
Vagina Obscura
An Anatomical Voyage
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Narrated by:
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Siho Ellsmore
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By:
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Rachel E. Gross
A scientific journey to the center of the new female body.
The Latin term for the female genitalia, pudendum, means “parts for which you should be ashamed”. Until 1651, ovaries were called female testicles. The fallopian tubes are named for a man. Named, claimed, and shamed: Welcome to the story of the female body, as penned by men.
Today, a new generation of (mostly) women scientists is finally redrawing the map. With modern tools and fresh perspectives, they’re looking at the organs traditionally bound up in reproduction—the uterus, ovaries, vagina—and seeing within them a new biology of change and resilience. Through their eyes, journalist Rachel E. Gross takes listeners on an anatomical odyssey to the center of this new world—a world where the uterus regrows itself, ovaries pump out fresh eggs, and the clitoris pulses beneath the surface like a shimmering pyramid of nerves. Full of wit and wonder, Vagina Obscura is a celebratory testament to how the landscape of knowledge can be rewritten to better serve everyone.
©2022 Rachel E. Gross (P)2022 Spotify AudiobooksListeners also enjoyed...




















Critic reviews
"Through her seamless storytelling and meticulous research, Rachel Gross shows how long we have misunderstood the bodies of half the people who have ever lived, how much we still have to learn, and how wondrous and rewarding that quest can be. Vagina Obscura is science writing at its finest—revelatory, wry, consequential, necessary, and incredibly hard to put down." (Ed Yong, Pulitzer Prize-winning journalist and author of I Contain Multitudes)
"Vagina Obscura is a marvel of a book—lyrical, compassionate, infuriating, insightful, and wise. Rachel E. Gross's exploration of the history, science and politics of female anatomy should be read by women, men, and everybody seeking to be smarter about who we really are." (Deborah Blum, Pulitzer Prize-winning journalist and author of The Poison Squad)
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Read this book even if you don’t have ovaries!
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Then, there were many mispronunciations. I chocked some of it up to the fact that the reader is an Australian actress now based in New York, and perhaps things are pronounced differently. But the weird pronunciations were so numerous, that can’t be the only explanation. Here are some examples:
Plock for plaque
Sty-meyed (long i in the second syllable) for stymied (twice)
Pat (short a) for pate (meaning head)
Summerarily for summarily
Endocrineologist with a long i and a long e (and an extra syllable)
Extestential for existential
And then after going to all the trouble to put on a fake French accent for many paragraphs, reading the writing of a French woman in the ‘20s, she pronounces the sculptor Rodin’s name “Row-dun” (accent on the first syllable.)
Her reading got worse toward the end. Maybe she was tired? Perhaps this reader was not the right choice. Or she could have used a much better director or producer.
I read articles from Smithsonian magazine for people who are blind or are otherwise visually impaired. I am very conscientious about looking up how place names are pronounced, historian’s names, etc. (For example, if I didn’t know how to pronounce Valdosta, Georgia, you can be sure I’d do some research - especially if this was a book thousands of people will listen to.)
The book itself was fascinating. I learned a great deal in spite of the distracting performance.
Performance distracted from fascinating content
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A must read!
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Incredible!
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I hated a lot of the production choices made for this book. While the narrator has a lovely voice and delivery, and brought a great balance emotion and tone to the content, I wish they had been allowed to use their natural accent, because their American accent was just off enough that I found it very distracting. Also, it was clear that nobody with a professional biological sciences or medical background was available to help with pronunciation of medical and scientific terms. I don’t think that a narrator should have to have a degree in the sciences to narrate a book like this, but I feel like they were not set up for success by not having access to a scientific consultant or editor for pronunciation questions.
Great info! Questionable production choices.
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My only complaint is regarding the narrator’s pronunciation of some very basic terminology.
Fascinating voyage through female anatomy
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Good overall
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To be fair, I'm a linguist, so I always pay attention to narrators' accents, but usually in passing, or just out of habit. It has never been to the point of distraction until this book. Why was her pronunciation so inconsistent? Why did she randomly slip into a NY/NJ accent, but at other times sound British? Why did she "mispronounce" so many words (i.e., not say them the way an American would say them)? It turns out she's Australian but sells her voice acting talents in different accents. She was a terrible choice for an audiobook narrator. Someone also had the tasteless idea to have her read quotations from foreigners in this indiscriminate non-native-English-speaker accent, even if the quotation had been translated into English from another language hundred of years ago, and even if she has no idea how well the real, living person speaks English. When the voice actor reads quotes from an Australian researcher in her (the narrator's) native accent, it is a relief to listen to. Her voice is excellent for audiobooks. WHY ALL THE ACCENTS?! I considered returning the book so many times, but pushed through because the content is so useful.
Please Re-Record This Important Book
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Excellent content, awful narration
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Vagina Obscura
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