Mostrando títulos en Pueblos Nativos de los Estados Unidos

A stunning new volume from the first Native American Poet Laureate of the United States, informed by her tribal history and connection to the land. In the early 1800s, the Mvskoke people were forcibly removed from their original lands east of the Mississippi to Indian Territory, which is now part of Oklahoma. Two hundred years later, Joy Harjo returns to her family’s lands and opens a dialogue with history. Harjo finds blessings in the abundance of her homeland and confronts the site where her people, and other indigenous families, essentially disappeared.

In these poems, the joys and struggles of the everyday are played against the grinding politics of being human. Beginning in a hotel room in the dark of a distant city, we travel through history and follow the memory of the Trail of Tears from the bend in the Tallapoosa River to a place near the Arkansas River. Stomp dance songs, blues, and jazz ballads echo throughout. Lost ancestors are recalled. Resilient songs are born, even as they grieve the loss of their country. Joy Harjo is at the top of her form in Conflict Resolution for Holy Beings.

Leslie Marmon Silko's groundbreaking book Storyteller, first published in 1981, blends original short stories and poetry influenced by the traditional oral tales that she heard growing up on the Laguna Pueblo in New Mexico with autobiographical passages, folktales, family memories, and photographs. As she mixes traditional and Western literary genres, Silko examines themes of memory, alienation, power, and identity; communicates Native American notions regarding time, nature, and spirituality; and explores how stories and storytelling shape people and communities.

In the beginning, the world is spoken into existence with one word: “Earth.” There are no inhabitants, and no sun—only the broad sky, silent sea, and sovereign Framer and Shaper. Then come the twin heroes Hunahpu and Xbalanque. Wielding blowguns, they begin a journey to hell and back, ready to confront the folly of false deities as well as death itself, in service to the world and to humanity. This is the story of the Mayan Popol Vuh, “the book of the woven mat,” one of the only epics indigenous to the Americas.

One of the most important and unique voices in American letters, distinguished poet, novelist, artist, teacher, and storyteller N. Scott Momaday was born into the Kiowa tribe and grew up on Indian reservations in the Southwest. The customs and traditions that influenced his upbringing - most notably the Native American oral tradition - are the centerpiece of his work.

From the night she is rescued as a baby out of the flames of a sinking ship, to the day she joins a pair of daredevil pilots looping and diving over the rugged forests of her childhood, to the thrill of flying Spitfires during the war, the life of Marian Graves has always been marked by a lust for freedom and danger. In 1950, she embarks on her life's dream - to fly a Great Circle around the globe, pole to pole. But after a crash landing, she finds herself stranded on the Antarctic ice without enough fuel.

One of the most distinguished voices in American letters, Pulitzer Prize-winning novelist and poet N. Scott Momaday has devoted much of his life to celebrating and preserving Native American culture, especially its oral tradition. In this wise and wonderous work, Momaday shares stories and memories throughout his life, stories that have been passed down through generations, stories that reveal a profound spiritual connection to the American landscape and reverence for the natural world.

Nature Poem follows Teebs - a young, queer, American Indian (or NDN) poet - who can't bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He'd slap a tree across the face. He'd rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he'd rather write odes to Aretha Franklin and Hole.

mother is a work rooted in an intimate fracture: an Indigenous child is adopted out of her tribe and raised by a non-Indian family. As an adult finding her way back to her origins, our unnamed narrator begins to put the pieces of her birth family's history together through the stories told to her by her mother, father, sister, and brother, all of whom remained on the reservation where she was born. Through oral histories, family lore, and imagined pasts and futures, a collage of their community emerges, raising profound questions about adoption, inheritance, and Indigenous identity in America.

A singular voice in American letters, Momaday’s love of language and storytelling are on full display in this brilliant new collection comprising one hundred sketches or “dream drawings”—furnishings of the mind—as he calls them. Influenced by his Native American heritage and its oral storytelling traditions, here are prose poems about nature, animals, warriors, and hunters, as well as meditations that explore themes of love, loss, time, and memory.

A woman teaches her niece to make a pair of beaded earrings while ruminating on a fractured relationship. An 11-year-old girl narrates the unfolding of the Fish Wars in the 1960s as her family is propelled to its front lines. In 1890, as tensions escalate at Wounded Knee, two young men at college - one French and the other Lakota - each contemplate a death in the family. In the final, haunting piece, a Nez Perce - Cayuse family is torn apart as they debate the fate of ancestral remains in a moving revision of the Greek tragedy Antigone.

In Alone on a Cliff, the girls return to the cliff where they spent a night stranded in 1973 while on a trek PerryAnn hatched to find Billy. Now, over 20 years later, they are on a trek to find Billy again, only this time, it isn't only Billy they are searching for. Unhealed wounds, the healing balm of forgiveness, and gratitude for those who stand by us weave the story like threads running through a tapestry. Through it all, MatiLou and PerryAnn always return to the most important quest they share: to care for Mother Earth.

Kelly Moreau returned from Afghanistan to the Turtle Mountains to heal and forget. But peace for this former marine would not come easy, as she is immediately drawn into a family mystery that will take her across North Dakota in search of a long-lost battlefield and the site of a desperate Métis stand against overwhelming hostile forces.

"The Song of Hiawatha" (1855) is an epic poem by Henry Wadsworth Longfellow that features Native American characters. The epic relates the adventures of an Ojibwe warrior named Hiawatha and the tragedy of his love for Minnehaha. Events in the story are set in the Pictured Rocks area on the south shore of Lake Superior. Longfellow's poem, though based on native oral traditions surrounding the figure of Manabozho, represents not a work of transmission but an original work of American Romantic literature.

In Ohio Country, 1854, 12-year-old Margaret flees a terrible epidemic devastating her Ohio Seneca clan. When Margaret finds herself suddenly orphaned, she is thrust into the wilderness and an impending winter storm. An unexpected betrayal leads Margaret into servitude on a Virginia plantation. Her captivity changes the course of her life forever and sets her on a path of mercy as a medicine woman during the darkest hour of American history - the Civil War. A chance encounter with a Union soldier leaves Margaret torn between two very different worlds and one very forbidden love.

16-year-old Charles Dobbs returned from hunting to find the family farm has been attacked by Indians, their home burned to the ground. His father’s tortured body lies tied to a wagon, and his mother is dying. The agony they have suffered makes a deep impression on Charlie’s young mind, one that would haunt him for many years to come. In this adventure, he becomes a man as he interacts with different tribes, builds lasting friendships...and even longer-lasting enemies.

Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside”. Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay”.

Award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson returns with a bold reimagination of the novel, one that combines narrative and poetic fragments through a careful and fierce reclamation of Anishinaabe aesthetics.

Twelve-year-old Lena-tu-ha and her two sisters escape from the cattle car on the train carrying the Native American Apaches from their homes in Arizona to the Boarding Schools in New Carlisle, Pennsylvania. The three pubescent maidens trek across the desert with nothing but the clothes on their backs to try to find any remnants of their tribe at the old rendezvous points that Geronimo had set up years before.

Moved by her husband to the frontier of Virginia at the beginning of the French and Indian War, Anna Margaretha Mallow and her five children are forced to seek safety at Fort Seybert from the notorious Chief Killbuck, who's on a death march to save his people and culture. Surviving what becomes a deadly massacre, Anna and her children are taken captive and marched to the Ohio River Valley where she endures indescribable losses and change. Only courage and perseverance sustain her during his dark period in American history.