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The epitome of the romantic literary hero, Lord Byron was as well known in his time for the revolutionary panache with which he lived as for his extremely popular verse. “As a myth,” wrote Bertrand Russell, “his importance, especially on the continent, was enormous.” His many tempestuous relationships were the subject of scandal which only added to his celebrity. His name has even entered into our language to describe a man of deep passion and defiance.

George Gordon Byron, 6th Baron Byron, but more commonly known as just Byron, was a leading English poet in the Romantic mMovement along with Keats and Shelley. Byron was born on January 22nd, 1788. He was a great traveller across Europe, spending many years in Italy and much time in Greece. With his aristocratic indulgences and flamboyant style, along with his debts and a string of lovers, he was the constant talk of society.

Lord Byron's satirical take on the legend of Don Juan is a moving and witty poem that sees the young hero in a reversal of roles. Juan sheds his image as a womanizer and instead becomes the victim of circumstance as he is relentlessly pursued by every woman he meets. Comprising 17 cantos of rhyming iambic pentameter, the poem is a crisp and accessible meditation on the madness of the world.

Today Byron is regarded as the ultimate romantic - a rebel, a Casanova, and a man of intense, brooding passion. He was the most famous literary man of his time, and his poetry, endlessly witty and often insightful, was immensely popular and hugely influential. From the delicate romanticism of "She Walks in Beauty" to the evocative reflections of "So We’ll Go No More a Roving", Byron’s poems were unrivaled in their power and potency.

With a dynamic spirit, these great English poets made a conscious return to nostalgia and spiritual depth. Each chose a different path, but they are united in a love of moods, impressions, scenes, stories, sights and sounds. In this collection of more than forty poems are some of the finest and most memorable works in the English language.

From the Levant to London's society salons to the canals of Venice, famed poet Lord Byron embarks on a life of adventure as the world's most notable vampire, following a dark trail of long-hidden secrets, ancient black arts, and the depths of evil.

Byron's exuberant masterpiece tells of the adventures of Don Juan, a handsome and charming young man naturally gifted with the ladies. After his first illicit love affair at the age of 16 in his native Spain, he is exiled to Italy. Following a dramatic shipwreck, his exploits take him to Greece, where he is sold as a slave, and to Russia, where he becomes a favorite of the Empress Catherine, who sends him on to England.

The Oxford Handbook of Lord Byron offers the latest in critical thinking about the poet that defined the Romantic era across Europe and beyond. The volume presents forty-four groundbreaking essays that enable listeners to assess Lord Byron's central position in Romantic traditions and his profound and far-reaching influence on British, European, and world culture.

Lord Byron’s very name conjures up visions of the Romantic movement and outlandishly dressed bohemians, for if Alfred, Lord Tennyson was the poetic darling of the masses, Byron was the hero of the hedonists. While the traditional English literary hero was a nobleman rescuing a damsel in distress, Byron created the antihero, a man plagued by self-doubt and hidden sorrow. At the same time, his hero was also capable of facing reality once he had wrestled through his own angst, and even of occasionally acting nobly in the great tradition of the author’s Puritan forebears.

His life mired in scandal and excess, and his verse unparalleled, Lord Byron was amont the most celebrated - and vilified - of the Romantic poets. This audiobook presents a collection of Lord Byron's finest works, including "Fragment of a Novel", "Manfred", and "Don Juan".

Cain: A Mystery is Lord Byron's retelling of the classical Biblical story from the point of view of its antagonist. Undoubtedly influenced by Milton's Paradise Lost, Byron's Cain is defiant and questioning. In trying to come to terms with the mortality humanity has been punished with, he comes face to face with Lucifer, who takes him to the "Abyss of Space," shows him a vision of Earth's violent natural history, and gives him a true understanding of death. Upon his return, a devastated Cain carries out the familiar end of his tragedy. Cain: A Mystery is a closet drama, a popular form for ...

A narrative poem of 14 stanzas, written by Lord Byron following a visit to the Château of Chillon on Lake Geneva in 1816. It was inspired by the story of 16th-century Swiss monk and patriot François Bonivard, held captive in the dungeons of Chillon between 1532 and 1536.

Conrad, the Corsair, is the chieftain of a pirate band, and plans to attack the Pacha, Seyd, and seize his possessions. Conrad's wife, Medora, prevails upon her husband to abandon his plan and remain at home. Confident in his plan and assured of his safe return, Conrad and his pirate crew set sail for the Pacha's island.

English Bards and Scotch Reviewers was first published anonymously in 1809 with Byron only identified as the author in the 2nd edition. Byron wrote this satire after his first book of poems Hours of Idleness received "strong censure" in the Edinburgh Review. Byron used heroic couplets in imitation of Alexander Pope's The Dunciad to attack the reigning poets of romanticism, including Wordsworth and Coleridge. Byron suppressed this work after the 5th edition, possibly because he came to regret some of the criticism that he had made.(Summary by Alan Mapstone and wikipedia)

Byron was the ideal of the Romantic poet, gaining notoriety for his scandalous private life and being described by one contemporary as "mad, bad and dangerous to know". Here, Tyrone Power reads a selection of his finest work.

When Lord Byron published Childe Harold's Pilgrimage, he woke up one moring to find himself famous. Not long after that, when the word of his separation from Lady Byron got out, he woke up one morning to find himself infamous. Ever since then, his name has been linked inextricably with great lyric poetry and great sexual scandal. Women found him irresistible; he found them irresistible, and the resulting fireworks flared through the skies of the English upper classes of the Regency with tremendous color and enormous noise.

George Gordon Byron was born in 1788, the son of the profligate 'Mad Jack' Byron, and succeeded to the title in 1798 moving to the family seat of Newstead Abbey. He attended Harrow School and Trinity College, Cambridge, where he proved to be a poor scholar, preferring boxing, the low life and poetry, publishing his first volume of poems in 1806. In 1809, at 21, he embarked on a grand tour of Europe and on his return to England he married the humourless Annabella Milbanke, who gave birth to his daughter Augusta in 1815.

The story is of a female slave, Leila, who loves the Giaour, an infidel, and is in consequence bound, thrown in a sack, and drowned in the sea by her Turkish lord, Hassan. In revenge the Giaour kills Hassan, then in grief and remorse banishes himself to a monastery.

The restorative power of the ocean brings Jane Austen and her beloved brother Henry, to Brighton after Henry’s wife is lost to a long illness. But the crowded, glittering resort is far from peaceful, especially when the lifeless body of a beautiful young society miss is discovered in the bedchamber of none other than George Gordon—otherwise known as Lord Byron. As a poet and a seducer of women, Byron has carved out a shocking reputation for himself—but no one would ever accuse him of being capable of murder.

Original introduction and notes by J. M. Beach Byron is situated between Milton, whose suffering Satan retained more than a hint of nobility even though God's ways were supposedly justified, and Nietzsche's ubermench who in suffering the laughter of rejection and the pain of alienated righteousness, destroys the old gods and brings in the new. Byron's duality is couched within a will to do and the weakness to do not - always with the hanging question, does either path really matter? This conflict keeps Byron’s humanity locked, like Pascal's paradoxical pronouncement, in "a mid-point ...