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Who is Vernon Subutex? An urban legend. A fall from grace. The mirror who reflects us all. Vernon Subutex was once the proprietor of Revolver, an infamous music shop in Bastille. His legend spread throughout Paris. But by the 2000s his shop is struggling. With his savings gone, his unemployment benefit cut and the friend who had been covering his rent suddenly dead, Vernon Subutex finds himself down and out on the Paris streets. He has one final card up his sleeve.

In this robust, elegantly plotted, and ultimately life-affirming novel, Zoe Whittall presents a dazzling portrait of the Millennial Generation - the 25-year-olds who grew up on anti-anxiety meds, text-messaging each other truncated emotional reactions, unsure of what's public and what's private. Holding Still explores an unusual love triangle involving Billy, a former teen idol, now an anxiety-ridden agoraphobic; Josh, a shy transgendered paramedic who travels the city patching up damaged bodies; and Amy, a fashionable filmmaker coping with her first broken heart.

Given the initials F.A.D. at birth, Fiona Alison Duncan has always had an eye for observing the trends around her. But after years of trying to please others, looking for answers in books and astrological charts, and clocking endless hours as a celebrity journalist just to make rent, Fiona discovers another way of existing: in the Real, a phenomenological state few humans live in.

This richly imagined collage of interconnected stories follows Prosperous and Agu and the motley community of Nigerian expats who gather at their apartment each week. Their reality is one of dashed hopes, twisted love, and the pain of homesickness, even as they fight to make their way in this new world. Better Never than Late is a layered and affecting portrayal of the everyday absurdities and adversities of migrant life.

Bridget Steele’s father taught her two things: how to build and how to fight. With those skills, she created her own company and began building for New York City’s elite. Often the only woman in the room, she’s faced sexism, corruption, and harassment, but armed with her designer hard hat and steel-toed stilettos, she’s up for any challenge. Bridget figured out quickly she had to be 10 times better just to be considered equal.

Once a promising actor, Tim Brettigan has gone missing. His father thinks he may have seen him among some homeless people. And though she knows he left on purpose, his mother has been searching for him all over the city. She checks the usual places and stum­bles upon a local community group with lofty goals and an enigmatic leader who will alter all of their lives. Christina, a young woman rapidly becoming addicted to a boutique drug that gives her a feeling of blessedness, is inexplicably drawn to the same collective by a man who’s convinced he may start a revolution.

It was my father’s arrest that brought me here, although you could certainly say that I took the scenic route. Here is rehab, where Ben - the only son of a rich South Dublin banker - is piecing together the shattered remains of his life. Abruptly cut off, at the age of 27, from a life of heedless privilege, Ben flounders through a world of drugs and dead-end jobs, his self-esteem at rock bottom. Even his once-adoring girlfriend, Clio, is at the end of her tether. Then Ben runs into an old school friend who wants to cut him in on a scam.

Three unlikely friends, with the help of others, give the world a gift. If used it will save us. Jack shouts, “Everything can change.” Can they convince the world to accept the gift? Can we save ourselves?

Twenty years of addiction to cloud, a drug which wipes the user’s short-term memory, have left single mom Mellie with her mind in fragments. With the help of a tough-minded sponsor, and motivated by her own medically challenged daughter, Mellie clings to a fragile sobriety. Then, on the evening of her 29th day sober, a stranger pulls into her driveway and her heart surges. However, when Mellie’s pursuit of this man and the past they may share threatens her sponsor, Mellie will have to put her tiny family and her recovery at risk in hopes of saving the woman who saved her first.

Johnny Klein is a rock casualty, a fallen 1980s popstar who has lost everything — his family, his money and his fame. Thrown a lifeline by an old contact in the music business, Johnny doesn’t care what he is getting himself into. Dragged down into East London’s dark underbelly, Johnny discovers there is more at stake than his own shattered ego. Johnny hates being yesterday’s man but now he’s wishing he could disappear altogether. The party might be over, but there’s no escape from the past.

When Kalu drops Aima at Lagos Airport, it marks the end of their four-year relationship. Shattered and broken open, he thinks that's the last he will see of his girlfriend. But Aima is drawn back into the city - to the scandalous, decadent nightlife of her best friend. As Kalu grieves, his friend offers him an exclusive invitation to one of his sordid, global parties - a way for Kalu to escape, if only for a night. Kalu knows it will offer every possible indulgence and something even more precious: time with the man he loves, but whose actions will plunge them all into a whirling descent.

In a busy maternity ward, first-time father Dan meets Jada, a dad welcoming his fifth — no, sixth? — child into the world. Dan and Jada come from very different places: both called Glasgow. Dan is a successful TV writer with a townhouse in the West End and a shiny Tesla ready to drive his wife and baby home. Jada is a hustling, small-time criminal who is already planning how to separate Dan from some of the luxuries Jada has never been able to enjoy in his tiny flat in a Brutalist sixties council block. Both men find that the birth of their sons has fired their ambitions.

When multi-millionaire Jacki Turner is forced to take stock of her life, she sets her daughters a challenge - in order to inherit her vast fortune, each must fulfil a task that she believes will push them to become better versions of themselves. Rose, an exhausted mother of three, must write and publish a children's picture book. Exercise-hater Mel must run the Gold Coast marathon. Isla, the eldest, must figure out who she is beyond her wealth and status, while commitment-phobic Jess must stay in a relationship for longer than three months.

Here is the preface to 12 magnificent stories, originally part of The John Cheever Audio Collection, in which John Cheever celebrates - with unequaled grace and tenderness - the deepest feelings we have.

The stories are all set in New York City and concern themselves with various facets of life in Gilded Age New York City—from the highest of high society to the commonest pensioner in less fashionable neighborhoods in boarding houses. The stories are about manners and mores; about the people of various strata of society relating to each other and the world around them.

In Hysteria, we meet a young woman an hour into yet another alcohol-fueled, masochistic, sexual bender at her local bar. There is a new bartender working this time, one she hasn't seen before, but who can properly make a drink. He looks familiar, and as she is consumed by shame from her behavior the previous week - hooking up with her parents' colleague and her roommate's brother - she also becomes convinced that her Brooklyn bartender is actually Sigmund Freud. They embark on a relationship, and she is forced to confront her past.

Living in France among people she hardly understands, Annie has had trouble leaving the house since the death of her husband. And since home happens to be a small place nestled in the heart of Paris, why would she ever want to? But when unexpected events threaten her beloved home, Annie has no choice but to find lodgers—quickly.

It begins as your typical boy meets boy. While out with friends at their local university drag night, Tom buys Ming a drink. Confident and witty, a charming young playwright, Ming is the perfect antidote to Tom's awkward energy, and their connection is instant. Tom finds himself deeply and desperately drawn into Ming's orbit, and on the cusp of graduation, he's already mapped out their future together. But, shortly after they move to London to start their next chapter, Ming announces her intention to transition.

Joe Keen and Ana Urbanek have been a couple for a long time, with all the requisite lulls and temptations, yet they remain unmarried and without children or a mortgage, as their Midwestern values (and parents) seem to require. Now on the cusp of 40, they are both working jobs that they're not even sure they believe in anymore, but with significantly varying returns. Ana is successful; Joe is floundering; both are in limbo, caught somewhere between mainstream and alternative culture, sincerity and irony, achievement and arrested development.

When an ageing mother allows her 30-something daughter to move into her apartment, she wants for her what many mothers might say they want for their child: a steady income and, even better, a good husband with a good job with whom to start a family. But when Green turns up with her girlfriend, Lane, in tow, her mother is unprepared and unwilling to welcome Lane into her home. In fact, she can barely bring herself to be civil. Having centred her life on her husband and child, her daughter’s definition of family is not one she can accept.