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A highly decorated English soldier and an acclaimed poet and novelist, Siegfried Sassoon won fame for his trilogy of fictionalized autobiographies that wonderfully capture the vanishing idylls of Edwardian England and the brutal realities of war. In this first novel of the semiautobiographical George Sherston trilogy, Sassoon wonderfully captures the vanishing idylls of the Edwardian English countryside.

First published in 1930, Memoirs of an Infantry Officer is a moving fictionalised account of Siegfried Sasson’s own experiences fighting in World War I. At the centre of the novel is young, self-effacing yet brilliant officer, George Sherton, who, once enlisted in the British army, serves in the trenches. As Sherton navigates military life, we learn about his personal struggles and aspirations, unveil the true horrors of war and the brutal day-to-day realities faced by soldiers.

Although it is said that he owed his poetic vision to his Sephardic Jewish roots, Siegfried Sassoon was, in many ways, a conventionally Edwardian squire. A gifted poet, who refused to become part of any literary movement, his poetry shattered the ideals of wartime heroism, and his friendships ranged from Thomas Hardy and Robert Graves to the Sitwells, Rupert Brooke and T.E. Lawrence. In this acclaimed biography, John Stuart Roberts skillfully chronicles Sassoon's life and work, including his homosexuality, his marriage and his quest for a personal religious faith.

‘Cricket and Authors: E.V. Lucas, Oscar Wilde & Siegfried Sassoon’, the eighth monograph in the James D. Coldham Series reflects my father’s love of books, bookmen and writing. He greatly admired E.V. Lucas, and he was honoured to correspond with and meet Siegfried Sassoon. This monograph – a short piece about Oscar Wilde apart – comprises a biographical sketch of E.V. Lucas, one of cricket’s great men of letter, and a short essay concerning Siegfried Sassoon’s love for cricket and examples of his early cricket-related poetry. In publishing ‘Cricket and Authors’ I am doing...

Unlike his more famous fellow war poets, Wilfred Owen and Rupert Brooke, Siegfried Sassoon survived the First World War. In this collection of 64 poems, first published in 1920, Sassoon portrays the dehumanizing horror of modern warfare with its staggering death toll, while also satirizing the jingoistic fervour of politicians and armchair strategists.

In the midst of bombs and bullets, trenches and trauma, the soldiers of World War I, and those observing the horrors taking place from home, took pen to paper to record their experiences in verse. These poems - considered the greatest written during WWI and some of the greatest poetry of the twentieth century - show the horror of war but also shine a light on the strength of human courage, bravery, and virtue.

Here are the extraordinary writings of a generation who fought through a war of unprecedented destructive power, and who had to find new voices to express the horror of what they discovered. The great names - Owen, Sassoon - are fully represented, but there are also many poems by lesser-known or unexpected figures, ranging from serving soldiers like Isaac Rosenberg and Richard Aldington to women such as Edith Nesbit and Vera Brittain.

From the moment war broke out across Europe in 1914, the world entered a new, unparalleled era of modern warfare. Soldiers faced relentless machine gun shelling, incredible artillery power, flame throwers, and gas attacks. Within the first four months of the war, the British Army recorded the nervous collapse of ten percent of its officers; the loss of such manpower to mental illness left the army unable to fill its ranks. Soldiers Don't Go Mad tells for the first time the story of the soldiers and doctors who struggled with the effects of industrial warfare on the human psyche.

The Definitive War Novels Collection is a collection of 11 works that all centre around the destruction of war, and span out to encompass themes from family to love and beyond. Read by esteemed cast of award-winning narrators, included here are novels and epics from Ernest Hemingway; Erich Maria Remarque; Leo Tolstoy; Homer; Stephen Graves; Rebecca West; and many more.

Siegfried Sassoon is one of the best-known of the plethora of First World War poets. His poem, Counter-Attack, was published in 1918 in Counter-Attack and other poems and describes the horror of life in the trenches of the Western Front.

A German soldier during World War II offers an inside look at the Nazi war machine, using his wartime diaries to describe how a ruthless psychopath motivated an entire generation of ordinary Germans to carry out his monstrous schemes.

A collection of the greatest war poetry ever written, read by some of the 20th century’s most renowned actors. Tragedy, war and humanity are played out in these timeless readings of poetry written about, or on, the battlefield.

Ein deutscher Klassiker über das Pflichtgefühl und die Verantwortung in der Zeit des Nationalsozialismus - und das Problem der deutschen Obrigkeitshörigkeit. Reiner Unglaub reist mit dem Hörer in eine Zeit, die niemals in Vergessenheit geraten darf. Siggi Jepsen sitzt in einer Anstalt für schwer erziehbare Jugendliche. Im Zuge seines Deutschunterrichts bekommt er die Aufgabe, einen Aufsatz zu dem Thema "Die Freuden der Pflicht" beizusteuern. Darin beschreibt Siggi seinen Konflikt, der aufgrund der Rolle seines Vaters als Polizist im Nationalsozialismus in seinem Inneren tobt.

George Sherston – the “I” of the book - is a shy, sensitive, and rather lonely boy living on the Kent/Sussex border in the early years of the 20th century. His great loves are sports, horses, and hunting, and the story is told through his gentle and comic adventures at point-to-point races or village cricket matches in a privileged pre-War England. The picture he paints of the Garden of England in the age of pony carts, bicycles, and very slow trains is enchanting. But this is also a poignant coming-of-age tale; with innocence and naivety abruptly crushed by the outbreak of War.

Sassinak was 12 when the raiders came. That made her just the right age: old enough to be used, young enough to be broken. Or so the slavers thought. But Sassy turned out to be a little different from your typical slave girl. Maybe it was her unusual physical strength. Maybe it was her friendship with the captured Fleet crewman. Maybe it was her spirit. Whatever it was, it wouldn’t let her resign herself to the life of a slave. She bided her time, watched for her moment. Finally it came, and she escaped. But that was only the beginning for Sassinak.

Eine Frau zwischen alten Rollenverhältnissen und neuen Rollenansprüchen. Eine Frau - Mutter, Partnerin, Alleinverdienerin - fährt eines Morgens nicht zur Arbeit, sondern in die Psychiatrie. Am Abend hat sie sich mit ihrem Partner gestritten, vielleicht ist etwas zerbrochen, jetzt muss sie den Tag beginnen, sie muss die Tochter anziehen, an alles denken, in der Wohnung und ihrem Leben aufräumen.

An illustrated study guide to poetry written by men and women in all parts of the British Isles during the First World War, 1914–18. This rich and valuable ebook has numerous fascinating hyperlinks to online resources. It discusses significant individual poems by the writers named, exploring them within their social, political and aesthetic frames and summarising important earlier critical readings and responses. It is copiously illustrated and covers Thomas Hardy, Popular Poetry, Anthologies, War Poetry by Women, the work of Graves, Blunden and Gurney, Siegfried Sassoon, Wilfred Owen, ...

Historian Peter Stansky brings siblings, Sir Philip Sassoon and Sybil, and their period into sharp focus. He also explores what their experience reveals about the nature of English life, particularly at the highest reaches, and its relation to wealth, power, politics, Jewishness, and art....

Ginster ist 25 Jahre alt, als der Erste Weltkrieg ausbricht, und ein begabter Architekt. Der patriotischen Begeisterung seiner Zeitgenossen...