Mostrando resultados por autor "G. K. Chesterton" en Todas las categorías

Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself… Here you will find the complete Father Brown stories in the chronological order of their original publication. The Innocence of Father Brown Starts at Chapter 1, The Wisdom of Father Brown Starts at Chapter 13.

Gilbert Keith Chesterton (1874-1936) was a British writer, philosopher, lay theologian, and literary critic. Chesterton wrote around 80 books, several hundred poems, some 200 short stories, several plays, plus 4,000 essays and newspaper columns. He was a columnist for the Daily News and The Illustrated London News.

Father Brown, G. K. Chesterton's lovable little Norfolk priest, has an uncanny knack of unraveling mysteries that leave lesser mortals floundering. His sympathetic understanding of human nature never deserts him, even when he himself is touched by a breath of scandal, thanks to the hasty conclusions of a crusading newspaperman. In this collection, Father Brown uses his distinctive style of deduction to solve the seemingly insoluble.

Few people had a more profound effect on Christianity in the 20th century than G. K. Chesterton. The Everlasting Man, written in response to an anti-Christian history of humans penned by H.G. Wells, is considered Chesterton’s masterpiece. In it, he explains Christ’s place in history, asserting that the Christian myth carries more weight than other mythologies for one simple reason—it is the truth.

The Innocence of Father Brown is the first collection of short stories featuring G.K. Chesterton's beloved detective, Father Brown, a humble and unassuming Catholic priest with a sharp mind for solving mysteries. Unlike the typical detectives of his time, Father Brown relies on his deep understanding of human nature, morality, and logic to unravel even the most perplexing cases. This complete collection includes classic stories such as The Blue Cross, where Father Brown first crosses paths with the brilliant thief Flambeau, and The Secret Garden, a dark and puzzling murder mystery.

In this collection of 39 short stories, you will find the full force of his brilliant storytelling abilities encapsulated in an anthology that popped into his curious mind over the years as he reflected on everyday life, and why we do the things we do.

A serious attack against Christianity by well-known newspaper editor Robert Blatchford in 1903 impelled Chesterton to seize the gauntlet of refutation. His reply was immensely successful and was the early formation of his convincing credo that is so brilliantly and cogently argued in Orthodoxy, a masterwork that was published just five years later.

Orthodoxy (1908) is a book by G. K. Chesterton that has become a classic of Christian apologetic. Chesterton considered this book a companion to his other work, Heretics, writing it expressly in response to G.S. Street's criticism of the earlier work, "that he was not going to bother about his theology until I had really stated mine". In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of Christian religion.

Chesterton's talent as a mystery writer is displayed in this collection of detective stories, The Man Who Knew Too Much. In each story, the star detective, Horne Fisher, deals with another strange mystery: the vanishing of a priceless coin, the framing of an Irish "prince" freedom fighter, an eccentric rich man dies during an obsessive fishing trip, another vanishing during an ice skate, a statue crushing his own uncle, and a few more.

Considered by many to be one of G.K. Chesterton’s greatest works, The Everlasting Man (first published in 1925), along with many of Chesterton’s other works, were heavily influenced by his own spiritual journey into Christianity. Published in 1925, The Everlasting Man is said to be a rebuttal of H.G. Wells’ The Outline of History, in which Chesterton delves into the history of religion and the spiritual exploration of Western society while defending any objections to Christianity.

Classic Poems for Boys comprises a delightfully varied set of over 20 poems for 5- to 10-year olds. From rousing favorites like Felicia Dorothea Hemans’ "Casabianca" and John Keats’ "A Song About Myself", to dreamy, thoughtful poems by Henry Wadsworth Longfellow and Rudyard Kipling, this is a collection to be treasured.

Here are the six final stories from The Innocence of Father Brown relating the crime-solving adventures of a rather unconventional detective. Having accumulated wisdom and empathy from years of listening to the dark confessions of his parishioners, in a flash Father Brown is able to solve mysteries that confound all others.

A "very short Catholic priest" who does "...not seem to know which was the right end of his return ticket," Father Brown is the embodiment of the phrase 'looks can be deceiving.' Arguably the second best-known crime-solver in English literature, this unassuming man of the cloth solves case after case with ease.

Saint Francis of Assisi is one of the most influential men in the whole of human history. This acclaimed biography of Saint Francis examines the life of a pure artist, a man "whose whole life was a poem". Here is the Saint Francis who prayed and danced with pagan abandon, who talked to animals, and who invented the crèche. Yet Francis also acknowledged the mystic responsibility to communicate his divine experience.

These four stories test Father Brown in many ways, creating headaches a plenty. However, Father Brown is nothing if not redoubtable and whilst Chesterton's stories are, in his own words, "very slight and improbable", his method is all his own. Bill Wallis captures perfectly the mood and tone of Father Brown in this collection.

El conjunto de los relatos del padre Brown constituye quizá la obra más popular de Chesterton. El simpático cura-detective que los protagoniza resuelve en ellos, armado únicamente con su paraguas, su inocencia y su sabiduría, intrincados casos gracias a un conocimiento sencillo a la par que es profundo de la naturaleza humana. Chesterton crea este singular personaje para mostrar que sólo una mirada sincera y que reconozca el misterio que la realidad encierra es capaz de salvaguardar la razón.

After the success of Heretics, G. K. Chesterton was challenged and compelled to share the story of his pilgrimage to faith. The result is this bracing, watershed religious autobiography in which he follows the doctrines determined in the Apostle’s Creed to deliver a personal, yet universal, defense of Christianity. Ultimately, the literary giant answers the question - not of whether divinity can be believed - but rather, how he himself came to believe it.

Three BBC Radio performances of works by the great G. K. Chesterton. Best known as the creator of clerical detective Father Brown, G. K. Chesterton was a prolific and talented writer in virtually every area of literature: from novels, poetry and short stories to plays, biographies and essays. A noted thinker, controversialist, raconteur and wit, he has influenced authors from Neil Gaiman to Jorge Luis Borges. This collection comprises his two most famous novels as well as half a dozen tales from his short story collection

First published in 1911, The Innocence of Father Brown contains stories involving one of the greatest characters in the history of detective fiction: Father Brown. He is a Roman Catholic priest who has an uncanny insight into human evil. Rather than the large serial villains in, for example, Sherlock Holmes stories, the mysteries Father Brown solved were more local murders by small-town crooks, narrowing the suspect list down to those in the area of the crime.

The story begins when two poets meet. Gabriel Syme is a poet of law. Lucian Gregory is a poetic anarchist. As the poets protest their respective philosophies, they strike a challenge. In the ruckus that ensues, the Central European Council of Anarchists elects Syme to the post of Thursday, one of their seven chief council positions. Undercover. On the run, Syme meets with Sunday, the head of the council, a man so outrageously mysterious that his antics confound both the law-abiding and the anarchist.