with no identification other than a handwritten note saying, "He always loved her."

Against the backdrop of windswept, coastal Ireland, two people are brought together under unlikely circumstances, one scarred by tragedy, the other by betrayal.

Little Men brilliantly extends the March family saga begun in Louisa May Alcott's classic Little Women. Jo---now married to the good-natured Professor Bhaer and with sons of her own---has become the unflappable matron of an extended family at Plumfield, a school that the Bhaers have founded with Aunt March's legacy. Jo's rambunctious youngsters grow up in an atmosphere full of high spirits and misadventure---a world enlivened by Alcott's unique powers of observation and sympathy.

Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor", and they plunge her into a world she never dreamed of: a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.

Adair Radcliffe is only a child when her family perishes in the War of the Roses, so her real father, the womanizing King Edward IV, takes her in, honoring his promise to her mother. Once Adair turns 16, the king marries her off without her knowledge - and to her later outrage - in a wedding by proxy. But when tragedy leaves her a widow twice over, Adair realizes that her already tenuous social position has sunk even lower. Now, all she can do is hope that the Scottish laird to whom she is sold will have mercy on her. But little does master or servant suspect that love knows no rank.

For three years, Alexandria has lived among mortals pretending to be like them and trying to forget the duty she'd been trained to fulfill as a child of a mortal and a demigod. At 17, she's pretty much accepted that she's a freak by mortal standards… and that she'll never be prepared for that duty. But as every descendant of the gods knows, Fate has a way of rearing her ugly head. A horrifying attack forces Alex to flee Miami and try to find her way back to the very place her mother had warned her she should never return - the Covenant.

Cat Campbell knows all about Nathaniel Worthington, fifth Viscount of Lincolnshire. The determined Englishman is never far from Finlarig Castle, where his sisters train women to do more than read and write. And thanks to the fiery kiss they shared nearly a year ago he is never far from her thoughts. No one ever trained her how to forget an irresistible man. Nathaniel knows he should keep his distance from the fierce Scottish lass, but when an urgent letter from Queen Catherine calls Cat to London, he can't resist volunteering to escort her.

Dying is the only thing people do with any regularity, and Fiona makes her indecorous living cleaning up after the corpses are carted away. Her childhood best friend, Mary, was the last known victim of Jack the Ripper. It's been two years since Fiona scrubbed Mary's blood from the floorboards, and London is no longer buzzing about the Ripper, but Fiona hasn't forgotten. When she's called to a murder in the middle of the night, Fiona finds a victim mutilated in an eerily similar fashion to those of the Ripper, and only a few doors down from Mary's old home.