Showing results by author "G.K. Chesterton" in All Categories

A collection of essays by Gilbert Keith Chesterton, "Defences" of things at best less appreciated than they ought to be. "... It becomes increasingly apparent, therefore, that the world is in a permanent danger of being misjudged. That this is no fanciful or mystical idea may be tested by simple examples. The two absolutely basic words 'good' and 'bad,' descriptive of two primal and inexplicable sensations, are not, and never have been, used properly. Things that are bad are not called good by any people who experience them; but things that are good are called bad by the universal verdict of ...

A wonderful collection of 30 of the greatest detective and mystery stories ever written. Featuring all the great classic sleuths, including Sherlock Holmes, Father Brown, Max Carrados, Dr. Thorndyke and Madame Rosika Storey. 1. 'Who killed Charlie Winpole?' By Ernest Bramah 2. 'The Blue Cross' by G. K. Chesterton 3. 'The Problem of the Five Marks' by Melville Davisson Post 4. 'The Comedy at Fountain Cottage' by Ernest Bramah 5. 'The Mysterious Card' by Cleveland Moffett 6. 'The Card Unveiled' by Cleveland Moffett

Listeners will delight in these masterful chronicles of the adventures and mishaps of Father Brown. Small, round-faced and engagingly innocent, Brown is a Roman Catholic priest from East Anglia. He also happens to be a top-notch detective, possessing that rarest of all gifts - an intuition that never fails.

First published in 1922 and filled with evocative portraits of pre-World War I society, these eight stories from the creator of the Father Brown mysteries recount the adventures of Horne Fisher, a socialite who uses his immense knowledge and powerful deductive gifts to investigate crimes committed on the sprawling country estates of the aristocracy - crimes that must, alas, go largely unpunished due to the greater harm that justice would unleash.

A gripping collection of the very best classic mystery and adventure stories. 1. "Rose Rose" by Barry Pain 2. "The Perfect Crime" by Seamark 3. "The Well" by W. W. Jacobs 4. "The Tea-Leaf" by Edgar Jepson and Robert Eustace 5. "The Step" by E. F. Benson 6. "The Queer Feet" by G. K. Chesterton 7. "The Beast with Five Fingers" by W. F. Harvey 8. "The Enemy" by Hugh Walpole 9. "An Impromptu Dance" by A. J. Alan 10. "The Red-Headed League" by Sir Arthur Conan Doyle 11. "The Wedding Guest" by Guy Boothby

From London to Cornwall, then to Italy and France, a short, shabby priest takes on bandits, traitors and killers. Why is he so successful? The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it. The award winning Colonial Theatre on the Air has dramatized G.K. Chesterton's Father Brown stories from The Innocence of Father Brown with a full cast, music score, and sound effects.

This collection of 12 short stories is part of the Father Brown series, about a mystery-solving Catholic priest. In a refreshing contrast with the deductive detective Sherlock Holmes, Father Brown works intuitively. Through many years of hearing confessions, he has developed an uncanny ability to see inside the minds of criminals. Although he appears unobtrusive and dowdy, with a face "as round and dull as a Norfolk dumpling", he is also surprisingly worldly for a priest.

This book is meant to be a companion to "Heretics," and to put the positive side in addition to the negative. Many critics complained of the book because it merely criticised current philosophies without offering any alternative philosophy. This book is an attempt to answer the challenge. It is the purpose of the writer to attempt an explanation, not of whether the Christian Faith can be believed, but of how he personally has come to believe it. The book is therefore arranged upon the positive principle of a riddle and its answer.

In his second collection of stories about the deceptively unassuming Father Brown, Chesterton give us another 12 tales of misunderstanding, deception, theft, murder, mystery, and suicide, unravelled with modesty and compassion by the little priest-detective....

A wonderful collection of classic thrillers, mystery stories, crime tales and weird accounts of uncanny events.1. Query by “Seamark” 2. The Furnished Room by O. Henry 3.The Dancing Partner by Jerome K. Jerome 4. The Squaw by Bram Stoker 5. The 19 Club by A. J. Alan 6. The Interruption by W. W. Jacobs7. Laura by Saki 8. A Descent into the Maelström by Edgar Allan Poe 9. The Diver by A. J. Alan10. The Man of the Night by Edgar Wallace11. The Burglary by Arnold Bennett

Gilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown. In The Purple Wig, an investigative journalist, Frances Finn, sets out to discover the strange secret of the dukes of Exmoor and the legend of their mysterious hereditary deformed ear. When Finn meets the current duke, he is wearing a hideous purple wig, which apparently he never takes off in the presence of anybody.

If you were to meet a mild, hardworking little priest named Father Brown and were to ask him what he thought was the most singular luck of his life, he would probably reply that upon the whole his best stroke was at the Vernon Hotel, where he had averted a crime and, perhaps, saved a soul merely by listening to a few footsteps in a passage.

At first, The Man Who Was Thursday seems no more than a detective story that also has both poetry and politics, as well. But it soon becomes a mystery that grows more mysterious, until it is nothing less than the mystery of creation itself.

A fictional priest and amateur detective named Father Brown had a face once described “as round and dull as a Norfolk dumpling”. This made him appear somewhat clumsy and naïve, but that didn’t take into account his keen understanding of human nature and exceptional intuition. Stories include: “The Blue Cross”, “The Secret Garden”, “The Queer Feet”, “The Flying Stars”, “The Invisible Man”, and more.

Short story The Blue Cross is Chesterton's first Father Brown mystery. It introduces the characters Flambeau and Valentin. It is unique among the Father Brown mysteries in that it does not follow the actions of the Father himself, but rather those of Valentin. Brown has been committing acts to draw the attention of the police (throwing soup, knocking over apples, smashing a window) and leaving an obvious trail for them to follow. Valentin takes this opportunity to emerge from hiding with the policemen and arrest Flambeau. Both Flambeau and Valentin bow to Father Brown's superior detective skills.

Edgar Allan Poe's The Purloined Letter, Sir Arthur Conan Doyle's The Crooked Man, and G.K. Chesterton's The Man in the Passage, comprise this anthology featuring famous sleuths.

G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory.

In a surreal turn-of-the-century London, Gabriel Syme, a poet, is recruited to a secret anti-anarchist taskforce at Scotland Yard. Lucian Gregory, an anarchist poet, is the only poet in Saffron Park, until he loses his temper in an argument over the purpose of poetry with Gabriel Syme, who takes the opposite view. After some time, the frustrated Gregory finds Syme and leads him to a local anarchist meeting-place to prove that he is a true anarchist.

A short story from the British Library Crime Classic collection The Edinburgh Mystery. Father Brown joins his friend, amateur detective Flambeau, at Glengyle Castle in Scotland to investigate the mysterious death of the earl, and the mysterious behaviour of his servant, Israel Gow.

DES MEURTRES IMPOSSIBLES ! 9 nouvelles ou courts romans célèbres, mettant en scène des meurtres commis dans des lieux hermétiquement fermés. 9 énigmes qui sont autant de défis aux capacités de déduction et d'imagination de l'audiolecteur.