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Idealist, atheist, outcast, political radical and, of course, poet - Percy Bysshe Shelley was, in many ways, the epitome of the Romantic artist. His poetry was an outlet for his passionately held and highly unpopular beliefs, beliefs which resulted in social exclusion, exile, and possibly even his premature death at the age of 29. His work is a monument to his convictions and to the power of the human spirit, and today it is recognized as a key contribution to Romantic literature.

Shelley is one of the most revered figures in the English poetical landscape. Born on the 4th August 1792 he has, over the years, become rightly regarded as a major Romantic poet. Yet during his own lifetime little of his work was published. Publishers feared his radical views and possible charges against themselves for blasphemy and sedition. In this collection Shelley’s words are alive with intent, meaning and emotion. A true poet for all our ages.

Shelley took his place within the vatic history of mythopoetic bards and bore the Visionary legacy. He offered a simple “spark” of poetry to his audience while promising a raging fire would burn if the poetry was nurtured correctly. However, Shelley realized that most people cannot accept the poet’s offering (for various reasons; ignoring, rejecting or misunderstanding) and they let that spark smolder into nothing. Shelley shouts into his written words, leaving his hard-earned knowledge of the human condition and his visionary plight for willing human ears. Shelley paints himself as ...

With a dynamic spirit, these great English poets made a conscious return to nostalgia and spiritual depth. Each chose a different path, but they are united in a love of moods, impressions, scenes, stories, sights and sounds. In this collection of more than forty poems are some of the finest and most memorable works in the English language.

"The Necessity of Atheism" is an essay on atheism by the English poet Percy Bysshe Shelley, printed in 1811 when he was a student at University College, Oxford. He argues that an educated man ought to turn away from superstition and that education is essential because religion is really about power.

The English Romantic Period in literature featured a towering group of excellent poets: Wordsworth, Coleridge, Byron, Shelley and Keats. If we add in forerunners Burns and Blake, we have perhaps an unmatchable collection of writers for any era. Of these, Percy Bysshe Shelley was one of the brightest and best, coupling a giant intellect with a highly emotional and impetuous nature. He was always a champion of liberty, but was largely ignored when he tried to promote political and social reform. He was wise enough, however, to realize that his efforts were ineffective, and he chose instead, not ...

A collection of Shelley's greatest poetry read by John Gielgud, Peggy Ashcroft, Hilton Edwards and Margaretta Scott.

Ozymandias is a pithy sonnet by Percy Bysshe Shelley. It was first published in 1818, and explores the impermanence of humans, their empires, and legacies, as well as the futility of their snobbery and excessive gravitas. A sage and contemplative piece from a poetic maestro.

On 16 August 1819, a crowd of about 60,000 people gather at Manchester in a peaceful demonstration to demand reform of the parliamentary electoral system. The government of the day interpreted the gathering as an act of rebellion and ordered the militia to disperse the crowd. In the resulting fracas, fifteen demonstrators were killed and several hundred injured. Shelly was living at Leghorn at the time of the massacre, and the news of the massacre roused his fiery republican sentiments. The result was The Mask Of Anarchy, a rousing call to action on behalf of the oppressed.

The English Romantic Period in literature featured a towering group of excellent poets: Wordsworth, Coleridge, Byron, Shelley and Keats. If we add in forerunners Burns and Blake, we have perhaps an unmatchable collection of writers for any era. Of these, Percy Bysshe Shelley was one of the brightest and best, coupling a giant intellect with a highly emotional and impetuous nature. He was always a champion of liberty, but was largely ignored when he tried to promote political and social reform. He was wise enough, however, to realize that his efforts were ineffective, and he chose instead, not ...

The Witch of Atlas is a poetic narrative, written in 1820 and published posthumously in 1824. The witch is the daughter of the Pleiades, the seven daughters of Atlas and Pleione. The plot is built around her adventures, during which she creates an androgynous creature, Hermaphroditus, who is both the companion of and the servant to the witch. She plays a series of pranks upon mankind, with the ultimate aim of revealing the essential foolishness of oppression and conflict and enabling the realization of a final Utopia.

Enjoy a deep woodland walk with these poets as your guide. Each poem has been carefully selected for its direct access to the heart of nature accompanied by the music of Beethoven, Debussy, and Grieg. This is the second book in this series.

The period of English romantic poetry occurred roughly between 1800 and 1850 and was represented by poets such as William Blake, Lord Byron, Samuel Taylor Coleridge, John Keats, Percy Bysshe Shelley, and William Wordsworth. All of these poets are featured in this collection of more than 50 poems read by award-winning actors that include Joan Allen, Julie Christie, Stephen Fry, Glenda Jackson, and Jude Law.

Do men need poems? Is the gender of brawn and ‘can-do’ really a candidate for honeyed verse? Obviously yes. Through the centuries men seem to dominate the writing of poetry. From books of epics to quatrains of love poetry it seemed to be a man’s world. His domain. A volume purely for men, to show other facets of their personalities and characters seems to be an obvious choice. One verse fits all is, in fact, far removed from the truth. Men needs words. They need support, understanding as well as goals, ambition and structure. They need purpose, desire; the need to love and be loved.

This is an essay from the Favorite Essays collection.

John Keats died in Rome in February 1821, at the age of 25. Shelley, who was to follow him to the grave the following year, was inspired to compose this pastoral lament, which consists of 55 Spenserian stanzas

For many of us Autumn, or as the Americans would say; Fall is the season of mixed emotions. Summer's long days are replaced by a chill in the air. The colours on the trees and fields ripen to warmer hues and the harvest is brought safely home. Yet with this bounty there is the knowledge that Nature is turning her attention to the harder, colder Winter month's ahead.

Death is a subject that few of us talk about, but many think about and more than a few of us dread. Whether it is the actual end of our life’s journey or merely a transit point to heavenly glory, its actual point of impact is, obviously, life-changing. But what do poets think of it? How do their minds tangle with the subject and make sense of this? That’s what we wondered too. Poets as rich and diverse as Tennyson, Hardy, Shelley, and Poe here share their words, thoughts and visions with us.

The vast varieties of flowers that exist provide an exceptional burst of vivid and subtle shades of colours, inspiring a smooth transition from petal to paper for so many of our greatest poets including Wordsworth, Tennyson, Burns, Swinburne and Coleridge....

Twelve-year-old Percy Jackson is about to be kicked out of boarding school...again. No matter how hard he tries, he can't seem to stay out of trouble. But can he really be expected to stand by and watch while a bully picks on his scrawny best friend? Or not defend himself against his pre-algebra teacher when she turns into a monster and tries to kill him? Of course, no one believes Percy about the monster incident; he's not even sure he believes himself.