Mostrando resultados por narrador "Julienne Irons" en Todas las categorías

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

Supernatural Bounty Hunter isn’t the sort of thing you see on LinkedIn. But with a rare type of magic like mine, I don’t have many options. So dangerous or not, the job is mine. And it was going fine, until an old as sin vampire stole my mark, and with it, my pay day.

My whole world changed when I stepped inside the academy. Nothing is right about this place or the other students in it. Here I am, a mere mortal among gods...or monsters. I still can't decide which of these warring factions I belong to, if I belong at all. I only know the one thing that unites them is their hatred of me. Then there's Jaxon Vega. A vampire with deadly secrets who hasn't felt anything for a hundred years. But there's something about him that calls to me, something broken in him that somehow fits with what's broken in me. Which could spell death for us all.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

My whole world changed when I stepped inside the academy. Nothing is right about this place or the other students in it. Here I am, a mere mortal among gods...or monsters. I still can't decide which of these warring factions I belong to, if I belong at all. I only know the one thing that unites them is their hatred of me. Then there's Jaxon Vega. A vampire with deadly secrets who hasn't felt anything for a hundred years. But there's something about him that calls to me, something broken in him that somehow fits with what's broken in me. Which could spell death for us all.

When Lilith lyapo wakes from a centuries-long sleep, she finds herself aboard the vast spaceship of the Oankali. She discovers that the Oankali—a seemingly benevolent alien race—intervened in the fate of the humanity hundreds of years ago, saving everyone who survived a nuclear war from a dying, ruined Earth and then putting them into a deep sleep. After learning all they could about Earth and its beings, the Oankali healed the planet, cured cancer, increased human strength, and they now want Lilith to lead her people back to Earth—but salvation comes at a price.

Kayla is a GEN—a genetically engineered nonhuman—in a world torn apart by castes separating GENs from "real" humans. In the wake of a devastating bomb blast, Kayla finds herself at the headquarters of the organization that planted the bomb—and many others like it in GEN food warehouses and homes. Her biological mother tells her that Devak is dead and that Kayla must join their terrorist group, which is ramping up for something big. Now Kayla must pretend to embrace this new role in an underground compound full of paranoia as she plots a way to escape and save her friends.

Once a lowly Chadi sector GEN girl terrified of her first job assignment, Kayla is now a valued member of the Kinship, a secret organization of GENs, lowborns, and trueborns who fight to further the cause of GEN freedom. But she is still a slave to the trueborn ruling class, and her relationship with trueborn Devak is still strictly forbidden. Kayla longs to be truly free, but other priorities get in the way. A deadly new virus is sweeping through GEN sectors—a disease only GENs catch.

On rugged planet Loka, life for best friends Kayla and Mishalla is arduous at best. They are GENs, genetically engineered non-humans, and in their strict caste system, GENs are at the bottom rung of society. GENs are gestated in a tank and sent to work as slaves as soon as they reach age fifteen. When Kayla is assigned to care for Zul Manel, the patriarch of a trueborn family, she finds secrets and surprises—not least of which is her budding friendship with Zul's handsome great-grandson.

Reproductive Justice is a first-of-its-kind primer that provides a comprehensive yet succinct description of the field. Written by two legendary scholar-activists, Reproductive Justice introduces students to an intersectional analysis of race, class, and gender politics. Loretta J. Ross and Rickie Solinger put the lives and lived experience of women of color at the center of the book and use a human rights analysis to show how the discussion around reproductive justice differs significantly from the pro-choice/anti-abortion debates that have long dominated the headlines.

Today, women are ascendant in stand-up comedy, even preeminent. They make headlines, fill arenas, spawn blockbuster movies. But before Amy Schumer slayed, Tiffany Haddish killed, and Ali Wong drew roars, the very idea of a female comedian seemed, to most of America, like a punch line. And it took a special sort of woman—indeed, a parade of them—to break and remake the mold. In on the Joke is the story of a group of unforgettable women who knocked down the doors of stand-up comedy so other women could get a shot

Noah Blue's finally got her foot in the door. After clawing her way to the top of the charts with her webcomic, she's garnered enough attention to earn a full-time position at a comic company relaunching their cult classic comic: Queen Leisah. Queen Leisah is predicted to be an instant bestseller with movie deals already in the making. There's nowhere to go but up . . . as soon as she gets one person out of her way.

Joyce thought her prayers were finally answered when her client killed her. Yes, she knows, it's morbid. But, so is being a lawyer. Now dead, Joyce thought it was blue skies, angel wings, mimosas, and Jesus. Well, she was embarrassingly wrong. The insufferable, but good-looking Grim Reaper needs a favor. He needs her to represent him in the newly formed Reaper's Court. That is, of course, if she wants to go to heaven rather than to hell, which is exactly where she was heading.

For over a year, the Bronx has been plagued by sudden disappearances that no one can explain. Sixteen-year-old Raquel does her best to ignore it. After all, the police only look for the white kids. But when her crush, Charlize's cousin, goes missing, Raquel starts to pay attention—especially when her own mom comes down with a mysterious illness that seems linked to the disappearances. Raquel and Charlize team up to investigate, but they soon discover that everything is tied to a terrifying urban legend called the Echo Game.

Half-angel Trinity and her bonded gargoyle protector, Zayne, have been working with demons to stop the apocalypse while avoiding falling in love. The Harbinger is coming…but who or what is it? All of humankind may fall if Trinity and Zayne can’t win the race against time as sinister forces gather.

Immortality sucks. Just ask Imogen Gray: Over two-hundred thousand years old and teetering on the edge of total insanity. Strong as a shifter, faster than a vampire, Imogen's walked the earth forever, always alone, never growing, never changing. Never learning, either. Her smart mouth and quick temper get her into trouble far too often. When that happens, she gets hurt—and it can take a long time to heal from severed limbs and disembowelment. She's so tired of it all.

A much-needed guide to this increasingly popular divination system written by a Lenormand master and teacher.

Immortality sucks. Just ask Imogen Gray—over two hundred thousand years old and teetering on the edge of total insanity. All throughout history, she's been hunted by an ancient creature who finds her and rips her to pieces every time she dares to access her deepest powers. But Imogen always regenerates. Slowly. Painfully.

Brogan and Lula Gauge have spent a lifetime traveling Route 66, hunting the monsters that attacked them and left Brogan an earthbound spirit and Lula a near-vampire. They never wanted to catch the attention of Cupid, the god of connections and destruction. They never expected the god to want to strike a deal with them, either. Cupid's deal brought Brogan back to life, but now they owe the god a favor. They must find the spell book of the gods. A book of magic so powerful, it could destroy the world.

From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films.