
The Disaster Artist
My Life inside 'The Room', the Greatest Bad Movie Ever Made
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Narrated by:
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Greg Sestero
About this listen
Nineteen-year-old Greg Sestero met Tommy Wiseau at an acting school in San Francisco. Wiseau's scenes were rivetingly wrong, yet Sestero, hypnotized by such uninhibited acting, thought, "I have to do a scene with this guy." That impulse changed both of their lives. Wiseau seemed never to have read the rule book on interpersonal relationships (or the instructions on a bottle of black hair dye), yet he generously offered to put the aspiring actor up in his LA apartment. Sestero's nascent acting career first sizzled, then fizzled, resulting in Wiseau's last-second offer to Sestero of co-starring with him in The Room, a movie Wiseau wrote and planned to finance, produce, and direct - in the parking lot of a Hollywood equipment-rental shop.
Wiseau spent $6 million of his own money on his film, but despite the efforts of the disbelieving (and frequently fired) crew and embarrassed (and frequently fired) actors, the movie made no sense. Nevertheless, Wiseau rented a Hollywood billboard featuring his alarming headshot and staged a red carpet premiere. The Room made $1,800 at the box office and closed after two weeks. One reviewer said that watching The Room was like "getting stabbed in the head".
The Disaster Artist is Greg Sestero's laugh-out-loud funny account of how Tommy Wiseau defied every law of artistry, business, and friendship to make "the Citizen Kane of bad movies" (Entertainment Weekly), which is now an international phenomenon, with Wiseau himself beloved as an oddball celebrity. Written with award-winning journalist Tom Bissell, The Disaster Artist is an inspiring tour de force, an open-hearted portrait of an enigmatic man who will improbably capture your heart.
©2013 Greg Sestero and Thomas Carlisle Bissell (P)2014 TantorListeners also enjoyed...
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Editorial review
By Seth Hartman, Audible Editor
THE DISASTER ARTIST IS THE ULTIMATE ODE TO FAILURE
During my first college semester, I was relentlessly diligent in my pursuit of a social life. Through the endless array of dorm parties, club signups, and free cupcakes, I came across a fellow freshman who pitched me a club idea of his own— "The Z Movie Society." Basically, the vision was that we would meet weekly and watch movies with infamously bad critical receptions. Through the deluge of shark-infested weather patterns and Nazi militias on the moon, one film shined through, a film with a surprisingly straightforward plot.
The film in question was The Room, the story of a man who slowly realizes that his wife is cheating on him with his best friend. The star and creator of the movie, Tommy Wiseau provides one of the most baffling film experiences I’ve ever enjoyed. Wiseau had never acted let alone created a movie before, and so relied on his instincts when it came to script, direction, and performance. He is both serious and silly, reading his lines (which he wrote himself) either with robotic swiftness or completely over-the-top emotional gusto. Yes, the plot makes no sense and the instances of green screen usage were egregious, but I was mostly interested in Tommy Wiseau, the ringleader of this exceptionally weird experience. Where did he come from? What accent does he have? And, above all else, why the hell did he feel compelled to make this movie?
Luckily for me, I did not need to wait to find any of this information out. In 2013, 10 years after The Room’s release, Greg Sestero (Tommy’s costar in the film) came out with The Disaster Artist, a memoir recounting his strange experience meeting, working with, and eventually being creatively tied to Tommy Wiseau. By this point, the original film was enjoying cult status in pop culture, and it quickly became apparent that there were tons of curious people out there like me. Greg narrates the audiobook, too, steeping the listener in his experience.
Throughout The Disaster Artist, Sestero does his best to pay tribute to a creative with a singular vision and the drive to make it happen, logic be damned. Despite countless roadblocks, questions, and concerns along the way, this man, for better or for worse, threw caution to the wind and made his dream a reality. To this day, The Room remains a cult hit, and The Disaster Artist even got its own feature film.
The long-lasting success of this objectively terrible film and the book that followed fill me with so much joy. It is strangely empowering to know that a single person can fight against the current like Wiseau did and somehow land on his feet. While I don’t see anything like The Room winning an Oscar any time soon, I sincerely hope that more works like The Disaster Artist come along to shine a light on more Z movies.
Continue reading Seth's review >
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Story
Nicolas Cage is many things, but love him, or laugh at him, there's no denying two things: You've seen one of his many films, and you certainly know his name. But who is he, really, and why has his career endured for over 40 years, with more than a hundred films, and birthed a million memes? Age of Cage is a smart, beguiling book about the films of Nicolas Cage and the actor himself, as well as a sharp-eyed examination of the changes that have taken place in Hollywood over the course of his career.
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Excellent filmography of a successful career
- By Pamela Plimpton on 04-04-22
By: Keith Phipps
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Sonic Boom
- The Impossible Rise of Warner Bros. Records, from Hendrix to Fleetwood Mac to Madonna to Prince
- By: Peter Ames Carlin
- Narrated by: David de Vries
- Length: 10 hrs and 40 mins
- Unabridged
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The most compelling figures in the Warner Bros. story are the sagacious Mo Ostin and the unlikely crew of hippies, eccentrics, and enlightened execs who were the first in the music business to read the generational writing on the wall in the mid-1960s. By recruiting outsider artists and allowing them to make the music they wanted, Ostin and his staff transformed an out-of-touch company into the voice of a generation. Along the way, they revolutionized the music industry and, within just a few years, created the most successful record label in the history of the American music industry.
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Van Dyke Parks v. Van Halen
- By Jennifer S. on 11-19-24
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Doom Guy
- Life in First Person
- By: John Romero
- Narrated by: John Romero
- Length: 17 hrs and 4 mins
- Unabridged
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Doom Guy: Life in First Person is the long-awaited autobiography of gaming’s original rock star and the cocreator of DOOM, Quake, and Wolfenstein—some of the most recognizable and important titles in video game history. Credited with the invention of the first-person shooter, a genre that continues to dominate the market today, he is gaming royalty. Told in remarkable detail, a byproduct of his hyperthymesia, Romero recounts his storied career.
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Intimate stories of gaming history in First Person
- By Emyli on 07-28-23
By: John Romero
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The Rise and Fall of Ancient Egypt
- By: Toby Wilkinson
- Narrated by: Michael Page
- Length: 18 hrs and 53 mins
- Unabridged
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In this landmark work, one of the world's most renowned Egyptologists tells the epic story of this great civilization, from its birth as the first nation-state to its final absorption into the Roman Empire - 3,000 years of wild drama, bold spectacle, and unforgettable characters. Award-winning scholar Toby Wilkinson captures not only the lavish pomp and artistic grandeur of this land of pyramids and pharaohs but for the first time reveals the constant propaganda and repression that were its foundations.
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Well Written and Detailed
- By Matthew G. on 01-26-18
By: Toby Wilkinson
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Blood, Sweat, and Pixels
- The Triumphant, Turbulent Stories Behind How Video Games Are Made
- By: Jason Schreier
- Narrated by: Ray Chase
- Length: 7 hrs and 58 mins
- Unabridged
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Developing video games—hero's journey or fool's errand? The creative and technical logistics that go into building today's hottest games can be more harrowing and complex than the games themselves, often seeming like an endless maze or a bottomless abyss. In Blood, Sweat, and Pixels, Jason Schreier takes listeners on a fascinating odyssey behind the scenes of video game development, where the creator may be a team of 600 overworked underdogs or a solitary geek genius.
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Behind the Scenes
- By SAMA on 11-27-17
By: Jason Schreier
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The Hitchhiker's Guide to the Galaxy
- By: Douglas Adams
- Narrated by: Stephen Fry
- Length: 5 hrs and 51 mins
- Unabridged
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Seconds before the Earth is demolished to make way for a galactic freeway, Arthur Dent is plucked off the planet by his friend Ford Prefect, a researcher for the revised edition of The Hitchhiker's Guide to the Galaxy who, for the last 15 years, has been posing as an out-of-work actor.
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HHTGH - Lightly Fried
- By J. Medany on 05-08-05
By: Douglas Adams
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Pet Sematary
- By: Stephen King
- Narrated by: Michael C. Hall
- Length: 15 hrs and 41 mins
- Unabridged
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When Dr. Louis Creed takes a new job and moves his family to the idyllic, rural town of Ludlow, Maine, this new beginning seems too good to be true. Yet despite Ludlow's tranquility, there's an undercurrent of danger that lingers...like the graveyard in the woods near the Creeds' home, where generations of children have buried their beloved pets.
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THIS is what Audible was made for!
- By Nate_D on 04-03-18
By: Stephen King
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Good Omens
- A Full Cast Production
- By: Neil Gaiman, Terry Pratchett
- Narrated by: Rebecca Front, Michael Sheen, David Tennant, and others
- Length: 12 hrs and 14 mins
- Unabridged
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According to The Nice and Accurate Prophecies of Agnes Nutter, Witch (the world's only completely accurate book of prophecies, written in 1655, before she exploded), the world will end on a Saturday. Next Saturday, in fact. Just before dinner. So the armies of Good and Evil are amassing, Atlantis is rising, frogs are falling, tempers are flaring. Everything appears to be going according to Divine Plan.
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Brilliant and epic
- By Victor @ theAudiobookBlog dot com on 11-02-21
By: Neil Gaiman, and others
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The Colour of Magic
- Discworld, Book 1
- By: Terry Pratchett
- Narrated by: Colin Morgan, Peter Serafinowicz, Bill Nighy
- Length: 7 hrs and 58 mins
- Unabridged
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Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place that might sound and smell very much like our own, but which looks completely different. Particularly as it’s carried though space on the back of a giant turtle (sex unknown). It plays by different rules. But then, some things are the same everywhere. The Disc’s very existence is about to be threatened by a strange new blight: the world’s first tourist, upon whose survival rests the peace and prosperity of the land.
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TERRIBLE Narration!
- By Kayla I on 07-08-22
By: Terry Pratchett
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Dracula [Audible Edition]
- By: Bram Stoker
- Narrated by: Alan Cumming, Tim Curry, Simon Vance, and others
- Length: 15 hrs and 27 mins
- Unabridged
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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'Salem's Lot
- By: Stephen King
- Narrated by: Ron McLarty, Stephen King
- Length: 17 hrs and 36 mins
- Unabridged
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Writer Ben Mears has returned to his hometown of Jerusalem's Lot with the hope that moving into a delapidated mansion, long the subject of town lore, might help him get a handle on his life and provide inspiration for a new book. But when two young boys venture into the woods and only one comes out alive, Mears begins to realize that there may be something sinister at work.
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A Great Performance of an Excellent Story
- By Tami on 10-02-12
By: Stephen King
Great Book
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Fantastic performance of an excellent work about a fascinating movie and fascinating people.
It’s rare that the audiobook is better than print.
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Brilliant
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Amazing
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What made the experience of listening to The Disaster Artist the most enjoyable?
To those who have seen "The Room" with a zealous midnight crowd, talking to the screen, throwing plastic spoons and having a great time (the only way one should see it) - this inside making-of story is absolutely fascinating. But even if you haven't seen the movie, the story of eccentric mystery director, Tommy Wiseau, and his weird friendship with author/actor, Greg Sestero, is equally as entertaining.What other book might you compare The Disaster Artist to and why?
The closest I can think of is "Ed Wood: Nightmare of Ecstasy (The Life and Art of Edward D. Wood, Jr." - in that it explores the life of a bad movie maker and their "art."Which character – as performed by Greg Sestero – was your favorite?
Sestero reads his own story and does a vocal impression of Tommy Wiseau throughout the read that I thought helped paint a vivid picture of his unique experience (I've met Tommy and Greg's impression is pretty good).Was this a book you wanted to listen to all in one sitting?
Yes. I listen as I drive and looked forward to the story resuming each time I got in the car.Any additional comments?
I love stories about movie-making. This story is a fun ride - effortlessly humorous and written with great clarity. In the history of Hollywood movie-making, director Tommy Wiseau is a one-of-a-kind personality. The fact that his lousy movie became a phenomena is a beautiful miracle, illuminated by Sestero's recollections.It takes work to make a movie this bad.
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The only other thing to add was the performance, overall it was pretty good but there were probably a dozen times over the course of this book that had really disjointed popping sounds & spikes in volume.
Just things to be aware of before you listen. Even considering those it's a definite recommend.
She's lying, I did not hit pause; I did not. Oh, hai Mark
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Hilarious.
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Greg Sestero knocks it out of the park.
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Funniest audiobook I've come across
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Answers some of the questions you may have.
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