Showing results by author "Lindsey Davis" in All Categories

In ancient Rome, the number of slaves was far greater than that of free citizens. As a result, often the people Romans feared most were the "enemies at home," the slaves under their own roofs. Because of this, Roman law decreed that if the head of a household was murdered at home, and the culprit wasn't quickly discovered, his slaves - all of them, guilty or not - were presumed responsible and were put to death...without exception.

Balbinus Pius, the most notorious gangster in Emperor Vespasian's Rome, has been convicted of a capital crime at last. A quirk of Roman law, however, allows citizens condemned to death "time to depart" and find exile outside the empire. Now, as every hoodlum in Rome scrambles to take over Balbinus' operations, private eye Marcus Didius Falco has to deal with an unprecedented wave of crime - and the sneaking suspicion that Balbinus' exile may not really be so permanent after all.

In the late August of AD 79, the inhabitants of Pompeii and Herculaneum are going about their normal business in the late summer heat. Two of them have a room share arrangement: Nonius, scrounger, thief and failed pimp works by night and sleeps by day; Larius, the fresco painter with dreams of artistic greatness, does the opposite. When just after midday the summit of Vesuvius disappears in a vast volcanic ash cloud, their lives will change forever.

Rome, AD 71. Marcus Didius Falco is desperate to leave the notorious Lautumiae prison—though being bailed out by his mother is a slight indignity. Things go from bad to worse when a group of nouveau riche ex-slaves hire him to outwit a fortune-hunting redhead whose husbands have a habit of dying accidentally, leaving him up against a female contortionist, her extra-friendly snake, indigestible cakes, and rent racketeers. All the while Falco tries to lure Helena Justina to live with him.

In the first century AD, during Domitian's reign, Flavia Albia is ready for a short break from her family. So in July she returns to Rome, leaving them at their place on the coast. Albia, daughter of Marcus Didius Falco, who is now retired as private informer, has taken up her father's former profession, and it's time to get back to work. The first order of business, however, is the corpse found in a chest sent as part of a large lot to be sold by the Falco family auction house.

In first century A.D. Rome, Marcus Didius Falco works as a private "informer," ferreting out hidden truths and bringing villains to ground. But even informers take vacations, so in A.D. 77, Falco and his wife Helena Justina travel to Alexandria, Egypt. Before long the Librarian of the great library is found dead and Falco quickly finds himself on the trail of dodgy doings, malfeasance, and the lowest of the low - book thieves! As the bodies pile up, it's up to Falco to untangle this horrible mess and restore order.

After six months in wild Germania, imperial gumshoe Marcus Didius Falco is back in Rome sweet Rome - but his apartment has been ransacked. And although he desperately needs 400,000 sesterces in order to marry his aristocratic love, Helena, his only client is his mother, who insists that he find out whether the scandalous claims against his dead brother, Festus, are true. Then the chief tarnisher of Festus' good name is murdered, and Marcus becomes the prime suspect.

Decades earlier Appius Tranquillus Surus wrote his will: it freed his slaves and bequeathed his businesses to them. He left an orchard to the Prisci, a family he was friendly with, on the condition that his freedmen could still take its harvest. The convoluted arrangement has led to a feud between the two families, each of which has its own internal strife. Endless claims and counterclaims lead to violence and even death. Lawyers have given up in exasperation as the case limps on. The original will has disappeared, along with a falsified codicil - and might there be another one?

Flavia Albia, daughter and successor of private informer Marcus Didius Falco is twiddling her thumbs with no clients during the December festival of Saturnalia. But that doesn't mean all is quiet. Her husband Tiberius and the Fourth Cohort are battling organized crime interests that are going to war over the festival nuts. A series of accidental poisonings, then bloody murders of rival nut-sellers, and finally a gruesome warning to Tiberius from the hidden criminal powers to back off.

Flavia Albia is the adopted daughter of Marcus Didius Falco and Helena Justina. From her mother, she learned how to blend in at all levels of society; from her father, she learned the tricks of their mutual professional trade. But her wits and (frequently) sharp tongue are hers alone. Now, working as a private informer in Rome during the reign of Domitian, Flavia has taken over her father’s old ramshackle digs at Fountain Court in the Surbura district, where she plies her trade with energy, determination, and the usual Falco luck.

Full-cast BBC Radio 4 dramatisations of the first five Falco novels by Lindsey Davis, starring Anton Lesser as Marcus Didius Falco.

Four novella-length stories written to illuminate Lindsey Davis's unparalleled output of the last 30 years, with an introduction written and narrated by the author.

In the sacred grove of Julius Caesar, something deadly stirs in the undergrowth - a serial killer, who haunted the gardens for years, has claimed another victim - in Lindsey Davis' next historical mystery, The Grove of the Caesars. At the feet of her adoptive father, renowned private informer Marcus Didius Falco, Flavia Albia learned a number of important rules. First and foremost - always keep one's distance from the palace, nothing good comes from that direction. But right behind it - murder is the business of the Vigiles, best to leave them to it.

Ten years after the eruption of Vesuvius, the surrounding countryside lies buried and barren. But the destroyed cities and luxury villas on the Bay of Naples are not utterly lost. Flavia Albia and her husband Tiberius Manlius are tasked with restoring one villa and identifying any surviving remains. What they unearth is beyond disturbing.

It is the Roman holiday of Saturnalia. The days are short, the nights are for wild parties. A general has captured a famous enemy of Rome, and brings her home to adorn his Triumph as a ritual sacrifice. But the logistics go wrong.

Lindsey Davis’ Master and God is a vastly entertaining historical novel set in the reign of the Emperor Domitian in first-century Rome. It is on the one hand a love story between Gaius Vinius Clodianus, a valiant but reluctant member of the Praetorian Guard, whose military career is as successful as his marital history is disastrous, and Flavia Lucilla, daughter of a freed slave and hairdresser to the ladies of the imperial household. A devastating fire in Rome brings them together....

Men are fools for love. And that includes Marcus Didius Falco. To please his beloved, the tough shamus has become Procurer of the Sacred Poultry (i.e., babysitter of the temple geese). It's steady work and good pay, but Falco is soon restless. So when a beautiful child, chosen to enter the secret order of Vestal Virgins, disappears, he grabs the case. He quickly discovers that greed and religious fervor are only a thread away from madness.

When Marcus Didius Falco encounters the young and very pretty Sosia Camillina in the Forum, he senses immediately that there is something amiss. When she confesses that she is fleeing for her life, Falco offers to help her and, in doing so, gets himself mixed up in a deadly plot involving stolen ingots, dangerous and dark political machinations, and, most hazardous of all, one Helena Justina - a brash, indomitable senator's daughter connected to the very traitors that Falco has sworn to expose.

Julius Caesar left his gardens to the citizens of Rome, a peaceful sanctuary across the Tiber. Now the gardens and their sacred grove are dangerous haunts, especially for women alone. 'Don't go to the Grove,' people mutter, but when her husband has to leave Rome, it falls to Albia to supervise his building project in an old grotto. Why has someone buried tattered scrolls by obscure philosophers - and does it involve a worse crime than terrible writing? Soon that puzzle is overtaken.

With hideous murders in the streets of Rome, a lone female traveller arrives with an agenda of her own. But when her corpse is dragged out of the river bearing signs of foul play, Flavia Albia is drawn in, concerned about her fellow Briton's fate. Albia's quest to find the killer becomes deeply personal when she discovers a man at the centre of the plot is an old adversary of hers. Will she be obsessed by revenge? Can she let the past go, or will it consume her?