Mostrando resultados por autor "Simon Brett" en Todas las categorías

Meet Major Bricket, an infrequent resident of Highfield House in Stunston Peveril, Suffolk. In the past the Major's work assignments, frequently in foreign countries, have prevented him from spending much time there and as a result, there is an air of mystery around him while everyone in the village speculates on the nature of his occupation. But now the Major has retired and has come home for good in his open-topped little red sports car... and what a homecoming it is, for lying spreadeagled on his lawn in the summer sunshine is the corpse of a clown.

Charles has got a part in a new sitcom. It's been a while since he's done comedy and the world has changed enormously; it's now all single camera and darker subject matters. Maurice is thrilled to see Charles getting in with the cool gang rather than clock-watchers counting their pension pots. Charles counts his lines, hears the offer and says yes please! He's also relieved to have an excuse not to model for Frances, who has taken up painting.

Charles Paris is thrilled - he’s landed a nice juicy part playing Sergeant Collins in the TV detective series, 'The Stanislaus Braid Mysteries', and his estranged wife Frances seems to be on the brink of taking him back. But filming turns out to be a tortuous process, with pompous star Russell Bentley demanding numerous retakes and irascible author Winifred Railton constantly interrupting.

Carole Seddon, a very respectable retired woman living in the English seaside village of Fethering, doesn’t care for the theatre. But her neighbor Jude counts the job of actress among her many and varied past careers. So when Jude attends the closing night of a new play based on a classic TV sitcom, Carole is interested—but only because she suspects the leading man, Drake Purslow, is one of her scandalous friend’s ex-lovers. The night turns out to be more dramatic than either Carole or Jude could have ever predicted.

Actor and reluctant sleuth Charles Paris is facing chaos on the domestic front. He’s lodging with his ex-wife Frances, and now their pregnant daughter has moved in as well. It’s all a bit much.... So he is over the moon when he lands a job on the BBC Radio Rep - but the ink is barely dry on his contract when a murder takes place in Broadcasting House. A young female studio manager is found dead in an editing suite, and Charles steps in to investigate....

Carole is thrilled with the coming wedding of her once-estranged son, Stephen. She finds it odd, though, that the parents of the bride have no interest in arranging the wedding, and seem terrified at the prospect of publicizing it. Things turn deadly intriguing when the father of the bride disappears at the engagement party, only to be found brutally murdered the following morn.

Carole Seddon doesn’t care for the theatre. But her neighbour Jude counts the job of actress among her many and varied past careers. So when Jude attends the closing night of a new play based on a classic TV sitcom, Carole is interested – but only because she suspects the leading man, Drake Purslow, is one of her scandalous friend’s ex-lovers. The night turns out to be more dramatic than either Carole or Jude could have ever predicted. After the performance, Jude makes her way to Drake’s dressing room, only to find him dead.

Charles Paris - unsuccessful actor, bad husband, and dipsomaniac - is back, and getting into trouble once more. As he tries to woo back his semi-detached wife, Frances, and land a few half-decent roles, he finds himself embroiled in murder and mayhem and forced to turn detective. Luckily, his sleuthing is much better than his acting.

It isn't the rain that upsets Carole Seddon during her walk on the West Sussex Downs. It isn't the dilapidated barn in which she is forced to seek shelter. No, what upsets her is the human skeleton she discovers there, neatly packed into two blue fertilizer bags.

Actor, alcoholic and amateur sleuth Charles Paris returns in another quintet of humorous theatrical thrillers. All Charles asks for is a nice juicy part in a successful play - but wherever he appears on the bill, murder and mystery always play a starring role.

The complete series 1-5 of the thrilling mystery series. On sabbatical from the Franciscan order, Father Paolo Baldi is working as a philosophy lecturer in Dublin when his life takes an unexpected turn and he finds himself helping the police to solve crimes. Along with Tina, Paolo uncovers the truth behind the killings of several rockabilly band members and a high-profile case of a police officer’s murder as well as delving into the highly competitive world of celebrity chefs.

A dinner party at an English mansion with some stuffy, not-very-close friends is not exactly Jude's cup of tea. But the practically mummified torso of a woman found in the cellar is much more up Jude's alley. Once again, the two middle-aged women from Fethering, Jude and her reluctant neighbor, Carole, find themselves embroiled in another puzzling whodunit.

After years of looking after her elderly parents, Anna finds herself able, for the first time, to live her own life. She's enjoying simply being herself, with no responsibilities and no obligations. But her two younger sisters, Victoria and Charlotte, are concerned about her. Surely poor, unfulfilled Anna can't be happy without a partner or a family around? Determined to make an effort, they decide to draw her into their lives - and Anna's peaceful, commitment-free lifestyle soon disappears.

Charles Paris, middle-aged actor turned amateur sleuth, is vacationing at a small English seaside town. Irresistibly drawn to anything theatrical, Charles seeks entertainment at the local music hall and endures a series of not-so-wonderful vaudeville acts in the hope that the man given star billing will be worth watching. This performer, Bill Peaky, comes on stage with his electric guitar, grasps the microphone, and drops dead, due to faulty wiring of the stage equipment.

Bill Nighy stars as Charles Paris in this BBC Radio 4 full-cast adaptation of Simon Brett's comic crime novel An Amateur Corpse. Charles is out of work again, and to make matters worse his mother has come to stay and he's no way of escaping her. So when he's offered some voiceover work by old friend, Hugo, he's delighted to get out of the house. But Hugo's marriage is in trouble: his much younger wife, Ellie, spends all her time at her Amateur Dramatic Group, and Hugo is drinking too much.

As ever, Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation, especially in the form of women and alcohol. His intentions may be good, but somehow the results always go wrong. What makes Charles different from other seedy, middle-aged, down-at-heel actors is that he can't avoid finding himself near trouble, that trouble being murder. He may be an amateur sleuth, but he's patently no Poirot.

When Jude agrees to lend her vintage chaise longue for the local Amateur Dramatic Society’s production of George Bernard Shaw’s The Devil’s Disciple, little does she realise she’ll end up in a starring role. It’s an ambitious play, culminating in a dramatic execution scene: a scene that’s played for real when one of the leading actors is found hanging from the specially constructed stage gallows during rehearsals. A tragic accident - or something more sinister?

For Mrs Pargeter, it is a matter of principle that she should complete any of her late husband's unfinished business. Amongst his many bequests, perhaps the most valuable is his little black book, in which he listed all the people who ever worked for him, with details of their particular skill sets. This means that whenever Mrs P has a crime to solve, she can readily contact someone with the relevant expertise.

A three-month run of a new farce is not to be sniffed at by a jobbing actor. Especially when there's the distinct possibility of a West End run. Which is why Charles Paris is standing on stage. However, by the time the troupe reaches Bath a darker mood has set in and Charles' old friend Mark has a drink problem that amounts to a death wish. But it's not the drink that kills Mark - it's somebody in the cast who has a secret that Mark must not be allowed to reveal....

Invited to a Private View of the work of controversial artist Denzil Willoughby, the good citizens of Fethering are not quite sure what to expect. And it certainly turns out to be a lively affair, culminating in a confrontation between Willoughby and his ex-lover, followed by a heated argument with the gallery owner and a rival artist. But what no one could have anticipated was that the evening would end in sudden, violent death.