Nightmare Fuel
The Science of Horror Films
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Nightmare Fuel
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Narrated by:
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Raquel Beattie
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By:
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Nina Nesseth
About this listen
Do you like scary movies? Have you ever wondered why?
In Nightmare Fuel, Nina Nesseth explores the strange and often unexpected science of fear through the lenses of psychology and physiology. How do horror films get under our skin? And why do we keep coming back for more?
Horror films promise an experience: fear. But how exactly do filmmakers pull this off? The truth is, there's more to it than just loud noises and creepy images.
With the affection of a true horror fan and the critical analysis of a scientist, Nesseth explains how audiences engage horror with both their brains and bodies, and teases apart the elements that make horror films tick. Nightmare Fuel covers everything from jump scares to creature features, serial killers to the undead, and the fears that stick around to those that fade over time.
With in-depth discussions and spotlight features of some of horror's most popular films—from classics like The Exorcist to modern hits like Hereditary—and interviews with directors, film editors, composers, and horror academics, Nightmare Fuel is a deep dive into the science of fear, a celebration of the genre, and a survival guide for going to bed after the credits roll.
©2022 Nina Nesseth (P)2022 TantorListeners also enjoyed...
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On December 26, 1973, The Exorcist was released. Within days it had become legend. Moviegoers braved hours-long lines in winter weather to see it. Some audience members famously fainted or vomited. Half a century later, the movie that both inspired and transcends the modern horror genre has lost none of its power to terrify and unsettle. The Exorcist Legacy reveals the complete story of this cultural phenomenon, from the real-life exorcism in 1949 Maryland that inspired William Peter Blatty's bestselling novel on which the movie is based, to its many sequels, prequels, TV series, and homages.
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In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans—and all movie lovers—could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining.
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3 out of 5 stars
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Not a lot learned. Here's a summary.
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Performance4.5 out of 5 stars 403
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Halloween, 1963. They call him the October Boy, or Ol' Hacksaw Face, or Sawtooth Jack. Whatever the name, everybody in this small Midwestern town knows who he is. How he rises from the cornfields every Halloween, a butcher knife in his hand, and makes his way toward town, where gangs of teenage boys eagerly await their chance to confront the legendary nightmare. Both the hunter and the hunted, the October Boy is the prize in an annual rite of life and death. Pete McCormick knows that killing the October Boy is his one chance to escape a dead-end future in this one-horse town.
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4 out of 5 stars
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Good book
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The Black Guy Dies First
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Overall4.5 out of 5 stars 23
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The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.’s assassination in April. This timely book is a must-listen for cinema and horror fans alike.
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5 out of 5 stars
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So Much To Absorb!
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1 out of 5 stars
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Save your time and money, the book is worthless
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You're Not Supposed to Die Tonight
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Charity Curtis has the summer job of her dreams, playing the “final girl” at Camp Mirror Lake. Guests pay to be scared in this full-contact terror game, as Charity and her summer crew recreate scenes from a classic slasher film, Curse of Camp Mirror Lake. The more realistic the fear, the better for business. But the last weekend of the season, Charity’s co-workers begin disappearing. And when one ends up dead, Charity’s role as the final girl suddenly becomes all too real. If Charity and her girlfriend Bezi hope to survive the night, they’ll need figure out what this killer is after.
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5 out of 5 stars
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Horror Noire (2nd Edition)
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Overall4.5 out of 5 stars 3
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Performance5 out of 5 stars 2
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Story5 out of 5 stars 2
From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films.
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5 out of 5 stars
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An indispensable reference for horror fans, film scholars, and aspiring filmmakers
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In an Unspoken Voice
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3 out of 5 stars
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Ed Nash shouldn't be reading audio books
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Performance4 out of 5 stars 58
-
Story4.5 out of 5 stars 58
From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.
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3 out of 5 stars
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Outdated by today’s standards but interesting academic read
- By Shadow007 on 07-26-24
By: Carol J. Clover
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Wasteland
- The Great War and the Origins of Modern Horror
- By: W. Scott Poole
- Narrated by: Andrew Eiden
- Length: 11 hrs and 30 mins
- Unabridged
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Overall4.5 out of 5 stars 302
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Performance4.5 out of 5 stars 268
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Story4 out of 5 stars 267
In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.
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3 out of 5 stars
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An interesting take
- By CN on 07-30-19
By: W. Scott Poole
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It Came from the Closet
- Queer Reflections on Horror
- By: Joe Vallese - editor, various authors
- Narrated by: Graham Halstead, Aven Shore, Aida Reluzco, and others
- Length: 10 hrs and 59 mins
- Unabridged
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Overall4.5 out of 5 stars 73
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Performance4.5 out of 5 stars 65
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Story4.5 out of 5 stars 64
Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.
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2 out of 5 stars
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This is not a book about queer horror
- By Evan on 12-13-23
By: Joe Vallese - editor, and others
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Shock Value
- How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror
- By: Jason Zinoman
- Narrated by: Pete Larkin
- Length: 8 hrs and 56 mins
- Unabridged
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Overall4.5 out of 5 stars 300
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Performance4.5 out of 5 stars 261
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Story4.5 out of 5 stars 262
Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.
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4 out of 5 stars
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A good listen, but narrow in scope
- By Billy on 01-31-13
By: Jason Zinoman
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Film Studies, Second Edition
- An Introduction
- By: Ed Sikov
- Narrated by: Paul Heitsch
- Length: 8 hrs and 42 mins
- Unabridged
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Overall4.5 out of 5 stars 17
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Performance4.5 out of 5 stars 16
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Story4.5 out of 5 stars 15
Film Studies is a concise and indispensable introduction to the formal study of cinema. Ed Sikov offers a step-by-step curriculum for the appreciation of all types of narrative cinema, detailing the essential elements of film form and systematically training the spectator to be an active listener and critic. He treats a number of fundamental factors in filmmaking, including editing, composition, lighting, the use of color and sound, and narrative.
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5 out of 5 stars
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Lovely read.
- By Dewey Gallegos on 08-12-23
By: Ed Sikov
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The Black Guy Dies First
- Black Horror Cinema from Fodder to Oscar
- By: Robin R. Means Coleman, Mark H. Harris
- Narrated by: Jaime Lincoln Smith
- Length: 9 hrs and 30 mins
- Unabridged
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Overall4.5 out of 5 stars 23
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Performance4.5 out of 5 stars 20
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Story4.5 out of 5 stars 20
The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.’s assassination in April. This timely book is a must-listen for cinema and horror fans alike.
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5 out of 5 stars
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So Much To Absorb!
- By Wyetha Lipford on 03-31-24
By: Robin R. Means Coleman, and others
What listeners say about Nightmare Fuel
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall5 out of 5 stars
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Performance5 out of 5 stars
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Story5 out of 5 stars
- Chris
- 02-16-24
oh i get it now!
an amazing and educational romp through what and why horror scares us! LGBT related. super great and fantastic listen. narrator in point!!!
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Overall4 out of 5 stars
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Performance5 out of 5 stars
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Story3 out of 5 stars
- Bradley
- 12-06-22
Science + Horror = Intrigued
I know the title of the book is “the science of horror movies” but I wasn’t expecting it to go that in depth on the anatomy of the brain. Thankfully that was mostly just in the first section where it was heavily talked about. As the book progressed, it covers more of the “anatomy” of horror, which I loved. The sounds. The settings. The characters. And how it all works together to create the fear response in your body.
But yeah, as the book went on, I really started to dig the scientific approach and the dissection of certain horror movies and sub-genres.
This ended up being an enjoyable read. I appreciated that it wasn’t just another tread of the usual horror movie critiques and interpretations.
I rarely read nonfiction but when I do it’s usually about film history, or about the history of horror. So this was a satisfying combo.
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1 person found this helpful