Mostrando resultados por autor "Simone de Beauvoir" en Todas las categorías

When her mother was in the hospital with terminal cancer, Simone had time to reminisce about her mother's early life, as Simone and her sister, Poupette, prepared to face the decision of whether to prolong a life when it is full of suffering. Like most people,they believed it would be better to die than to continue to suffer, but their mother had a very different view of the matter. Françoise de Beauvoir had finally found happiness in her life, and she truly believed she could find happiness in her own suffering.

Simone de Beauvoir’s essential masterwork is a powerful analysis of the Western notion of "woman", and a revolutionary exploration of inequality and otherness. This unabridged edition of the text reinstates significant portions of the original French text that were cut in the first English translation, and is now available on audio for the very first time. Vital and groundbreaking, Beauvoir’s pioneering and impressive text remains as pertinent today as when it was first published, and will continue to provoke and inspire generations of men and women to come.

A casi setenta años de su publicación, El segundo sexo es una obra de lectura obligatoria para hombres y mujeres. Esta nueva edición, con el prólogo que escribió María Moreno en 1999, demuestra que aún queda mucho por hacer y que la voz de Simone de Beauvoir sigue más vigente que nunca.

"Nous commencerons par discuter les points de vue pris sur la femme par la biologie, la psychanalyse, le matérialisme historique. Nous essaierons de montrer ensuite positivement comment la "réalité féminine" s'est constituée, pourquoi la femme a été définie comme l'Autre et quelles en ont été les conséquences du point de vue des hommes."

One of the most influential thinkers of her generation draws us into the lives of three women, all past their first youth, all facing unexpected crises in these three “immensely intelligent stories about the decay of passion” (The Sunday Herald Times). Suffused with de Beauvoir’s remarkable insights into women, The Woman Destroyed gives us a legendary writer at her best. Includes The Age of Discretion, The Monologue, and The Woman Destroyed.

"Comment la femme fait-elle l'apprentissage de sa condition, comment l'éprouve-t-elle, dans quel univers se trouve-t-elle enfermée, quelles évasions lui sont permises, voilà ce que je chercherai à décrire. Alors seulement nous pourrons comprendre quels problèmes se posent aux femmes qui, héritant d'un lourd passé, s'efforcent de forger un avenir nouveau."

From the moment Sylvie and Andrée meet in their Parisian day school, they see in each other an accomplice with whom to confront the mysteries of girlhood. For the next 10 years, the two are the closest of friends and confidantes as they explore life in a post-World War One France, and as Andrée becomes increasingly reckless and rebellious, edging closer to peril. Sylvie, insightful and observant, sees a France of clashing ideals and religious hypocrisy - and at an early age is determined to form her own opinions.

Escrita en 1954, cinco años después de la publicación de El segundo sexo, Las inseparables narra la amistad apasionada que une a Sylvie y a Andrée -alter ego de la propia Simone de Beauvoir y de Élisabeth Lacoin (Zaza)- desde que con nueve años se conocen en la escuela. Andrée es alegre, inteligente y atrevida, y Sylvie, una niña formal que se siente irremediablemente atraída por su personalidad arrolladora. Juntas aprenderán a librarse de las convenciones y las expectativas asfixiantes de su entorno, ignorantes del trágico precio que tienen la libertad y la ambición intelectual y existencial.

"Quand je dis que je travaille à un essai sur la vieillesse, le plus souvent on s’exclame : "Quelle idée ! Mais vous n’êtes pas vieille ! Quel sujet triste..." Voilà justement pourquoi j’écris ce livre : pour briser la conspiration du silence. À l’égard des personnes âgées, la société est non seulement coupable, mais criminelle. Abritée derrière les mythes de l’expansion et de l’abondance, elle traite les vieillards en parias.

"La femme a toujours été, sinon l'esclave de l'homme, du moins sa vassale ; les deux sexes ne se sont jamais partagé le monde à égalité ; et aujourd'hui encore, bien que sa condition soit en train d'évoluer, la femme est lourdement handicapée."

" Je rêvais d'être ma propre cause et ma propre fin ; je pensais à présent que la littérature me permettrait de réaliser ce vœu. Elle m'assurerait une immortalité qui compenserait l'éternité perdue ; il n'y avait plus de Dieu pour m'aimer, mais je brûlerais dans des millions de cœurs. En écrivant une œuvre nourrie de mon histoire, je me créerais moi-même à neuf et je justifierais mon existence. En même temps, je servirais l'humanité : quel plus beau cadeau lui faire que des livres? Je m'intéressais à la fois à moi et aux autres"

Jean Blomart, patriot leader against the German forces of occupation, waits throughout an endless night for his wounded lover, Hélène, to die. Told through memories of his and her life, The Blood of Others paints an intense and moving picture of their love story and life in German occupied Paris during the Second World War. In the face of a seemingly unstoppable force, Hélène and Jean are confronted by the illusion of freedom and made to question their individual roles in the collective struggle against fascism

When Andrée joins her school, Sylvie is immediately fascinated. Andrée is small for her age, but walks with the confidence of an adult. Under her red coat, she hides terrible burn scars, and when she imagines beautiful things, she gets goosebumps. Secretly Sylvie believes that Andrée is a prodigy about whom books will be written. The girls become close. They talk for hours about equality, justice, war and religion; they lose respect for their teachers; they build a world of their own. But they can't stay like this forever.

Rosa Regàs, en el prólogo, indaga en la parte biográfica de la novela y, con ello, en la genuina relación entre la escritora y su amor de toda la vida, el también filósofo y escritor Jean-Paul Sartre.

Nicole and André, a retired French couple, take a summer holiday to Russia. It is the 1960s and Russia is a beautiful, complicated place. Their guide is Macha, André's daughter from a previous relationship - a woman they both love. Adventure, inspiration, good food and good vodka are promised. Once thrilled by their romance, Nicole and André have now become too used to each other. Both harbour a growing feeling of not being fully understood - of being alone.

La autora va trazando las primeras etapas de un aprendizaje: existir sin concesiones a falsos ideales o autoengaños. Este primer tomo se cierra con un gran encuentro: recién ingresada en la Sorbona, Simeone de Beauvoir traba amistad con alguien a quien acaba de conocer: Jean Paul Sartre, que dice. «A partir de ahora la tomo entre mis manos».

Simone Lucie Ernestine Marie Bertrand de Beauvoir (January 9, 1908 - April 14, 1986) was a French existentialist philosopher, writer and social theorist. Beauvoir wrote novels, essays, biographies, autobiographies, and monographs on philosophy, politics, and social issues. She was best known for her "trailblazing work in feminist philosophy," including The Second Sex, published in 1949, a detailed analysis of women's oppression and a foundational tract of contemporary feminism. The following is from a 1976 interview (in English).

"C'est un drôle de truc, l'écriture.", Marguerite Duras. "Être femme, c'est le résultat d'une histoire.", Simone de Beauvoir. "Il est des livres qu'on ne doit pas oser avant d'avoir dépassé quarante ans. On risque avant cet âge de méconnaître l’existence des grandes frontières naturelles qui séparent l'infinie variété des êtres.", Marguerite Yourcenar . "Il n’y a pas de vraie mémoire de soi.", Annie Ernaux.

Duca della città di Carmona, Fosca viene al mondo nel 1279. Un vecchio mendicante, in cambio della vita, gli offre in dono l'elisir dell'immortalità. Avido, bramoso di gloria, conoscenza e potere, Fosca ora sembra non avere più limiti. In realtà, nel tempo umano, qualunque sua impresa è destinata al fallimento. I figli muoiono, gli amori si spengono, e così gli entusiasmi. Ogni cosa rivela il suo volto di sangue e distruzione, miseria, violenza, inutilità. L'unico principio assoluto dell'universo è lo spettacolo eterno della morte.

França, década de 1940. Os alemães, aos poucos, vão tomando espaço nas ruas parisienses, levando um constante clima de tensão à outrora despreocupada burguesia francesa. Nesse cenário, conhecemos Hélène, uma jovem sonhadora e individualista, e Jean, um rapaz bem-nascido que decide abandonar seus privilégios para lutar pelas causas operárias e, mais tarde, juntar-se à resistência antifascista. A partir da relação amorosa que os dois vivem e das relações com as pessoas que os cercam, mergulhamos numa inebriante espiral de sentimentos e questionamentos profundos: O que é o amor?