Mostrando resultados por autor "Julian Barnes" en Todas las categorías

Staring at the Sun charts the life of Jean Serjeant, from her beginning as a naive, carefree country girl before the war through to her wry and trenchant old age in the year 2020. We follow her bruising experience in marriage, her probing of male truths, and her adventures in motherhood and in China, and we cannot fail to be moved by the questions she asks of life and the often unsatisfactory answers it provides.

Flaubert’s Parrot deals with Flaubert, parrots, bears and railways; with our sense of the past and our sense of abroad, with France and England, life and art, sex and death, George Sand and Louise Colet, aesthetics and redcurrant jam, and with its enigmatic narrator, a retired English doctor, whose life and secrets are slowly revealed.

Barnes’ appreciation extends from France’s vanishing peasantry to its hyperliterate pop singers, from the gleeful iconoclasm of nouvelle vague cinema to the orgy of drugs and suffering that is the Tour de France. Above all, Barnes is an unparalleled connoisseur of French writing and writers. Lively yet discriminating in its enthusiasm, seemingly infinite in its range of reference, and written in prose as stylish as haute couture, Something to Declare is an unadulterated joy.

The Pedant in the Kitchen is a perfect comfort for anyone who has ever been defeated by a cookbook. The Pedant's ambition is simple. He wants to cook tasty, nutritious food; he wants not to poison his friends; and he wants to expand, slowly and with pleasure, his culinary repertoire.

'Would you rather love the more, and suffer the more; or love the less, and suffer the less? That is, I think, finally, the only real question.' First love has lifelong consequences, but Paul doesn't know anything about that at 19. At 19, he's proud of the fact his relationship flies in the face of social convention. As he grows older, the demands placed on Paul by love become far greater than he could possibly have foreseen.

In the summer of 1885, three Frenchmen arrived in London for a few days’ shopping. One was a Prince, one was a Count, and the third was a commoner with an Italian name, who four years earlier had been the subject of one of John Singer Sargent’s greatest portraits. The three men's lives play out against the backdrop of the Belle Epoque in Paris. The beautiful age of glamour and pleasure more often showed its ugly side: hysterical, narcissistic, decadent and violent, a time of rampant prejudice and blood-and-soil nativism, with more parallels to our own age than we might imagine.

Julian Barnes' new book is, among many things, a family memoir, an exchange with his brother (a philosopher), a meditation on morality and the fear of death, a celebration of art, an argument with and about God, and homage to the French writer Jules Renard. Though he warns us that 'this is not my autobiography', the result is a tour of the mind of one of our most brilliant writers.

Jean Serjeant, the heroine of Julian Barnes’ wonderfully provocative novel, seems ordinary but has an extraordinary disdain for wisdom. And as Barnes - winner of the Man Booker Prize for The Sense of an Ending - follows her from her childhood in the 1920s to her flight into the sun in the year 2021, he confronts his audience with the fruits of her relentless curiosity: pilgrimages to China and the Grand Canyon; a catalogue of 1940s sexual euphemisms; and a glimpse of technology in the 21st century (when the absolute truth can be universally accessed).

Un despliegue de gran audacia técnica y elegante virtuosismo, al servicio de una amenísima trama en la que se alterna la ficción con hechos reales muy imaginativamente ordenados. Un libro que ha tenido un extraordinario éxito, tanto en Inglaterra como en Estados Unidos, y no sólo de crítica, sino también de ventas, lo cual resulta algo insólito teniendo en cuenta su carácter descaradamente literario.

Julian Barnes' Man Booker Prize-shortlisted novel is based on Arthur Conan Doyle's extraordinary real-life fight for justice. Arthur and George grow up worlds and miles apart in late nineteenth-century Britain: Arthur in shabby-genteel Edinburgh; George in the vicarage of a small Staffordshire village. Arthur becomes a doctor, and then a writer; George a solicitor in Birmingham. Arthur is to become one of the most famous men of his age; George remains in hardworking obscurity.

Elizabeth Finch was a teacher, a thinker, an inspiration—always rigorous, always thoughtful. With careful empathy, she guided her students to develop meaningful ideas and to discover their centres of seriousness. As a former student unpacks her notebooks and remembers her uniquely inquisitive mind, her passion for reason resonates through the years. Her ideas unlock the philosophies of the past and explore key events that show us how to make sense of our lives today.

Graham Hendrick, an historian, has left his wife, Barbara, for the vivacious Ann and is more than pleased with his new life. Until, that is, the day he discovers Ann's celluloid past as a mediocre film actress. Soon Graham is pouncing on old clues, examining her books for inscriptions from past lovers, frequenting cinemas and poring over the bad movies she appeared in. It's not that he blames Anne for having a past before they met, but history has always mattered to him.

A brilliant, moving, poignant collection of stories, from the author of Cross Channel and The Lemon Table.The stories in Julian Barnes’ long-awaited third collection are attuned to rhythms and currents: of the body, of love and sex, illness and death, connections and conversations. Each character is bent to a pulse, propelled on by success and loss, by new beginnings and endings.

Stoyo Petkanov, the deposed Party leader, is placed on trial for crimes that range from corruption to political murder. Petkanov's guilt - and the righteousness of his opponents - would seem to be self-evident. But, as brilliantly imagined by Barnes, the trial of this cunning and unrepentant dictator illuminates the shadowy frontier between the rusted myths of the Communist past and a capitalist future in which everything is up for grabs.

Julian Barnes began writing about art with a chapter on Géricault's The Raft of the Medusa in his 1989 novel A History of the World in 10 1/2 Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, for a variety of journals and magazines. Gathering them for this book, he realised that he had unwittingly been retracing the story of how art made its way from Romanticism to Realism and into Modernism.

The Pedant's ambition is simple. He wants to cook tasty, nutritious food; he wants not to poison his friends; and he wants to expand, slowly and with pleasure, his culinary repertoire. A stern critic of himself and others, he knows he is never going to invent his own recipes (although he might, in a burst of enthusiasm, increase the quantity of a favourite ingredient). Rather, he is a recipe-bound follower of the instructions of others. It is in his interrogations of these recipes, and of those who create them, that the Pedant's true pedantry emerges.

As every schoolboy knows, you can fit the whole of England on the Isle of Wight. Grotesque, visionary tycoon Sir Jack Pitman takes the saying literally and does exactly that. He constructs on the island 'The Project', a vast heritage centre containing everything 'English', from Big Ben to Stonehenge, from Manchester United to the white cliffs of Dover. The project is monstrous, risky and vastly successful. In fact, it gradually begins to rival 'Old' England and even threatens to supersede it.

In his first collection of short stories, Barnes explores the narrow body of water containing the vast sea of prejudice and misapprehension which lies between England and France with acuity, humor, and compassion. For whether Barnes's English characters come to France as conquerors or hostages, laborers, athletes, or aesthetes, what they discover, alongside rich food and barbarous sexual and religious practices, is their own ineradicable Englishness. The 10 stories that make up Cross Channel introduce us to a plethora of intriguing, original, and sometimes ill-fated characters.

No one has a better perspective on life on both sides of the channel than Julian Barnes. In these exquisitely crafted stories spanning several centuries, he takes as his universal theme the British in France: from the last days of a reclusive English composer, the beef consuming 'navvies' labouring on the Paris-Rouen railway to a lonely woman mourning the death of her brother on the battlefields of the Somme.

Tony Webster ha alle spalle un'esistenza ordinaria, al riparo dalle emozioni e da qualsiasi stravaganza, un discreto rapporto con la ex moglie e con la figlia, e si avvia a una tranquilla vecchiaia. Ma a scompigliare la sua vita arrivano 500 sterline e il diario di Adrian, brillante compagno d'università morto suicida.