Mostrando resultados por autor "John Boyne" en Todas las categorías

Ninety-one-year-old Gretel Fernsby has lived in the same well-to-do mansion block in London for decades. She lives a quiet, comfortable life, despite her deeply disturbing, dark past. She doesn’t talk about her escape from Nazi Germany at age 12. She doesn’t talk about the grim post-war years in France with her mother. Most of all, she doesn’t talk about her father, who was the commandant of one of the Reich’s most notorious extermination camps. All The Broken Places moves between Gretel’s girlhood in Germany to present-day London as a woman haunted by the past.

Cyril Avery is not a real Avery - or at least that's what his adoptive parents tell him. And he never will be. But if he isn't a real Avery, then who is he? Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead.

Mientras acompaña a su esposa Zoya, que agoniza en un hospital de Londres, Georgi Danilovich Yáchmenev rememora la vida que han compartido durante sesenta y cinco años, una vida marcada por un gran secreto que nunca ha salido a la luz. Los recuerdos se agolpan en una sucesión de imágenes imborrables, a partir de aquel lejano día en que Georgi abandonó su mísero pueblo natal para formar parte de la guardia personal de Alexis Romanov, el único hijo varón del zar Nicolás II.

When she arrives at the hall, shaken by an unsettling disturbance that occurred during her travels, she is greeted by the two children now in her care, Isabella and Eustace. There is no adult present to represent her mysterious employer, and the children offer no explanation. Later that night in her room, another terrifying experience further reinforces the sense that something is very wrong. From the moment Eliza rises the following morning, her every step seems dogged by a malign presence that lives within Gaudlin's walls.

The story of The Boy in the Striped Pajamas is very difficult to describe. Usually we give some information about the audiobook, but in this case we think that would spoil the listening. We think it's important that you start to listen without knowing what it is about.

When Pierrot becomes an orphan, he must leave his home in Paris for a new life with his aunt Beatrix, a servant in a wealthy Austrian household. But this is no ordinary time, for it is 1935 and the Second World War is fast approaching; and this is no ordinary house, for this is the Berghof, the home of Adolf Hitler. Pierrot is quickly taken under Hitler's wing and thrown into an increasingly dangerous new world: a world of terror, secrets, and betrayal from which he may never be able to escape.

The first thing Vanessa Carvin does when she arrives on the island is change her name. To the locals, she is Willow Hale, a solitary outsider escaping Dublin to live a hermetic existence in a small cottage, not a notorious woman on the run from her past. But scandals follow like hunting dogs. And she has some questions of her own to answer. If her ex-husband is really the monster everyone says he is, then how complicit was she in his crimes? Escaping her old life might seem like a good idea but the choices she has made throughout her marriage have consequences.

The House of Special Purpose is a novel about a young man ripped from a loving home and thrust into the heart of a dying empire. Privy to the secrets of Nicholas and Alexandra, the machinations of Rasputin and the events which led to the final collapse of the autocracy, Georgy is a witness and participant in a drama which will echo down the century. His is also a story of a marriage in which a husband finds it impossible to live in the present and a wife unable to reconcile herself with the past.

Part love story, part historical epic, part tragedy, The House of Special Purpose illuminates an empire at the end of its reign. Living in England with his beloved wife, Zoya, Georgy prepares to make one final journey back to the Russia he once knew and loved, the Russia that both destroyed and defined him. As Georgy remembers days gone by, we are transported to Saint Petersburg, to the Winter Palace of the tzar, in the early twentieth century - a time of change, threat, and bloody revolution.

If you look hard enough, you can find stories pretty much anywhere. They don’t even have to be your own. Or so would-be writer Maurice Swift decides very early on in his career. A chance encounter in a Berlin hotel with celebrated novelist Erich Ackermann gives him an opportunity to ingratiate himself with someone more powerful than him. For Erich is lonely, and he has a story to tell. Whether or not he should do so is another matter entirely. Once Maurice has made his name, he sets off in pursuit of other’s stories. He doesn’t care where he finds them as long as they help him rise to the top.

It is September 1919: Twenty-one-year-old Tristan Sadler takes a train from London to Norwich to deliver a package of letters to the sister of Will Bancroft, the man he fought alongside during the Great War. But the letters are not the real reason for Tristan's visit. He can no longer keep a secret and has finally found the courage to unburden himself of it. As Tristan recounts the horrific details of what to him became a senseless war, he also speaks of his friendship with Will - from their first meeting on the training grounds at Aldershot to their farewell in the trenches of northern France.

The Cleverley family live a gilded life, little realising how precarious their privilege is, just one tweet away from disaster. George, the patriarch, is a stalwart of television interviewing, a 'national treasure' (his words); his wife, Beverley, a celebrated novelist; and their children, Nelson, Elizabeth, Achilles, various degrees of catastrophe waiting to happen. Together they will go on a journey of discovery through the Hogarthian jungle of the modern living where past presumptions count for nothing and carefully curated reputations can be destroyed in an instant.

Aunque el uso habitual de un texto como éste es describir las características de la obra, por una vez nos tomaremos la libertad de hacer una excepción a la norma establecida. No sólo porque el libro que tienes en tus manos es muy difícil de definir, sino porque estamos convencidos de que explicar su contenido estropearía la experiencia de la lectura. Creemos que es importante empezar esta novela sin saber de qué trata.

Hijo bastardo de una adolescente expulsada de su comunidad rural y adoptado por una excéntrica pareja de acomodados dublineses, Cyril es un niño educado que crece acostumbrado a enmascarar sus emociones. Extraordinariamente atento a todo lo que ocurre a su alrededor, pero tímido y retraído cuando está acompañado, pronto sabrá que es gay y tardará décadas en desprenderse de una culpa y una vergüenza paralizantes. En un entorno que juzga abominable su orientación sexual, dos relaciones serán cruciales en su maduración.

Maurice Swift is handsome, charming, and hungry for fame. The one thing he doesn’t have is talent - but he’s not about to let a detail like that stand in his way. After all, a would-be writer can find stories anywhere. They don’t need to be his own. Working as a waiter in a West Berlin hotel in 1988, Maurice engineers the perfect opportunity: a chance encounter with celebrated novelist Erich Ackermann. He quickly ingratiates himself with the powerful - but desperately lonely - older man, teasing out of Erich a terrible, long-held secret about his activities during the war.

This story starts with a family. For now, it is a father and a mother with two sons, one with his father’s violence in his blood, one with his mother’s artistry. One leaves. One stays. They will be joined by others whose deeds will determine their fate. It is a beginning. Their stories will intertwine and evolve over the course of 2,000 years. They will meet again and again at different times and in different places. From Palestine at the dawn of the first millennium and journeying across 50 countries to a life among the stars, their destinies remain the same....

It’s the tabloid sensation of the year: two well-known footballers standing in the dock, charged with sexual assault, a series of vile text messages pointing towards their guilt. As the trial unfolds, Evan Keogh reflects on the events that have led him to this moment. Since leaving his island home, his life has been a lie on many levels. He’s a talented footballer who wanted to be an artist. A gay man in a sport that rejects diversity. A defendant whose knowledge of what took place on that fateful night threatens more than just his freedom or career.

Odran Yates enters Clonliffe Seminary in 1972 after his mother informs him that he has a vocation to the priesthood. He goes in full of ambition and hope, dedicated to his studies and keen to make friends. Forty years later, Odran’s devotion has been challenged by the revelations that have shattered the Irish people’s faith in the church. He has seen friends stand trial, colleagues jailed, the lives of young parishioners destroyed and has become nervous of venturing out in public for fear of disapproving stares and insulting remarks.

Cyril Avery is not a real Avery, or at least that's what his adoptive parents tell him. And he never will be. But if he isn't a real Avery, then who is he? Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead.

On the face of it, Freya lives a gilded existence, dancing solely to her own tune. She has all the trappings of wealth and privilege, a responsible job as a surgeon specialising in skin grafts, a beautiful flat in a sought-after development, and a flash car. But it wasn’t always like this. Hers is a life founded on darkness. Did what happened to Freya as a child one fateful summer influence the adult she would become – or was she always destined to be that person? Was she born with cruelty in her heart or did something force it into being?