Showing results by author "William Makepeace" in All Categories

Vanity Fair, with its rich cast of characters, takes place on the snakes-and-ladders board of life. Amelia Sedley, daughter of a wealthy merchant, has a loving mother to supervise her courtship. Becky Sharp, an orphan, has to use her wit, charm, and resourcefulness to escape from her destiny as a governess. This she does ruthlessly, musing: "I think I could become a good woman, if I had 5000 pounds a year."

Penguin Classics presents William Makepeace Thackeray adapted for audio and available as a digital download as part of the Penguin English Library series. Read by Robert Hardy’s Vanitas Vanitatum! Which of us is happy in this world? Which of us has his desire? Or, having it, is satisfied? No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder.

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of the poets and their musings on this remarkable age. Many are world-renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some are almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.

This is an essay from the Favorite Essays collection.

Comedian Al Murray plays his great-great-great-grandfather William Makepeace Thackeray as the unreliable narrator in this radical makeover of his ancestor’s celebrated satire on class, sex, money, hypocrisy and snobbery in 19th-century England. As the curtain rises on our ‘story without a hero’, moneyless Becky Sharp leaves school with her upper-class best friend Amelia Sedley. Clever, cunning and ambitious, Becky is determined to make her way in Regency society - and she’ll trample on anyone who gets in her way.

This book comes with an introduction and notes by Owen Knowles, University of Hull. Thackeray's upper-class Regency world is a noisy and jostling commercial fairground, predominantly driven by acquisitive greed and soulless materialism, in which the narrator himself plays a brilliantly versatile role as a serio-comic observer. Although subtitled 'A Novel without a Hero', "Vanity Fair" follows the fortunes of two contrasting but inter-linked lives.

The History of Henry Esmond tells the story of the early life of Henry Esmond, a colonel in the service of Queen Anne of England. A typical example of Victorian historical novels, Thackeray's work of historical fiction tells its tale against the backdrop of late 17th- and early 18th-century England — specifically, major events surrounding the English Restoration — and utilizes characters both real (but dramatized) and imagined.

Barry Lyndon is a picaresque novel by William Makepeace Thackeray, first published as a serial in Fraser's Magazine in 1844, about a member of the Irish gentry trying to become a member of the English aristocracy. Thackeray, who based the novel on the life and exploits of the Anglo-Irish rake and fortune-hunter Andrew Robinson Stoney, later reissued it under the title The Memoirs of Barry Lyndon, Esq. The novel is narrated by Lyndon himself, who functions as a quintessentially unreliable narrator.

Ranked second only to Charles Dickens in Victorian era popularity, William Makepeace Thackeray may be a novelist worth rediscoving. This is a great introductory story of the key figure in the brilliant novel Henry Esmond. Classic literature - classic writer - classic story. Narrated by Glenn Hascall.

The great author of Vanity Fair and The Luck Of Barry Lyndon was born in India in 1811. At age 5 his father died and his mother sent him back to England. His education was of the best but he himself seemed unable to apply his talents to a rigorous work ethic. However, once he harnessed his talents the works flowed in novels, articles, short stories, sketches and lectures.

The great author of Vanity Fair and The Luck Of Barry Lyndon was born in India in 1811. At age 5 his father died and his mother sent him back to England. His education was of the best but he himself seemed unable to apply his talents to a rigorous work ethic. However, once he harnessed his talents the works flowed in novels, articles, short stories, sketches and lectures.

La magistral pelicula de Kubrick volvio a dar vigencia a una de las novelas mas cínicas de la literatura inglesa del siglo XIX, "Las memorias de Barry Lindon" de Thackeray, obra que fue una critica a la cantidad de aventureros que habian ocupado posiciones importantes en la Inglaterra de sus tiempos y donde trato de mostrar como las riquezas hacian que la sociedad perdonara cualquier medio de lograrlas.

Der Diener Yellowplush lebt zusammen mit seinem Herrn Frederick Altamont zur Untermiete bei der Familie Shum in London. Frederick Altamont hat sich unsterblich in Mary, die jüngste Tochter der Familie, verliebt und Yellowplush hilft den beiden, so dass diese sich ungestört treffen können. Endlich kommt es zu der lang ersehnten Hochzeit, doch Altamont verbirgt ein Geheimnis vor seiner Frau, welches das Glück des jungen Paares zu trüben droht. William Makepeace Thackeray (1811-1863) war ein britischer Schriftsteller. Thackeray wurde als Sohn eines Kolonialbeamten in Indien geboren.

Die Figuren, die diesen Jahrmarkt bevölkern, sind die Mitglieder jener Gesellschaft, die im viktorianischen Zeitalter noch ein festumrissener Begriff war. Der Autor leuchtete hinter die Fassade des sich so edel gebärdenden Jahrmarkts und zeigt, dass auch hier "wahre Gentlemen" vielleicht seltener zu finden sind, als mancher denkt. Das Hörspiel, das auf dem Roman "Vanity Fair" (deutscher Titel: "Jahrmarkt der Eitelkeiten") beruht, enthält die fünf Hörspielfolgen.

Un libro satirico dell'umorista Thackeray scritto nel 1838. È una satira della colonizzazione britannica dell'India, narrata come il resoconto delle avventure del maggiore Gahagan, un fanfarone, "alfiere irlandese", che combatte "gloriosamente" con l'armata inglese in India.

Thackeray veröffentlichte diesen Gesellschaftsroman 1847/1848 in der Satirezeitschrift Punch. Der Autor durchleuchtet sarkastisch...

Thackeray, à travers son personnage domestique, fustige avec ironie la société britannique de son temps, et en particulier l'aristocratie de naissance, classe supérieure souvent trop désargentée pour tenir son rang par des moyens honnêtes, mais toujours adulée par l'homme du peuple. Vanité, cupidité et snobisme sont les causes principales des maux qui s'abattent sur les personnages, lesquels, dans leur dégénérescente confusion, perdent toute conscience des valeurs morales.

Qual è davvero il significato della parola snob, che viene introdotta e illustrata da Thackeray nel 1846? Lui stesso sostiene che il significato non è preciso, ma che di fatto gli snobs sono dappertutto, e sono il veleno della “terra della libertà”, l’Inghilterra.Il “Punch”, giornale satirico dell’epoca, pubblicò 17 articoli di Thackeray sul tema, e la loro raccolta formò poi questo libro divertente, acuto, e appassionato.

Glavnye geroini, miss Emilija Sedli i miss Rebekka (Bekki) Sharp, uchatsja vmeste v chastnom pansione miss Pinkerton. Bekki - sirota, doch' spivshegosja hudozhnika i francuzskoj tancovshhicy. Ona energichna, polna ambicij i uverena v svoem uspehe. Emili - doch' uspeshnogo kommersanta, krotka, mila i dobrodetel'na. Sud'by dvuh sovershenno raznyh devushek otrazhajut nravy togo vremeni. Pokazana zhizn' razlichnyh sloev obshhestva.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson and Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.